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Wyszukujesz frazę "Labuda, Adam S." wg kryterium: Autor


Wyświetlanie 1-4 z 4
Tytuł:
“A History of Polish Art” by Michał Walicki and Juliusz Starzyński in Poland between the World Wars. The West, Poland, the East
Autorzy:
Labuda, Adam S.
Powiązania:
https://bibliotekanauki.pl/articles/909536.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
overview of the history of Polish art
national art
transhistorical status of a national artistic form
center and periphery
Opis:
Writing an academic history of Polish art was an urgent task of art historians after World War I, when the country regained its political independence. An important and creditable achievement in that respect was a study by Michał Walicki and Juliusz Starzyński, published in 1934 as a kind of supplement to the monumental Geschichte der Kunst von der altchristlichen Zeit bis zur Gegenwart by the Marburg historian Richard Hamann, translated at that time into Polish. In 1936, the work of the Polish scholars was published again in the form of a separate book. The paper focuses on three problems that were addressed in it: the cultural and artistic ties of Poland to the West, the vernacular features of Polish art, and the presence of the “Eastern art” in Polish artistic heritage. The author examines also the question whether those issues were related to the political, social, and cultural reality of the Second Polish Republic.
Źródło:
Artium Quaestiones; 2019, 30; 65-91
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michała Walickiego i Juliusza Starzyńskiego „Dzieje sztuki polskiej” w II Rzeczypospolitej. Zachód, Polska, Wschód
Autorzy:
Labuda, Adam S.
Powiązania:
https://bibliotekanauki.pl/articles/909507.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
overview of the history of Polish art
national art
transhistorical status of a national artistic form
center and periphery
Opis:
Writing an academic history of Polish art was an urgent task of art historians after World War I, when the country regained its political independence. An important and creditable achievement in that respect was a study by Michał Walicki and Juliusz Starzyński, published in 1934 as a kind of supplement to the monumental Geschichte der Kunst von der altchristlichen Zeit bis zur Gegenwart by the Marburg historian Richard Hamann, translated at that time into Polish. In 1936, the work of the Polish scholars was published again in the form of a separate book. The paper focuses on three problems that were addressed in it: the cultural and artistic ties of Poland to the West, the vernacular features of Polish art, and the presence of the “Eastern art” in Polish artistic heritage. The author examines also the question whether those issues were related to the political, social, and cultural reality of the Second Polish Republic.  
Źródło:
Artium Quaestiones; 2019, 30; 339-365
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
TRYPTYK ZWIASTOWANIA NAJŚWIĘTSZEJ MARII PANNIE FUNDACJI ŁUKASZA II GÓRKI. IKONOGRAFIA, ŹRÓDŁA PROGRAMU OBRAZOWEGO I HISTORYCZNY KONTEKST DZIEŁA
The triptych “Annunciation to the Blessed Virgin Mary” FOUNDED BY ŁUKASZ II GÓRKA. Iconography,sources of the image programme, and the historical context of the work
Autorzy:
Labuda, Adam S.
Powiązania:
https://bibliotekanauki.pl/articles/510206.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Biblioteka Kórnicka PAN
Opis:
Created in 1529, the painting was founded by Łukasz II Górka, a magnate and dignitary from the region of Wielkopolska, and it was probably originally designated for the St. Stanislaus altar in the family chapel of the Górkas in Poznan cathedral. The scenes showing the Annunciation and the Visitation, painted in the central panel of the triptych, are expressed with an orthodox Catholic approach. The role of the Virgin Mary in the work of salvation is very clearly demonstrated, along with the active role of the Holy Trinity. The showing of four virtues in the Visitation was an allusive extension ofthe narration ofthe history of salvation with its beginning in Heaven, i.e. the council of the Holy Trinity and its decision to send Christ down to the earth. What is also peculiar about the programme is the showing of prophets from the Old Testament (on the triptych‘s wings) announcing the coming of the Messiah and the reference to Sibyl in the representations and inscriptions on the Virgin Mary’s kneeler. The complex structure of the images of both the Annunciation and the Visitation possibly draws from the motifs contained in liturgical books and books intended for individual devotion. The potential sources of the iconographic programme of the Kórnik panel can be traced most stronglyto the title page ofthe 1492 French missal for Paris (Paris, Bibliotheque Mazarine, ms. 412). The strongly traditional iconography of the triptych becomes even more prominent in the context of confessional controversies witnessed by Poznań and the region of Wielkopolska in the 1520s. With the help of the Kórnik triptych, Łukasz Górka clearly demonstrated his faithfulness to Catholicism.
Źródło:
Pamiętnik Biblioteki Kórnickiej; 2015, 32; 37-63
0551-3790
Pojawia się w:
Pamiętnik Biblioteki Kórnickiej
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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