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    Wyświetlanie 1-14 z 14
    Tytuł:
    Tra legge, corpo e simbolo La paternità omosessuale e la cultura androcentrica in Sei come sei di Melania G. Mazzucco
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/700529.pdf
    Data publikacji:
    2017
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Italian contemporary novel
    homosexual paternity
    body
    gender
    androcentric culture
    symbolism
    Opis:
    The following paper analyzes the theme of homosexual paternity. It analyzes Mazzucco’s novel on three different levels: the legal and social context, the gender perspective, and the level of literary and artistic symbols. In each of these areas we can observe the importance given to traditional paternity, seen as legal power or divine creation of the men. On the contrary, homosexual paternity is excluded by law, denied as containing maternal elements, and endowed with modest symbolic power.
    Źródło:
    Romanica Silesiana; 2017, 12
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Quasi adulti? I riti di passaggio nella prosa dei “giovani narratori” italiani della fine del Novecento
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/700833.pdf
    Data publikacji:
    2014
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    The aim of the article is to show some analogies between the rites of passage - of the initiation to the adult life - in the traditional or archaic societies, as described by A. Gennep and V. Turner (three phases: separation, transition and reincorporation), and the behavior, actions, gestures and reactions of young characters in analyzed literature. The young protagonists instinctively follow almost identical pattern of the first two phases of the rites of passage. The third one may be missing, because of the “emerging adulthood”, i.e., a new stage of becoming adult, as proposed by J.J. Arnett. The remarkable difference is also that the young protagonists are never accompanied by the elders, as it happened in the archaic or traditional societies. Key words: contemporary Italian prose, young writers, rites of passage
    Źródło:
    Romanica Silesiana; 2014, 9
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    I personaggi maschili ne L’arte della gioia di Goliarda Sapienza
    The Male Characters in L’arte della gioia by Goliarda Sapienza
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1929927.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Goliarda Sapienza
    Arte della gioia
    masculinity
    universality
    sicilianity
    mascolinità
    universalità
    sicilianità
    Opis:
    The aim of the paper is to analyse, using the structuralist approach, the structure of the male characters in L’arte della gioia by Goliarda Sapienza and the meaning—universal or local, symbolic or real—attributed by the writer to them, through the example of six male figures. This approach allows us to delve into the literary text, leaving the biographical, historical, and ideological context outside of the analysis, focusing on internal dynamics that are purely literary. Modesta’s father and her husband, as universal figures of a patriarchal system, illustrate and symbolise the subversion of its laws by Modesta. Modesta’s lovers, Carmino and Carlo, are models of real accomplishments of important male roles (father, husband, lover) whose representation is limited by geopolitical stereotypes. Pietro, Modesta’s loyal gabellotto, embodies local, Sicilian relationships and, as a result, he symbolises the persistence of archaic laws of Sicilian society. With Prando, Modesta’s son, Sapienza realistically illustrates the passage from adolescence to masculinity by showing some universal rules that occur in this transition. The structure of the male characters turns out to be geometric and very clear and is proof of the writer’s great literary awareness and writing skills.
    Lo scopo dell’articolo è quello di analizzare - ricorrendo all’approccio strutturalista - il sistema dei personaggi maschili ne L’arte della gioia di Goliarda Sapienza e il significato - universale o locale, simbolico o reale - attribuitogli dalla scrittrice, sull’esempio di sei personaggi principali. Tale approccio consente di addentrarsi nel testo letterario lasciando al di fuori dell’analisi il contesto biografico, storico ed ideologico, e di focalizzarsi sulle dinamiche interne puramente letterarie. Il padre e il marito di Modesta, in quanto figure universali del sistema patriarcale, illustrano e simboleggiano la sovversione delle sue leggi alla quale contribuisce Modesta. I suoi amanti, Carmino e Carlo, sono modelli di una reale attuazione degli importanti ruoli maschili (padre, marito, amante), la cui rappresentazione è tuttavia limitata dagli stereotipi geopolitici. Pietro, il leale gabellotto di Modesta, incarna una relazione interpersonale tipicamente locale, siciliana ed in quanto tale simboleggia la persistenza di alcune arcaiche leggi della società siciliana. Con Prando, figlio di Modesta, Sapienza illustra realisticamente il passaggio dall’adolescenza alla mascolinità, mostrando alcune leggi universali su cui si basa tale passaggio. Il sistema dei personaggi maschili risulta essere una struttura geometrica e molto chiara, cosa che testimonia della grande consapevolezza della letteratura della scrittrice nonché delle sue capacità scrittorie. Parole chiave: Goliarda Sapienza, Arte della gioia, mascolinità, universalità, sicilianità
    Źródło:
    Italica Wratislaviensia; 2020, 11.2; 97-117
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sesso, genere, razza, identità. La scrittura di Igiaba Scego tra femminismo e prospettiva postcoloniale
    Płeć biologiczna, płeć kulturowa, rasa, tożsamość. Pisarstwo Igiaby Scego między feminizmem a perspektywą postkolonialną
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/521354.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Letteratura postcoloniale italiana
    femminismo
    Scego
    włoska literatura postkolonialna
    feminizm
    Opis:
    L’articolo si propone di analizzare tre temi nella narrativa di Igiaba Scego, scrittrice italiana di origini somale: la violenza sul corpo (stupro e infibulazione), l’incontro tra donna bianca e nera (sorellanza impossibile) e il meticciato dal punto di vista etnico, sessuale e culturale. Questi temi richiedono una riflessione, in misura e in modi diversi, su termini quali sesso, genere, razza e identità, che sono strettamente legati sia con la prospettiva postcoloniale sia con il femminismo.
    Celem artykułu jest analiza trzech wątków obecnych w prozie Igiaby Scego, włoskiej pisarki pochodzenia somalijskiego. Są to: przemoc cielesna (gwałt i infibulacja), spotkanie kobiety białej i czarnoskórej (niemożliwe siostrzeństwo) oraz metyskość w sensie etnicznym, płciowym i kulturowym. Tematy te pociągają za sobą refleksję – w różnym wymiarze i różnie ujętą – nad pojęciami takimi jak płeć biologiczna, płeć kulturowa, rasa czy tożsamość, które są ściśle powiązane zarówno z perspektywą badań postkolonialnych, jak i z feminizmem.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2017, 9, 3; 236-246
    2083-7275
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sovversive, distruttive, demoniache, matricide. Le fanciulle fatali di Isabella Santacroce
    Subversive, destructive, demonic, matricide. The Isabella Santacroces filles fatales
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1050780.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Italian narrative
    Isabella Santacroce
    fille fatale
    symbolic image
    Opis:
    The paper aims to show the extent to which the female protagonists of Isabella Santacroce’s novels are the realizations of the symbolic image of the fille fatale, present in the culture, literature and art of the twentieth century. The characters created by Isabella Santacroce seem to be eternally at the age of transition between the childhood and adulthood. Their beauty is irregular, disturbing, ambiguous and sometimes demonic. As well as the nymphs, last larval stage, they are fascinating, attractive and dangerous at the same time, as the harmless destructiveness is their main trait. Between the others versions of the twentieth-century fille fatale, the Santacroce’s female protagonists are definitely more libertine, what seems to be Tondelli’s heritage.
    Źródło:
    Studia Romanica Posnaniensia; 2014, 41, 4; 113-126
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sulla simbiosi spazio-corporea all’esempio di „Treno di panna” e „Tecniche di seduzione di Andrea De Carlo
    About the Symbiosis of the Space and the Body on the example of Tremo di panna and Tecniche di seduzione by Andrea De Carlo
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1051627.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Hermann Schmitz
    Andrea De Carlo
    body
    space
    Opis:
    The article About the Symbiosis of the Space and the body on the example of „Treno di panna” and „Tecniche di seduzione” by Andrea De Carlo is the analysis of space related to physicality in two novels by a contemporary Italian writer. An animate body expressing emotions and succumbing to the influences of the milieu’s moods becomes engaged in bilateral relations with space; the body integrates with it as well as interferes in it, exceeding its own spatial constraints. The article is also a suggestion to read contemporary Italian prose through the prism of the theory of a German neophenomenologist Hermann Schmitz. The most important issues of Schmitz’s theory are presented and illustrated from the literary perspective: the notion of the Lieb i.e. the body which is alive, dynamic and perceives; the notion of feelings seen as atmospheres which are spatial feelings; and the concept of the living space. The analyzed examples illustrate the compatibility of the Italian writer’s literary intuition with the newest philosophical theories.
    Źródło:
    Studia Romanica Posnaniensia; 2010, 37, 1; 13-26
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Un silenzio molto profumato - alcune riflessioni sul romanzo „La lunga vita di Marianna Ucrìa di Dacia Maraini
    Very fragrant silence - reflections on the novel "La lunga vita di Marianna Ucrìa" by Dacia Maraini
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1052751.pdf
    Data publikacji:
    2007-03-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    La lunga vita di Marianna Ucrìa
    Maraini Dacia
    Opis:
    The article devoted to novel La lunga vita di Marianna Ucrìa of Dacia Maraini constitutes a reflection upon cognition by means of senses. The analysis concerns the experience of cognition of the world (people, situations, places) by the main character, deaf and dumb person, whose sensual cognition of the reality is dominated by the sense of sight and smell. The analysis concentrates on the character of smelling sensations, indicating their crucial but forgotten function of the contact with the reality and its interpretation. The article highlights the problem of non verbality and non-divisibility of perceptions of the sense of smell, which the author of the novel Dacia Maraini faced.
    Źródło:
    Studia Romanica Posnaniensia; 2007, 34; 201-216
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sulla voce ne La nota segreta di Marta Morazzoni
    On the voice in La nota segreta by Marta Morazzoni
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1048386.pdf
    Data publikacji:
    2018-11-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Marta Morazzoni
    voice
    women
    Italian literature malmonacata
    Opis:
    The aim of the article is to analyze the meanings of the voice in the novel mentioned in the title in relation to Adriana Cavarero’s thought. Following the presentation of the work, the article examines two different manifestations of the voice in the text: the singing voice and the discursive voice. The former confirms the patriarchal association of women with the body but sometimes it also appears as a space of freedom from oppression. The latter, which is denied to the protagonist, symbolizes women’s exclusion from logos.
    Źródło:
    Studia Romanica Posnaniensia; 2018, 45, 3; 83-94
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    II corpo che siamo, il corpo che abbiamo - la prospettiva corporea nel romanzo di Margaret Mazzantini „Non ti muovere”
    The body we have got, the body we are. About the corporeity in the Margaret Mazzantini’s novel
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1052564.pdf
    Data publikacji:
    2009-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    The article titled The body we have got, the body we are. About the corporeity in Margaret Mazzantini’s novel treats the phenomenon of corporeity mentioned in the title in a text of the contemporary Italian writer. There are three main aspects of this problem. First, the language connected with the body (descriptions of the look, statements of the body, physiology, erotic life). The next subject is the relationship body-identity. Finally, there is the sense of smell emphasized in the narration, which has a symbolic meaning as well.
    Źródło:
    Studia Romanica Posnaniensia; 2009, 36; 205-226
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La percezione disturbata e le sue conseguenze in «Almost blue» di Carlo Lucarelli
    Distorted Perception and its Consequences in «Almost Blue», a Novel by Carlo Lucarelli
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1052659.pdf
    Data publikacji:
    2017-12-04
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Lucarelli Carlo
    Almost Blue
    Opis:
    Distorted Perception and its Consequences in «Almost Blue», a Novel by Carlo Lucarelli is an article which deals with an analysis and description of the three main characters from the perspective of their sensory perception of reality. In each analysed case the main characters' experiences are distorted (damaged, misinterpreted) due to blindness, mental disease or Premenstrual Syndrome. The distorted sensory perception affects their contact with reality and their understanding of certain phenomena. Their individual human corporality changes the sense of reality.
    Źródło:
    Studia Romanica Posnaniensia; 2008, 35; 15-33
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il mito del paese di Cuccagna e la pubblicità televisiva italiana
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1052865.pdf
    Data publikacji:
    2006-10-04
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    The article compares medieval and Renaissance literary descriptions of the mythic land of eternal bliss and prosperity Cuccagna with pictures and texts of Italian television advertisement of the nineties. The characteristic moments of these descriptions such as, for example, abundance, satisfying sensual needs, celebrating and feasting as well as the evaluation of the described phenomena, in these distant texts of culture, are very similar to each other. Italian television advertisement appears as another contemporary image of the land of bliss Cuccagna.
    Źródło:
    Studia Romanica Posnaniensia; 2006, 33; 17-30
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Mundus inversus ossia sui principi carnevaleschi nella pubblicità televisiva italiana
    „Mundus inversus or on carnival principles in the Italian commercial television
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/1052932.pdf
    Data publikacji:
    2005-10-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    Carnival rules in Bakhtin's understanding as a system of inversions of the hierarchy of rules concerning the most varied aspects of life and culture is a key to comprehend the texts and pictures of Italian TV advertisement of the 1990s which appears as an element of carnivalization of modern Italian culture. Mésalliance and family relationships between people, values and concepts which are distant from one another in the hierarchy, profanations and lowering present themselves in advertisements as examples of carnival inversions on the vertical axis. However, the topsy-turvy world is a polar inversion on the inside-outside axis. Masks and travesties covering the reality mean directing to the inside what is usually outside. Eccentric behavior and attitudes determine a reverse direction of polar carnival inversions, however ambivalent pictures make distant semantic fields close. Carnivalization of Italian TV advertisement confirms a thesis about carnivalization of postmodern culture.
    Źródło:
    Studia Romanica Posnaniensia; 2005, 32; 161-183
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Decostruzione delle figure maschili nella narrativa dei “giovani narratori” della fine del Novecento
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/700901.pdf
    Data publikacji:
    2013
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    The Deconstruction of Male Figures in the “Young Writers”’ Fiction of the End of Twentieth Century The aim of the article is to present the image of male protagonists in the literature written by some of so-called “young writers” of the 80s and 90s in Italy. These authors deprive the male figure of his traditional attributes of authority and power. They achieve this aim by realizing textual strategies such as a metaphorical attempt on the patriarch or an attack on other’s male authority, by a visualization of the masculinity as uncompleted or prosthetic, and by a victimization of the male protagonist. Key words: Italian literature of the 80s and 90s, male protagonist, crisis.
    Źródło:
    Romanica Silesiana; 2013, 8, 2
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Memoria e storia nelle narrazioni postcoloniali di Regina di fiori e di perle di Gabriella Ghermandi e Memorie di una principessa etiope di Martha Nasibù
    Memory and history in the postcolonial narrations of Regina di fiori e di perle by Gabriella Ghermandi and Memorie di una principessa etiope by Martha Nasibù
    Autorzy:
    Kornacka, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/701121.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    memory
    history
    postcolonial narrative
    Gabriella Ghermandi
    Martha Nasibù
    Opis:
    The aim of thise paper is to show how the setting out of the narrative voice determines the historical discourse. The analysis of the narrative voice leads to some considerations about memory and to the examination of recollection in these two novels. That, in turn, allows an exploration of the way in which the historical discourse is constructed. In those cases where the voice in the historical discourse is given to subaltern subjects, they contribute to a more plural history.
    Źródło:
    Romanica Silesiana; 2020, 17, 1; 30-42
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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