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Tytuł:
“I beg for one thing only, the great good gift – oblivion”: Maria Hagen-Schwerin, a Galician woman poet and author
„O jedno ja proszę, o ten dar wielki, cenny: zapomnienie…”. Maria Hagen-Schwerin, galicyjska pisarka i poetka
Autorzy:
Kardas, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/2087802.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 19th century
artists and literati in Galicia
Cracow
women writers
popular romances of high life
aristocrats in fiction and in real life
Gabriela Zapolska (1857–1921)
Maria Hagen-Schwerin (1859–1918)
Maria Hagen-Schwerin
Maria Hagen
Maria Hagenowa
Alces
arystokracja
wyższe sfery
literatura XIX wieku
pozytywizm
Galicja
Opis:
Maria Hagen-Schwerin was a 19th-century novelist and poet. She was a prolific author of popular romances with aristocratic heroes and plots that revolve around love and marriage in high society. However, what kept Mrs Hagen in the public eye was her unconventional life style, her debts and an unending string of affairs whose sensational twists eclipsed anything that could be found her polite fiction. Her feuds, especially with another controversial woman of the fin-de- siècle Cracow, the playwright and novelist Gabriela Zapolska, were the talk of the town. Maria Hagen descended, on her father's side from a long line of nobles (Łoś) and on her mother's side from one of Cracow's wealthiest merchant families (Kirchmayer). Her elder brother Wincenty Łoś was an acclaimed writer and art collector. It is no exaggeration to say that Maria Hagen was heir to a family legacy of great achievements and of great scandals, too, in politics as well as in economic and social life. Some of her ancestors also ventured into literature thus building a family tradition which continued for three centuries. Maria Hagen picked up that thread and became a successful writer in her day. Now she belongs to that large category of writers once famous, but quickly forgotten. The problem lies not in the fact that nobody reads her books, but that her work has attracted virtually no attention from students of nineteenth-century literature and culture, and, astonishingly enough, no critical study of her work has been written for over 150 years since her death.
Źródło:
Ruch Literacki; 2020, 3; 313-330
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-1 z 1

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