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    Wyświetlanie 1-15 z 15
    Tytuł:
    Historic Organ in Lubecko. History and Future
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/24020110.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    organ
    organ building
    Lubecko
    Weiss
    Hawel
    Scheffler
    Opis:
    The article discusses the organ in Lubecko built in 1780 in Jemielnica and then relocated to Lubecko before 1834 (that year, the organ was already being renovated by Johann Hawel). For many years, it was believed the organ was built by the Scheffler family company operating both in Jemielnica and in the Lubliniec region. However, it has been discovered that a sticker placed in the pallet box of the windchest contains extremely important information that the actual builder of the organ was Franz Joseph Weiss who worked in Pyskowice in Upper Silesia at the turn of the 18th and 19th centuries. The organ therefore is of high cultural value due to both the person of its builder and the construction solutions used. Currently, the organ is out of use. It requires a restoration plan and being entered into the register of monuments.
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2023, 1; 127-137
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lejtmotyw Miłosierdzia Bożego w kulturze muzycznej od średniowiecza do współczesności
    The Leitmotif of God’s Mercy in the Musical Culture from The Middle Ages to Present Times
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/2036973.pdf
    Data publikacji:
    2017
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    miłosierdzie Boże
    kult
    liturgia
    mistyka
    duchowość
    styl muzyczny
    współczynniki muzyczne
    Divine Mercy
    cult
    liturgy
    mysticism
    spirituality
    musical style
    leitmotif
    musical factors
    Opis:
    Lejtmotyw miłosierdzia Bożego jest obecny w kulturze muzycznej wszystkich epok, od czasów średniowiecza, gdzie był obecny w śpiewach gregoriańskich, aż po czasy współczesne. Fundamentem śpiewów, powstałych na przestrzeni wieków, były najczęściej teksty biblijne sławiące tajemnicę miłosierdzia Bożego i Bożej łaskawości. Sposób wyrażenia lejtmotywu miłosierdzia Bożego zależał od zespolenia warstwy tekstu ze współczynnikami muzycznego stylu danej epoki, a także od duchowości i oblicza mistyki danej epoki. Obecnie jesteśmy świadkami powstania wielu kompozycji zawierających lejtmotyw miłosierdzia Bożego. Ma to związek z intensywnie rozwijającym się w ostatnich latach – zwłaszcza za pontyfikatu św. Jana Pawła II – kultem miłosierdzia Bożego. Impulsem rozwoju kultu były objawienia dane św. Siostrze Faustynie w latach trzydziestych XX w., a zapisane w jej „Dzienniczku”. W konsekwencji fundamentem treści współczesnych kompozycji związanych z kultem miłosierdzia Bożego są przede wszystkim słowa wyjęte z „Dzienniczka” Siostry Faustyny.
    The leitmotif of God’s Mercy has been present in the musical culture of all eras, from the Middle Ages, when it was present in Gregorian chants, to present times. The basis for the songs created in the course of centuries were usually biblical texts praising the mystery of God’s Mercy and Grace. The way of expressing the leitmotif of God’s Mercy depended on how the text was combined with the factors of a musical style of a given era. In our times, we can witness the creation of many compositions including the leitmotif of God’s Mercy. This is connected with the cult of Divine Mercy being intensively developed in recent years, especially during the pontificate of St. John Paul II. What triggered the development of the cult was first the revelation given to St. Sister Faustina in the 1930s, written down in her diary, and later the cult of St. John Paul II and the blessed Rev. Michał Sopoćko. Therefore, the basis for the content of contemporary compositions connected with the cult of Divine Mercy are first and foremost the words from the diary of Sister Faustina. Contemporary compositions including the leitmotif of God’s Mercy were and are created among others by I. Pfeiffer, S. Ziemiański and R. Twardowski.
    Źródło:
    Roczniki Teologiczne; 2017, 64, 13; 45-62
    2353-7272
    Pojawia się w:
    Roczniki Teologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Report from VII Conference on the Organ Knowledge “Silesian Organs”
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/1965639.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2021, 4; 165-168
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Organy na Śląsku VI, J. Gembalski (ed.), Vol. 6, Katowice: The Karol Szymanowski Academy of Music in Katowice 2019, pp. ISBN 978-83-955787-1-7.
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/1965713.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2021, 4; 153-155
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ponadkonfesyjny model działalności śląskich organmistrzów w XIX i w początkach XX wieku na przykładzie działalności Moritza Roberta Müllera oraz Carla Volkmanna i Ernsta Kurzera
    A Supradenominational Model of Activity of Silesian Organ Builders in the 19th and Early 20th Centuries on the Example of the Activities of Moritz Robert Müller, Carl Volkmann and Ernst Kurzer
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/1795798.pdf
    Data publikacji:
    2020-01-27
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Śląsk
    organy
    organmistrzowie
    budownictwo organowe
    ekumenizm
    Silesia
    organs
    organ builders
    organ building
    ecumenism
    Opis:
    Śląsk od czasów reformacji w XVI w. był i pozostał terenem współistnienia wielu wyznań chrześcijańskich. W przeszłości różnice te rodziły różnego rodzaju napięcia, a nawet konflikty. Jednak w wielu wymiarach życia społecznego, gospodarczego, a także kulturowego, istniała „praktyczna ekumenia”. Jej istotą był fakt ponadkonfesyjnego działania, a więc współpraca bez względu na wyznanie. Tak było m.in. na polu budownictwa organowego, które w tradycji Dolnego i Górnego Śląska stanowi niezwykłe bogactwo kulturowe. Niniejszy artykuł prezentuje przykłady takiego sposobu działania z okresu XIX i początku XX w. Spośród dolnośląskich organmistrzów został przykładowo wybrany wrocławski budowniczy Moritz Robert Müller, a spośród grona górnośląskich organmistrzów jako przykłady posłużyli dwaj współpracujący ze sobą gliwiccy organmistrzowie: Carl Volkmann oraz Ernst Kurzer. Wszyscy oni budowali organy zarówno w kościołach katolickich, jak i ewangelickich. Zastosowany przez nich model pracy pokazuje, że w ówczesnym środowisku, bardzo wyczulonym na sprawy muzyczne, nie liczyła się kwestia wyznania budowniczego, a jedynie jego kompetencje.
    Since the Reformation in the 16th century, Silesia became and remained a place of coexistence of many Christian denominations. In the past, differences between particular denominations generated all sorts of tensions and even conflicts. However, in many dimensions of social, economic and cultural life, there was “practical ecumenism.” Its essence was the fact of supradenominational actions being the moment of cooperation regardless of one’s faith. That, among others, happened in the field of organ construction which contributes to an extraordinary cultural richness of the tradition of Lower and Upper Silesia. This article presents examples of this mode of operation from the 19th and the beginning of the 20th centuries. For example, a Wrocław’s builder Moritz Robert Müller was chosen from among Lower Silesian organ makers, and from the group of Upper Silesian organ makers, two cooperating builders from Gliwice served as examples: Carl Volkmann and Ernst Kurzer. They all built organs in both Catholic and Evangelical churches. The work model they used shows that in the then environment, very sensitive to music, it was not the organ builder’s religion that mattered, but only his competence.
    Źródło:
    Roczniki Humanistyczne; 2019, 67, 12; 131-139
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MARIA SZYMANOWICZ, Polska bibliografia organów, vol. 1, Lublin: Polihymnia 2011, pp. 494, ISBN 978-83-7270-956-1; vol. 2, Lublin: Polihymnia 2014, pp. 478, ISBN 978-83-7847-241-4; vol. 3, Lublin: Polihymnia 2018, pp. 230, ISBN 978-83- 7847-496-8.
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/570373.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    Polish Organ Bibliography
    Review
    Maria Szymanowicz
    Opis:
    Review
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2020, 3; 166-169
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polska bibliografia organów prof. Marii Szymanowicz jako narzędzie badań organoznawczych
    Polska bibliografia organów by Prof. Maria Szymanowicz as a Tool for Organ Studies
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/570385.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    organy
    bibliografia
    bibliografia organów
    organoznawstwo
    organologia
    organ
    bibliography
    organ bibliography
    organ studies
    organology
    Opis:
    The above article presenting Polska bibliografia organów published since 2011 by Prof. Maria Szymanowicz, also partly captures the reaction to the published work of musicologists and organologists as well as bibliographers. It is also an attempt to justify that the publication, even if not free from methodological shortcomings and small deficiencies, is still a valuable, useful and even necessary tool in the hands of Polish researchers on subjects related to organs. The presented article consists of four points, introduction, ending and bibliography list. The first point discusses the substantive value of the so-called domain bibliographies, which from the bibliographers' point of view are a valuable element of organizing knowledge. It is important to see from this point the real value of Bibliografia by M. Szymanowicz. After all, Polska bibliografia organów is indeed a kind of domain bibliography. Creating a bibliography in a given field also increases the importance of the discipline and adds to its development. The second point presents the biography and scientific achievements of Prof. Maria Szymanowicz, who, along her scientific career, was the director of the Institute of Musicology at the Catholic University of Lublin and continues to be the head of the Department of Instrumentology. Her field of interest are organ construction, liturgical music and religious musical culture. Her scientific achievements include 7 book publications, over 40 scientific articles and several encyclopedic entries. Nearly 40 years of scientific work also resulted in the promotion of 7 and reviews of 9 doctorates. She is the promoter of over 30 bachelor theses and over 40 master's theses. In addition to that, thanks to many years of her cooperation with Ośrodek Dokumentacji Zabytków (the Monument Documentation Centre) in Warsaw and restoration centers, M. Szymanowicz made at least 170 inventories of historic organs. All these activities make it clear that M. Szymanowicz has full competence to create a bibliography. The third point contains a discussion of the published volumes of Polska bibliografia organów and their sources of inspiration that date back to 1980. It is when the author came across the published bibliography of organs by the German author Rudolf Reuter. Since then, when conducting a query, she collected materials for the future implementation of the idea of developing a Polish bibliography of organs. The first volume was published in 2011, the second in 2014 and the third in 2018. They cover a total of 2,500 items. A detailed description of the methodology of work and the division of materials is included in the description of the Reviews section. Generally, the work of Prof. Szymanowicz arouse great enthusiasm of experts on the subject and the same could be expected from biographers, but on the contrary it met with criticism of the methodology of work expressed by the bibliographer Jakub M. Łubocki. The fourth point is an attempt to identify several elements of the discussed work as a real tool in the hands of organology experts. The publication is an exploratory, cognitive and inspirational tool which broadens mental horizons and emphasizes the status of organology as a separate field of knowledge. The final part discusses the friendly acceptance of Polska bibliografia organów by M. Szymanowicz by all organ scholars and how it met with criticism from the bibliographer. Of course, one can question some of the methods taken up by the author at the beginning of her work, but its general values and the competence of the author or her work cannot be diminished. What she did was truly a “Benedictine work.” In the ending, a few problems are also highlighted which are involved in the process of creating this type of bibliography. Firstly, the literature on the subject is expanding dramatically, and secondly, there is a growing interest in bibliographies published in electronic media, i.e. using digital techniques and involving the operation of computers or other mobile devices. Therefore, it is likely that there will come a moment when work on the bibliography of organs will be raised to a higher level using information systems, which would entail the need to change the methodology of work. This is always possible, especially since the most difficult and arduous work related to source queries has already been done.
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2020, 3; 81-91
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PIOTR MATOGA, Antoni Sapalski (1822−1890). Życie i działalność organmistrzowska na terenie Krakowa. Opole: Sindruk-DIMK 2020, pp. 227. ISBN 978-83-955914-3-3.
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/570423.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    Book review
    Antoni Sapalski
    organ building
    Opis:
    Review
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2020, 3; 155-157
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pierwszy instrumentolog wśród muzykologów. Osiągnięcia naukowe w dziedzinie instrumentologii i działalność organmistrzowska ks. prof. Jana Chwałka
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/946156.pdf
    Data publikacji:
    2014
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Źródło:
    Musica Ecclesiastica; 2014, 9; 59-70
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The 80th anniversary of the life of Alfred Bączkowicz. Personality and musical achievements
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/570383.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    Alfred Bączkowicz
    composer
    organist
    Opis:
    The encounter with a musical personality almost immediately raises the question about “the roots” i.e. where he comes from, whom he studied with, who was his master and what educational tradition or “school” he belongs to, and above all, in what environment of musical inspiration he grew up and what group of artists he represents. Providing answers to these questions makes it easier to identify ourselves with the person and experience an emotional connection with the creativity presented, i.e. with the achievements and even with the way of evaluating different kinds of musical creativity. Alfred Bączkowicz is an extraordinary personality in the Opole music community. Celebrating his 80th birthday in December 2019, he was a long-time organist at the Opole Cathedral who has influenced the environment of church musicians in Upper Silesia, a pedagogue, a distinguished teacher of harmony and theoretic subjects, and a teacher of several generations of musicians, graduates of the State Primary and Secondary Music Schools in Opole and the Diocesan Institute of Church Music in Opole (formerly the School of Church Music). In each of these fields, his professional work encompasses more than 40 years of solid and dedicated work. The effectiveness of his pedagogical activity is highlighted by the title of “professor” frequently used by students and graduates. In his case, it is not only a polite phrase customarily derived from secondary schools, but it indicates his achievements and the way of his actual influence and a fact of being a mentor predominantly in the field of harmony. In addition, Alfred Bączkowicz has been a composer of many liturgical hymns and melodies, an author of respected harmonic arrangements and co-editor of chorales which are important for the Silesian tradition of church music, i.e. harmonic arrangements of church hymns for organists. These activities demonstrate his personality, and above all his human sensitivity, kindness and readiness to sacrifice himself. For these reasons the name “Bączkowicz” says a lot among the musicians of Upper Silesia and in other parts of Poland as well (K. Grytz-Jurkowska 2017: 36-37). Therefore, it is academically justified to ask about his roots, the beginnings of his musical path, the people who he met on the path of his life and who had an impact on the formation of his attitudes and passions that place him in a certain perspective almost for his entire life. This text is an attempt to find answers for the aforementioned questions that arise from meeting and getting to know the person and musical achievements of Alfred Bączkowicz. The complete text consists of several points covering his biography, organist’s service, pedagogue’s work, involvement in diocesan commissions, participation in the work of editorial teams and his compositional work, with a particular emphasis on the Mass in F major.
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2019, 2; 139-152
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Organy w kościele Świętego Krzyża w Bytomiu-Miechowicach. Historia i koncepcja rekonstrukcji
    The Organ in the Church of the Holy Cross in Bytom-Miechowice. History and Concept of Reconstruction
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/570405.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    organy
    budownictwo organowe
    organmistrzowie
    Bytom-Miechowice
    Schlag und Söhne
    organ
    organ building
    organ makers
    Opis:
    The article presents the history of the organ in the church dedicated to the Holy Cross in Bytom-Miechowice and the concept of recreating in the temple a historical instrument from 1905. History of the organ in the church of the Holy Cross in Miechowice dates back to at least a few centuries ago and concerns instruments found in the previous baroque church from the 17th century which was made famous by Fr. Norbert Bonczyk in the poem Old Church of Miechów from 1879. The earliest reports about the organ in Miechowice come from the visit protocols from the first half of the eighteenth century which mention the existence of 5-voice organ located on the music choir of the church. The studies on the church in Miechowice specify that the last organ in the so-called “old church of Miechów” was built in 1840 although no specific source is provided. Probably after the construction of the present church (the so-called new church) and its dedication in 1865, the organs were moved to the new temple. Archival research shows that at the end of the 19th century and at the beginning of the 20th century, the instrument was taken care of by, among others, T. Cieplik, once an organist of this church and later the founder of the musical conservatory in Bytom and a merchant, and E. Kurzer, an organ maker from Gliwice. The firm of Paul Berschdorf from Nysa also took part in renovating the organ in Miechowice. In the parish archives, bills have been kept which confirm the work of the mentioned people. Later, the organ was replaced with a new instrument. However, until 2014, it was not clear who its builder was and when it was built. The original documents were probably in the possession of the founders and they are not in the parish archives. It was only archival research abroad in Cologne and Leipzig in November and December 2014 (Universitäts- und Stadtbibliothek Köln; Deutsche National Bibliothek Leipzig) which made it possible to establish that in 1905 the new 26-voice organ was built in the temple by Schlag und Söhne company from Świdnica. The instrument survived until the 1960s. Thanks to the research, its exact disposition is known and we have learnt that the company of Carl Berschdorf also worked on the instrument offering in 1939 its full extension to 42 voices. This project, however, was never realized due to the outbreak of World War II. In the 1960s, intensive work on removing the effects of mining damage was carried out in the church. Then, Schlag’s organ was dismantled and the case and the beautiful neo-gothic facade fitting the entire interior of the temple were destroyed. Fortunately, the only photograph of the Schlag organ prospectus has survived in the parish chronicle. In 1968, a temporary instrument was built on the basis of the former organ which remains in use today. Presently, further work is in progress being the next stage of saving the temple of the Holy Cross. First of all, the process of leveling the church must take place. A conception has therefore arisen that, in view of the need to completely renew the structure and interior of the temple, the historical 26-voice instrument from 1905 should be restored. An early project was prepared by Julian Gembalski from the Academy of Music in Katowice. Currently, work is underway to create technical and executive designs that are to be included in the overall cost estimate of the planned temple revitalization project. The matter seems more urgent since the cost estimates are to be approved in November 2019. The assumptions of the initial project by prof. J. Gembalski combine the desire to recreate the organ in its external form with a certain pragmatism in relation to the technical side of the instrument. In this case, it is not about making a faithful copy of Schlag’s organ, but rather a new instrument adapted to the place and time employing the latest achievements in the field of organ building. The project therefore includes the construction of the casing and having the architectural prospectus reconstructed in appropriate proportions based on the preserved photograph. The organ is to receive 26 voices divided into two manuals and pedal, but with a slightly widened range of keyboards which is to create better performance conditions for the music (up to “g3” in the manual and up to “f1” in the pedalboard). Although there were probably conical windchests in the historical instrument, it seems interesting to propose the use of electromagnetically operated slider and pallet windchests. What needs to be taken into account is not only the sound but also the durability of newer techniques and lower maintenance costs in the future. Still, when deciding to employ newer technical solutions, the quality of the sound cannot be overlooked. Therefore, there is a need to examine other Schlag und Söhne instruments from the same period in terms of parameters affecting the sound of the organ like mensuration, materials used, construction details of the pipes, and finally their intonation.
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2018, 1; 59-73
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Organy na Śląsku VII, J. Gembalski (ed.), Vol. 7, Katowice: The Karol Szymanowski Academy of Music in Katowice 2020, pp. ISBN 978-83-955787-6-2.
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/1965708.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2021, 4; 155-157
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Indeks organów istniejących w kościołach i kaplicach diecezji gliwickiej
    Index of Organs in Churches and Chapels of the Diocese of Gliwice
    Autorzy:
    Koenig, Franciszek
    Powiązania:
    https://bibliotekanauki.pl/articles/2170551.pdf
    Data publikacji:
    2022-12-20
    Wydawca:
    Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
    Tematy:
    silesian organs
    organbuilding in Silesia
    organ builders
    action
    windchests
    Opis:
    The article is a presentation of organ instruments found in Catholic churches and chapels in the Diocese of Gliwice. The first part of the article is a short description of the history of the diocese. The main part of the article is a list of organs in alphabetical order by place names and church names including 134 instruments. The last part of the article is a summary prepared based on a few criteria: the number of organs built in chronological order, the builders of the instruments and the technical and construction solutions used.
    Źródło:
    Folia Organologica. International yearbook of organ and organ music; 2022, 5; 62-83
    2657-6082
    2719-3284
    Pojawia się w:
    Folia Organologica. International yearbook of organ and organ music
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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