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    Wyświetlanie 1-5 z 5
    Tytuł:
    Les avatars de la mère. La réécriture de soi dans le monde de Michel Tremblay
    Autorzy:
    Kapołka, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/700729.pdf
    Data publikacji:
    2007
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    Although the works of Michel Tremblay are replete with references to other authors, it is the phenomenon of autotextuality that becomes the focal point of the analysis in this article. The author of “Chroniques du Plateau Mont-Royal” and numerous plays and novels binds them all together by resorting to the recurrence of his figures. Thus, the figure of Mother, a figure grafted onto the network of Michel Tremblay’s works, undergoes a metamorphosis from boisterous and authoritarian Nana Tremblay (in the autobiographical prose and drama) to a symbol of ideal motherhood embodied by The Great Mother of Tremblay’s universe. She gives the beginning to both new life and new writing and hence she becomes her writer-son’s inspiration and creative muse. Key words: Michel Tremblay; autotextuality; metamorphoses; mother; writing
    Źródło:
    Romanica Silesiana; 2007, 2
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La perte en filigrane Cet imperceptible mouvement d’Aude
    Autorzy:
    Kapołka, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/973582.pdf
    Data publikacji:
    2012
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    aude
    short story
    transformation
    loss
    death.
    Opis:
    Considered one of the most interesting Quebec writers, Aude released a collection of short stories entitled Cet imperceptible mouvement in 1997. What comes to the fore in that collection is the austerity of style intertwined with a unique emotional load, a combination which has raised critics’ eyebrows even if it is typical of Aude’s prose. One of the pivots of her stories is the notion of loss, looked at from various angles. The protagonists typically lose their dearest ones, be it because the latter leave, die or because they drown in mourning. Maimed with the loss, the protagonist reassesses his/her life, faces new challenges, makes constant choices. Excelling in the short story structure, Aude records the depth of loneliness and raises existential queries by means of what might at first sight seem simple gestures, common objects and insignificant situations.
    Źródło:
    Romanica Silesiana; 2012, 7
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La haine à plusieurs visages dans les Chroniques du Plateau Mont Royal de Michel Tremblay
    Autorzy:
    Kapołka, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/700549.pdf
    Data publikacji:
    2006
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    Karolina Kapołka deals with the conflict relationships between characters made by Michel Tremblay, a Quebec writer, in which hatred takes on a variety of forms: from direct to veilled and indirect. Keywords: hatred; dominance; family; mother; Tremblay
    Źródło:
    Romanica Silesiana; 2006, 1
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le rite (a)religieux dans La chaise au fond de l’œil d’Aude
    Autorzy:
    Kapołka, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/700863.pdf
    Data publikacji:
    2014
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    The novel by Aude (Claudette Charbonneau‑Tissot), a Quebec writer, spotlights a woman who is swept into the shackles of madness which she then consciously leaves behind only to commit suicide. Her rejection of the inertia and the roles imposed on her raises the fundamental questions about life and death, conscience and freedom.The difficulty with living a life becomes a philosophical problem, superficially devoid of a religious dimension as the protagonist is an atheist. The novel can thereby be read as a possible illustration of the secularization of Quebec, whose culture once deeply marked with Catholic traits is now showing its religionless face. At the same time, the sacred continues to be a crucial factor in that it passes its message in the language interspersed with Biblical images and liturgical rituals. The opposition between the rationalist view which underlies the protagonist’s decisions and the Catholic heritage which spills unconsciously into her thoughts is the focal point of this study. Key words: ritual, death, religion, Aude, Claudette Charbonneau‑Tissot
    Źródło:
    Romanica Silesiana; 2014, 9
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les tourments de l’absence dans Gazole de Bertrand Gervais
    The torments of absence in Bertrand Gervais’s Gazole
    Autorzy:
    Kapołka, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/483659.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Quebec literature
    suicide
    death
    absence
    identity
    Opis:
    In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lanelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
    In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lancelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
    Źródło:
    Quêtes littéraires; 2012, 2; 152-161
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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