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    Wyświetlanie 1-11 z 11
    Tytuł:
    Komentarz do komentarzy: Schulz edytorów
    Commentary on Commentaries: Schulz of His Editors
    Autorzy:
    Jarzębski, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/645629.pdf
    Data publikacji:
    2013-09-02
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    In 1989 the author edited a volume of Schulz’s fiction for the series of “Biblioteka Narodowa.” He immediately sent a copy to Jerzy Ficowski who soon responded with a long letter of March 10, 1990, including detailed remarks and opinions about the book. In the present essay, Ficowski’s letter has been quoted in full. After many years, the author is ready to agree with most Ficowski’s observations, with one exception concerning a still undecided issue that is one of the most difficult tasks of the editor, namely the choice of words which must be explained in footnotes. Ficowski’s approach to this problem was more radical. He proposed that the editor’s commentary should be limited to the absolute minimum. Persuaded by his criticism, in the second edition of 1998 the essay’s author considerably reduced his comments and explanations. Today he would insist on keeping them intact. Any editor working for “Biblioteka Narodowa” must choose between two ridiculous extremes: on the one hand, he or she may be a meticulous exegete, copying the Dictionary of Words of Foreign Origin, on the other, an old-fashioned professor who believes that “every educated person” should know the cultures of antiquity like a graduate of an early twentieth-century classical grammar school. Moreover, the editor must remember that his or her work will serve readers for several decades in the course of which the knowledge of ancient cultures will decrease even more. Different principles must be followed in respect to critical editions of the A type, avoiding comments of the dictionary entry kind and explaining only rare regional variants of lexical items. This type must also take into consideration the needs of translators.
    Źródło:
    Schulz/Forum; 2013, 3; 105-111
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bruno Schulz jako krytyk – figury wyobraźni
    Bruno Schulz as a Critic: The Figures of Imagination
    Autorzy:
    Jarzębski, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/645806.pdf
    Data publikacji:
    2013-03-04
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    Bruno Schulz used in his critical essays metaphors and imagery which created a uniquely organized world. Its elements and their arrangement, just as those of his stories, always have some value and exist in time, which means that they have an inner dynamic and contribute to a mythic history. Therefore Schulz’s critical idiom should be studied in terms of its mythological overtones. Schulz transfers his private experience first on other writers and then on the “historical reality.” Still, the center of his repertoire of critical metaphors is occupied by the metaphors borrowed from biology. Whatever belongs to biology has a positive value and spiritual or aesthetic values must be ultimately tested by the body and through the flesh. Biological metaphors stress the work’s and author’s connection to real life as well as the temporality of the world and existence approached either as the private experience of life and death or as the history of society. If we approach metaphors as elements that constitute a “world” in its own right, it will turn out that the “world” of Schulz’s stories is very different from that of his criticism. While the former is a reconstructed “dwelling place” of the author, which means that its most important component is organized space, the latter foregrounds time as the basic axis of metaphorical events. The works of other writers discussed in critical essays provide opportunities to consider the riddle of individual life in the idiom of biology and in the language of the ancient myths of humanity – they create ties between human beings and events, i.e. history. In this realm everything is dynamic; a process that unfolds in time and the public sphere. What makes the stories different derives from their personal atmosphere – building a shelter and getting lost are both intimate activities. On the contrary, literary criticism assumes testing individuals amidst other people, which requires fitting them into different models of human destiny and validating truths shown in various works of history, including the existential problems they present. For Schulz, literature of value was a system of reflections and incarnations, a space where the authorial “I” keeps searching for various forms of embodiment and contacts the mythological foundations of culture. There are no clear-cut boundaries which separate the fictional reality or protagonists from the authors of books and their private worlds. Those worlds correspond to the heritage of myth and literature, as well to biology and eroticism. In his critical essays, Schulz keeps moving between realities, looking for the values of literature in bonds and connections.
    Źródło:
    Schulz/Forum; 2013, 2; 15-24
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Duch uwikłany w materię (ciała)
    Spirit entangled in matter (of the flesh)
    Autorzy:
    Jarzębski, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/645818.pdf
    Data publikacji:
    2013-03-04
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    This is a memorial for Professor Małgorzta Kitowska-Łysiak, an eminent art historian and the most outstanding expert on Bruno Schulz’s achievement in the visual arts. The author, Jerzy Jarzębski, writes: “There are people, just like Schulz, who balance their physical meagerness, sometimes combined with a disease and suffering, with some unusual inner tension, a spiritual quality of the highest measure. They are radiant and uniquely good. In such individuals the spirit, which seems to be imprisoned in the cage of the feeble body once and for all, manages to overcome its conditioning and resist bitterness, sustaining the need to give, an affirmation of the world and existence.”
    Źródło:
    Schulz/Forum; 2013, 2; 4-6
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Odejście „człowieka ferdydurkicznego”
    The “Ferdydurke Man” fades away
    Autorzy:
    Jarzębski, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/1391934.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Gombrowicz
    człowiek
    Ferdydurke
    młodzież
    dzikość
    Opis:
    Gombrowicz’s life can be divided into two parts. During the first period of his life, Gombrowicz is preoccupied with the “Ferdydurke Man”, i.e. a funny character who is tortured by Form, which he tries to overcome but which he finally succumbs to by falling into inauthenticity. This man, though incoherent, is understandable both for the author and the reader because he comes from the world they both live in and epitomizes their own problems, which makes readers laugh. The second period of Gombrowicz’s life begins with a scene in Venice in 1938. He meets young Italian pilots who are ready to destroy the city if Mussolini gives such an order. This is when new and “savage” young people take the place of the “Ferdydurke Man”. They are a product of their time – they do not think independently and they constitute a breeding ground for totalitarian ideologies. Gombrowicz tries to understand this generation and presents a picture of the world these young people are building for themselves in consecutive dark literary works.
    Źródło:
    Przestrzenie Teorii; 2013, 20; 117-125
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Schulz uniwersalny
    The Universal Schulz
    Autorzy:
    Jarzębski, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/645790.pdf
    Data publikacji:
    2015-09-07
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The Universal Schulz is Schulz whose work makes the reader face many ambivalences both as regards personal and artistic choices made by the writer. The author identifies, puts in order, and places in a wide context those ambivalences which so far have proved most inspiring for interpreting Schulz’s stories, letters, and essays. At first the same ambivalences created problems encountered by the early critical reception of his works. The most difficult was not just his unique fiction, but also its idiom. In the 1930 and 1940s Schulz’s language could be read as aberration or anachronism, which meant that to attract more readers it had to come at least a little closer to standard Polish. Since, however, the stories could not change, what had to were the standards defining “acceptable” prose. The style of Polish prose gradually approached Schulz’s idiom by becoming more open to stylistic idiosyncrasy and experiment.
    Źródło:
    Schulz/Forum; 2015, 6; 5-16
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poprosiliśmy pięcioro schulzologów… Ankieta redakcji
    We Asked Five Schulz Scholars… The editors’ Questionnaire
    Autorzy:
    Chwin, Stefan
    Bolecki, Włodzimierz
    Jarzębski, Jerzy
    Fieguth, Rolf
    Lukas, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/645446.pdf
    Data publikacji:
    2020-09-24
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    Finding by Piotr Szalsza two German language stories signed with the name “Bruno Schulz” could not be ignored by the editors of Schulz/Forum. Not yet recovered from the shock caused by the 14th issue, we are again facing a possible revelation. Unlike, however, in the case of the story titled “Undula” of 1922, which leaves no doubt that it is an early work by the author of The Cinnamon Shops, even if he preferred to use a penname, the question of the authorship of the two stories published in the Cetinjer Zeitung in 1917 and 1918 seems much more complicated. Perhaps without more research in the archives its resolution will be impossible. We asked four Schulz scholars for their opinions about the texts: Stefan Chwin, Włodzimierz Bolecki, Jerzy Jarzębski, Rolf Fieguth, and Katarzyna Lukas.
    Źródło:
    Schulz/Forum; 2020, 15; 162-173
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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