Autor: Jeray, Celina - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal
Autorzy:: Jeray, Celina
Powiązania:: https://bibliotekanauki.pl/articles/2049076.pdf
Data publikacji:: 2021-10-06
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: heavy metal
non-hegemonic masculinity
glam metal
sleaze metal
hair metal
music history
genre theory
Opis:: The following essay retraces the genre development and correlations of three 1980s hard rock subgenres: glam metal, sleaze metal and hair metal. This issue is consid- ered, primarily, with reference to the theory of hegemonic and non-hegemonic masculini- ties developed by Raewyn Connell and reviewed against the theory of genre development by Jennifer C. Lena and Richard A. Peterson. Both theories are employed in order to un- derline the subtle differences between the subgenres, arguably linked to the masculinities performed by the artists’ assumed stage personas. Aside from the scholarly references, the research includes various interviews with the artists and music journalists, an analysis of over a hundred song lyrics and the vast repertoire of visual arts accompanying the music.
Źródło:: Anglica. An International Journal of English Studies; 2021, 30(1); 171-190
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Mary Shelley’s Frankenstein; or, the Modern Prometheus: Friendship, Monstrosity and Radical Otherness
Autorzy:: Jeray, Celina
Powiązania:: https://bibliotekanauki.pl/articles/888903.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Mary Shelley
philosophies of friendship
otherness
monstrosity
Frankenstein
Gothic
Opis:: This essay looks at the relationship between Victor Frankenstein and his Creature, examining the ethical implications of Victor’s hostility towards the Creature. This problem is considered with reference to the views of various philosophers, ancient and modern, stressing one’s responsibility for the Other and the importance of the Self’s will to befriend another being. It is argued that Shelley indeed presents the Creature as “befriendable.” Such presentation, this article indicates, is a consequence of Shelley’s sympathy for the rejected and persecuted and her insistence on parental responsibility – the ideas actually emphasised in the novel, yet passed over in the 1930’s Hollywood production, as a consequence, permanently affecting the popular image of the Creature.
Źródło:: Anglica. An International Journal of English Studies; 2016, 25/1; 59-71
0860-5734
Pojawia się w:: Anglica. An International Journal of English Studies
Dostawca treści:: Biblioteka Nauki

Artykuł

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