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    Wyświetlanie 1-6 z 6
    Tytuł:
    Kontakty Pietra Bemba z Polakami
    The relationship between Pietro Bembo and Poles
    Autorzy:
    Kowalczyk, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/938446.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Pietro Bembo
    Klemens Janicki
    Renaissance
    humanism
    Opis:
    The article presents the relationship between one of the main representatives of Italian humanism – Pietro Bembo – with Poles. The most important aspect was his friendship with Klemens Janicki who studied in Padua in 1538–1540. His works are a testimony of contacts he had established when in Italy. Bembo was mentioned in Janicki’s works (Variae Elegiae IX,Epigrammata LII). Another element connecting the Italian with Poles were congratulatory letters on his cardinal appointment. The newly-appointed cardinal was congratulated by king Sigismund the Old via enigmatic figures of Jan Wincenty Dulcis de Lasco and Piotr Kmita.A trace of Bembo’s contact with Poles is also the formal correspondence of his while being the secretary of Pope Leo X.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2017, 17; 17-25
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Varium et mutabile semper femina". Łacińscy poeci renesansu o kobietach
    Autorzy:
    Kowalczyk, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/446540.pdf
    Data publikacji:
    2016-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Opis:
    Maria Łukaszewicz-Chantry (2014). Kobieta jako postać literacka w łacińskiej poezji renesansu. Italia i Polska. Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, ss. 232.
    Źródło:
    Italica Wratislaviensia; 2016, 7; 251-255
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Renesansowa relacja z wejścia na wulkan w De Aetna Pietra Bemba. Nowatorstwo czy kontynuacja tradycji?
    Renaissance account of climbing the volcano in De Aetna by Pietro Bembo. Innovation or continuation of the tradition?
    Autorzy:
    Kowalczyk, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/446454.pdf
    Data publikacji:
    2015-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Renaissance
    Pietro Bembo
    Francesco Petrarca
    Etna
    Mont Ventoux
    renesans
    Francesco Petrarka
    Opis:
    This article presents how Pietro Bembo described his journey towards the summit of Mount Etna, focusing specifically on the journey’s Renaissance connotations and the way that Petrarch’s Epistolae Familiares 4.1 influenced Bembo. There are similarities and differences between Petrarch’s account of climbing Mont Ventoux and Bembo’s text. The aim is to present two sides of Bembo’s descriptions: the innovation, which is that of empiricism, or, rather, illusory empiricism (called as such because of the unlikely probability of an authentic Etna explosion, allegedly seen by the author), and the continuation of the literary tradition of writing about Etna.
    Artykuł ukazuje w jaki sposób Pietro Bembo opisał swoją wędrówkę ku szczytowi Etny. Skupia się głównie na renesansowych elementach tekstu oraz na inspiracjach, które Bembo zaczerpnął z Epistolae familiares 4.1 Petrarki. Ukazane zostały podobieństwa i różnice między relacją Petrarki z wejścia na Mont Ventoux i tekstem Bemba. Celem artykułu jest ukazanie dwóch stron opisu Bemba: innowacji, którą jest empiryzm, czy też raczej empiryzm iluzoryczny, nazwany tak z powodu nikłego prawdopodobieństwa autentyczności wybuchu Etny rzekomo widzianego przez autora, oraz kontynuacji literackiej tradycji pisania o Etnie.
    Źródło:
    Italica Wratislaviensia; 2015, 6; 95-111
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le prime traduzioni polacche delle poesie italiane di Pietro Bembo
    The first polish translations of Pietro Bembo’s italian poetry
    Autorzy:
    Kowalczyk-Cantoro, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/1929882.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    translation
    Bembo
    Renaissance
    Dickstein-Wieleżyńska
    Grossekowa
    Rinascimento
    traduzione
    Opis:
    The present article aims to analyse the 20th-century Polish translations of Pietro Bembo’s work. Although Bembo was one of the main representatives of the Italian Renaissance and a prolific writer, of all his lyric poetry, only six songs from the collection Rime, a short poem from the dialogue Gli Asolani, and recently the Stanze have been fully translated. We owe most of the earlier translations to Julia Dickstein-Wieleżyńska, an important populariser of Italian culture in the interwar period. Two poems were translated by Maria Grossekowa, a poet, publicist, and feminist of the early 20th century. The small fragments of Bembo’s sonnets translated by Edward Porębowicz are also worthy of mention. The article focuses on the metric-formal and semantic-lexical analysis of DicksteinWieleżyńska’s versions and examines the techniques used by the translator. Dickstein-Wieleżyńska’s translations are quite equivalent semantically, and although she introduces some reduction or amplification, she does so without upsetting the semantic dominant. Moreover, it has been noted that, in her translations, Dickstein-Wieleżyńska often uses terms that refer to an idea of brightness, which also characterises her own poetic writing. Since Bembo is considered the pioneer of Petrarchism, the analysis of the Polish translations of Bembo’s poems is deepened through comparisons with some versions of Petrarch’s poems translated by Felicjan Faleński and published in 1881.
    Il presente articolo si pone l’obiettivo di analizzare le traduzioni polacche novecentesche di Pietro Bembo. Anche se Bembo è uno dei principali rappresentanti del Rinascimento italiano e uno scrittore prolifico, di tutte le sue liriche sono state tradotte integralmente soltanto sei canzoni dalla raccolta Rime, una breve poesia dal dialogo Gli Asolani e recentemente le Stanze. La maggior parte delle traduzioni le dobbiamo a Julia Dickstein-Wieleżyńska, importante divulgatrice della cultura italiana nel periodo interbellico. Due poesie sono state tradotte da Maria Grossekowa, una poetessa, pubblicista e femminista dei primi del Novecento. Bisogna menzionare anche i piccoli frammenti dei sonetti di Bembo tradotti da Edward Porębowicz. L’articolo si concentra sull’analisi metricoformale e semantico-lessicale delle versioni di Dickstein-Wieleżyńska ed esamina le tecniche usate dalla traduttrice. Le traduzioni sono piuttosto equivalenti dal punto di vista semantico. Sebbene la traduttrice introduca qualche riduzione o amplificazione, lo fa senza sconvolgere la dominante. Inoltre, è stato notato che Dickstein-Wieleżyńska nelle sue traduzioni spesso utilizza i termini che rimandano a un’idea di luminosità e che rappresentano anche una delle dominanti della sua produzione poetica. Poiché Bembo è considerato il pioniere del petrarchismo, l’analisi delle traduzioni polacche dei componimenti bembiani viene approfondita dalla comparazione con alcune versioni delle poesie di Petrarca realizzate da Felicjan Faleński e pubblicate nel 1881.
    Źródło:
    Italica Wratislaviensia; 2021, 12.2; 111-128
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Renesansowy poemat "Sarca" jako "aemulatio" z autorami antycznymi
    Autorzy:
    Kowalczyk-Cantoro, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/2028236.pdf
    Data publikacji:
    2021-12-28
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Pietro Bembo
    Katullus
    renesans
    aemulatio
    epithalamium
    neolatynistyka
    Catullus
    Renaissance
    Neo-Latin Literature
    Opis:
    The aim of this article is to analyse the Renaissance poem Sarca, whose authorship is attributed to the Italian humanist Pietro Bembo, and to indicate the ancient inspirations of the work. The main model for the work is Carmen 64 by Catullus, although the author also refers to other Roman poets. The intertextual relations between Sarca and the hypotexts are presented on various levels. The analysis focuses on showing parallel elements of the setting and takes in consideration the few similarities at the linguistic and stylistic level. Genre-wise Sarca is classified as an epithalamium of an aythiological character. Its characteristics typical of the Renaissance era are also highlighted. The article also brings up the history of the poem and the topic of its attribution, presenting an extensive state of research.
    Źródło:
    Collectanea Philologica; 2021, 24; 141-153
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kwestia tajemniczego autorstwa renesansowego poematu Sarca
    The question of the mysterious authorship of the Renaissance poem Sarca
    Autorzy:
    Kowalczyk-Cantoro, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/32055859.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Renaissance
    New Latin literature
    Pietro Bembo
    stylometry
    attribution
    authorship
    Sarca
    renesans
    nowa literatura łacińska
    stylometria
    atrybucja
    autorstwo
    Opis:
    Dating to the 1530s, the Latin poem Sarca was published in 1842 in Rome by Angelo Mai based on a manuscript found in Vienna. Forty years after publication, the incompatibility of this edition with the Viennese manuscript was first noticed. In the second half of the last century, a polemic began challenging the theory, previously considered certain, that Sarca’s author was Pietro Bembo. Researchers named Girolamo Fracastor, Andrea Navager and Agostino Beazzan, among others, as possible authors of the text in addition to Bembo. The question of the poem’s authorship remains unresolved to this day. The aim of this article is to analyse the turbulent and hypothesis-rich debate on the attribution of the Renaissance work. The poem has been subjected to internal criticism, i.e. inferences about the author’s person based on content analysis. Historical and bibliographical indicators of the work have also been examined. The article also attempts to answer the question of whether the latest techniques used in the analysis of the linguistic and stylistic features of the text, such as the methods of computer stylometry, could prove helpful in determining the authorship of the Sarca poem.
    Źródło:
    Przestrzenie Teorii; 2022, 38; 291-300
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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