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Wyszukujesz frazę "Kamalini, Mukherjee," wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
Reading “Queer” identities: pedagogical notes from the field
Autorzy:
Kamalini, Mukherjee,
Powiązania:
https://bibliotekanauki.pl/articles/890507.pdf
Data publikacji:
2019-01-23
Wydawca:
Akademia Pedagogiki Specjalnej im. Marii Grzegorzewskiej. Wydawnictwo APS
Tematy:
qualitative research
gender & sexuality
queer identity
narrative method
Opis:
In this paper, the author presents a pedagogical insight of conducting a detailed exploratory study through methodological departures within the subjective boundaries of a specific field. The work is based upon inferences drawn from the study of “queer” identities in an urban but inherently parochial setting of a postcolonial city – Kolkata. The paper attempts to map and chart the various aspects of conducting qualitative research in a relatively unexplored area, with rapidly evolving socio-cultural values and systems of identity formation. The paper charts out the experiences from the field, while dealing with both the apparent and the esoteric, with objective and empirical evidence to support the arguments presented herein.
Źródło:
International Journal of Pedagogy, Innovation and New Technologies; 2018, 5(2); 74-88
2392-0092
Pojawia się w:
International Journal of Pedagogy, Innovation and New Technologies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music
Autorzy:
Kamalini, Mukherjee,
Powiązania:
https://bibliotekanauki.pl/articles/890511.pdf
Data publikacji:
2018-02-27
Wydawca:
Akademia Pedagogiki Specjalnej im. Marii Grzegorzewskiej. Wydawnictwo APS
Tematy:
counterculture
alternative music
bangla rock
vernacular music
Opis:
This paper is an attempt to explore the politics and the poetics of vernacular music in modern Bengal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral tradition. The linguistic and musical inspirations for Bangla Rock and the eventual establishment of this genre in a rigidly curated culture is not only a remarkable anthropological case study, but also crucial in creating discourse on the impact of this music in the creation of oral histories. This paper will discuss both the musical and the lyrical journey of Bengali counterculture in music, thus in turn exploring the scope of Bangla – as in the colloquial for Bengali, and Rock – the Western musical expression which began during the 50’s and the 60’s (also populist and political in its roots). The inception of this particular political populist narrative driven through songs and music, is rooted in the Civil Rights movement, and comparisons can be drawn in the ‘soul’ of the movements, though removed both geographically and by time. Thus this paper engages with the poetics of Bangla Rock, to understand the marginal political voices surfacing through alternative means of expression.
Źródło:
International Journal of Pedagogy, Innovation and New Technologies; 2017, 4(2); 35-47
2392-0092
Pojawia się w:
International Journal of Pedagogy, Innovation and New Technologies
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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