Autor: Laskowska-Hinz, Sabina - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Designing Goddesses: Shakespeare’s "Othello" and Marian Nowiński’s "Otello Desdemona"
Autorzy:: Laskowska-Hinz, Sabina
Powiązania:: https://bibliotekanauki.pl/articles/1033498.pdf
Data publikacji:: 2020-06-30
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Desdemona
William Shakespeare
Othello
Marian Nowiński
Shakespeare in visual arts
Opis:: The article discusses the intertextual relationship between the poster by Marian Nowiński, Otello Desdemona, and the content of Shakespeare’s play, while presenting the most important elements of the plot that are decisive for the portrayal of Desdemona. It also discusses the tradition of female nudes in Western art. This allows to usher out these characteristic features of elements of Desdemona that fashion her into Venus Caelestis and Venus Naturalis. The article focuses on the ambivalence of Nowiński’s poster and discusses the significance of the paintings by Titian, Giorgione, and Fuseli in designing the figure of Desdemona as a goddess.
Źródło:: Multicultural Shakespeare: Translation, Appropriation and Performance; 2020, 21, 36; 135-151
2083-8530
2300-7605
Pojawia się w:: Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Jaques and the Wounded Stag by William Hodges, Sawrey Gilpin and George Romney: (Re)Painting Shakespeare’s Melancholic Figure
Autorzy:: Laskowska-Hinz, Sabina
Powiązania:: https://bibliotekanauki.pl/articles/888687.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: William Shakespeare
As You Like It
Jaques and the Wounded Stag painting
Opis:: The author argues that although William Shakespeare sometimes allows for minor inconsistencies in his plays, which more often than not pass unnoticed during their performances, he meticulously weaves their structures. In the course of analysing two examples of the playwright’s works, The Comedy of Errors and Much Ado About Nothing, the author suggests that in the former the Bard oﬀers an hour-after-hour image of the ﬁctional reality, whereas in the latter he not only provides us with a detailed account of the events placed within the calendar, but also seems to take advantage of this structure to suggest some hidden meaning.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/3; 37-50
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

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