Autor: Maniak, Katarzyna - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Guerrilla Girls: Invisible Sex in the Field of Art
Autorzy:: Maniak, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/485500.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: Guerrilla Girls
art activism
feminism theory
intersectional feminism
sex
discrimination
Opis:: The article focuses on an artist and activist collective Guerrilla Girls, created in 1985 in order to fight discrimination in the art field. It presents the group’s strategies, using selected actions as examples. The article is also a critical analysis of the collective’s achievements in the context of feminist theories, especially one concerning the relations between feminism and issues of race and ethnicity. The author is also interested in the connections between members of the group and the art system, as well as questions on sexism in the contemporary art field, after 30 years of Guerrilla Girls’ existence.
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione; 2018, 13; 87-95
2081-3325
2300-5912
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Artysta, tłumacz, autorytet? – próby zdefiniowania profesji kuratora
Autorzy:: Maniak, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/644496.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: a curator
creator of meanings
an artist
an interpreter
an authority
Opis:: The curator has traditionally been defined as a custodian, a person having control and taking care of a collection, and often, a researcher and scientist. In the 70s, a new form of curatorial activities was developed - a figure of an independent curator who is responsible for the form and content of artistic events. This article analyses the profiles of an independent curator and her/his relations with artists. The dissertation also tries to define the curator as an interpreter and a person who has the authority and the power of legitimization.
Źródło:: Prace Etnograficzne; 2013, 41, 1; 51-61
0083-4327
2299-9558
Pojawia się w:: Prace Etnograficzne
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Ceramika z Bolesławca — dziedzictwo w tranzycie
Bolesławiec Pottery: Heritage in Transit
Autorzy:: Kurpiel, Anna
Maniak, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/1372851.pdf
Data publikacji:: 2020-06-25
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: cultural heritage
Lower Silesia
economy of (non)memory
heritage with multiple heirs
pottery from Bolesławiec
heritage in transit
dziedzictwo kulturowe
Dolny Śląsk
ekonomia (nie)pamięci
dziedzictwo wielu dziedziców
ceramika bolesławiecka
dziedzictwo w tranzycie
Opis:: This article analyses the phenomenon of stenciled ceramics from Bolesławiec, a city in Lower Silesia, which was annexed to Poland after the Second World War. On the basis of theories from the field of cultural heritage, memory studies, and economics, the authors trace the discrepancy between the modern view of these ceramics and their social and historical biography. As a result, they propose the use of two new terms, “heritage with multiple heirs” and the “economy of (non)memory,” which would help people to understand this multidimensional phenomenon and would encompass the appropriation of cultural heritage, the negotiation of its meanings, and the role of cultural heritage in a neoliberal economy.
Źródło:: Kultura i Społeczeństwo; 2020, 64, 2; 157-173
2300-195X
Pojawia się w:: Kultura i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

Artykuł

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