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Tytuł:
Wciąż rewolucjonista...
Autorzy:
Baraka, Amiri
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/467027.pdf
Data publikacji:
2012-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Paweł Jędrzejko in conversation with Amiri Baraka.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2012, 1-2(24-25) interiory/eksteriory (pod gościnną redakcją Zbigniewa Białasa i Pawła Jędrzejki); 172-185
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On Liberatory Strategies of Digital Nomads
Wolnościowe strategie cyfrowych koczowników
Autorzy:
Gorliński-Kucik, Piotr Tadeusz
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1912498.pdf
Data publikacji:
2021-09-03
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
technologia
nomada
queer
posthumanistyka
postanarchizm
anarcho-transhumanizm
technology
nomad
post-humanist
post-anarchism
anarcho-transhumanism
Opis:
The article presents selected threads of poststructuralist discourses, such as posthumanism and post-anarchism, to point out the affirmative understanding of the changes in human subjectivity and identity within the networked reality of transnational capitalism. The starting point for the argument presented in the text is Rosi Braidotti’s concept of the nomadic subject, functioning in a post-anthropocentric world inhabited by non-anthropic consciousness and anthropotechnical hybrids. The identity of such a nomadic subject is variable, flexible, and queer. The strategies of digital nomads, avoiding permanent points/places, and thus eluding essentialism, are presented as liberatory strategies of resistance.
Artykuł prezentuje wybrane wątki dyskursów poststrukturalistycznych, takich jak posthumanistyka i postanarchizm, aby naświetlić afirmatywne rozumienie przemian podmiotowości i tożsamości człowieka w usieciowionej rzeczywistości transnarodowego kapitalizmu. Punktem wyjścia jest koncepcja podmiotu nomadycznego Rosi Braidotti, funkcjonującego w postantropocentrycznym świecie zamieszkiwanym przez świadomości nieantropiczne i hybrydy antropotechniczne. Tożsamość tych podmiotów jest zmienna, elastyczna, queerowa. Strategie współczesnych cyfrowych koczowników, unikających stałych punktów/miejsc, a tym samym esencjalizmu, są strategiami wolnościowego oporu.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2021, 42; 87-110
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Belle lettre" o I(mperium) O(ntycznym) sauny. Andrzejowi Chojeckiemu"
A Belle Lettre on the Ontic Empire of the Sauna. For Andrzej Chojecki
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/467450.pdf
Data publikacji:
2002
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
This essay - in the form of a letter to Andrzej Chojecki - explores a range of philosophical issues (including death) while taking as its point of departure some earlier correspondence between Chojecki and the author.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2002, 4
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
<i>Kształty czasu</i>: nauka – literatura – rzeczywistość. (Refleksja nad kwantową świadomością Soni Front)
<i>Shapes of Time</i>: Science – Literature – Reality. (A Reflection upon Sonia Front’s Quantum Consciousness)
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/466783.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
proza kwantowa
nauki ścisłe
nauki humanistyczne
literatura
multiversum
quantum mechanics
literary studies
quantum fiction
cultural practice
methodology
multiverse
Opis:
Paweł JędrzejkoDepartment of American and Canadian StudiesInstitute of English Cultures and LiteraturesFaculty of PhilologyUniversity of Silesia in KatowicePolandShapes of Time: Science – Literature – Reality(A Reflection upon Sonia Front’s Quantum Consciousness)Abstract: The article offers a reflection upon Sonia Front’s work oriented towards working out adequate intellectual instrumentarium to address quantum fiction: a phenomenon inspired by the philosophical ramifications of crucial developments in physics in the 20th and 21st centuries. Revolving around her recent monograph titled Shapes of Time in British Twenty-First Century Fiction (2015), the argument of the article aims at shedding light on how Sonia Front arrives at the postulate of a certain order countering chaos within a great hermeneutic circle: w wheel in motion, propelling the constant return from the quantum reality to the reality of discurse, a return in which the overwhelming General impacts the ungraspable Detail and the Detail decides about the shape of the General, the great hologram. Front does it in full awareness of the temporariness of such an order, but despite its transience, she decides to formulate an academic statement, to tell a „truth” about the world, time, and human experience: an experience that inescapably becomes her-and our-share. Presented in such a perspective, quantum consciousness, as postulated by Sonia Front, seems to offer a new promise for the research practice of contemporary scholarship.Keywords: quantum mechanics, literary studies, quantum fiction, cultural practice, methodology
Paweł JędrzejkoDepartment of American and Canadian StudiesInstitute of English Cultures and LiteraturesFaculty of PhilologyUniversity of Silesia in KatowicePolandShapes of Time: Science – Literature – Reality(A Reflection upon Sonia Front’s Quantum Consciousness)Abstract: The article offers a reflection upon Sonia Front’s work oriented towards working out adequate intellectual instrumentarium to address quantum fiction: a phenomenon inspired by the philosophical ramifications of crucial developments in physics in the 20th and 21st centuries. Revolving around her recent monograph titled Shapes of Time in British Twenty-First Century Fiction (2015), the argument of the article aims at shedding light on how Sonia Front arrives at the postulate of a certain order countering chaos within a great hermeneutic circle: w wheel in motion, propelling the constant return from the quantum reality to the reality of discurse, a return in which the overwhelming General impacts the ungraspable Detail and the Detail decides about the shape of the General, the great hologram. Front does it in full awareness of the temporariness of such an order, but despite its transience, she decides to formulate an academic statement, to tell a „truth” about the world, time, and human experience: an experience that inescapably becomes her-and our-share. Presented in such a perspective, quantum consciousness, as postulated by Sonia Front, seems to offer a new promise for the research practice of contemporary scholarship.Keywords: quantum mechanics, literary studies, quantum fiction, cultural practice, methodology
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2017, 35
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Timeline of the Decade
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/625979.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
10th anniversary
International American Studies Association
Review of International American Studies
Opis:
The article presents a brief history of the Review of International American Studies since its inception until today,
Źródło:
Review of International American Studies; 2017, 10, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
América. AméRICA. AméRICA
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/626456.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Las palabras que escribí hace un tiempo, cuando la comunidad IASA se preparaba para el Congreso Mundial en Polonia, no han perdido su validez. De hecho, los mismos supuestos que dieron lugar a nuestra reflexión común sobre la variedad de historias concurrentes de las Américas han proporcionado la premisa para este volumen de la Edición de los Estudios Americanos Internacionales: el primer volumen RIAS en español. De acuerdo con los principios fundamentales de la Asociación de Estudios Americanos, deseamos ahora alentar a los Americanistas de todo el mundo a esforzarse y acoger las Américas a través de la ‘gramática’ de la segunda lengua más extendida del doble continente; una gramática muy distinta a la del inglés. ¿Trivial? Tal vez. Sin embargo, si consideramos que la gramática de la palabra es la gramática del mundo, entenderemos que la decisión de imaginar las Américas utilizando una ‘herramienta de percepción’ diferente puede muy bien dar vida a lo que la lengua inglesa es incapaz de mostrar.IASA ha sido siempre consciente de las limitaciones del monolingüismo. Uno de los rasgos más fascinantes y gratificantes-de nuestra Asociación es la apertura de sus miembros a una óptica alternativa. Aunque está claro que aprender todas las lenguas de las Américas es una idea tan bella como utópica, por lo menos podemos propiciar este ideal. Procurando espacio para una variedad de ‘gramáticas’ y haciendo el esfuerzo para comprender las metarranativas cuya lógica reflejan estas gramáticas, damos pequeños aunque importantes pasos en dirección hacia la comprensión multidimensional del gran palimpsesto que representan las Américas.Así es nuestra política de amistad.
Źródło:
Review of International American Studies; 2015, 8, 2
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Amiri Baraka: poeta walczący
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/467536.pdf
Data publikacji:
2012-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Amiri Baraka: A Poet Fighter (Two Interviews) The tripartite “Dialogues and Polemics”section of the present issue consist of Christopher Bigsby’s interview with Amiri Baraka (originally published in the Theatre Quarterly in 1978), the latter’s controversial poem “Somebody Blew Up America” and a conversation with the poet recorded in the artist’s backstage room of the Hipnoza Jazz Club in Katowice, Poland, immediately after a moving performance of the Amiri Baraka Speech Quartet during the Ars Cameralis Silesiae Superioris Festival in 2009. The interlocutors were accompanied by a leading jazz pianist, Dave Burrell, and an excellent double bass player, William Parker. Attempting to illustrate the metamorphoses of Amiri Baraka’s artistic and political Weltanschauung over the past three decades, the juxtaposition of the two interviews demonstrates both its continuity and its evolution. On the one hand, artistic attempts to contrast the current discourse of Americanness with the ideological basis of the American project seem to be constant in Baraka’s work: the artist employs “Americanness” to criticize Americanness, as is the case in his unsettling interpretation of Melville’s Moby-Dick, entitled “Re: Port” (1996) ― or in his “Somebody Blew Up America” of 2001, the publication of which cost him the title of Poet Laureate of the State of New Jersey. On the other hand, his concept of People’s Revolution undergoes change, reflecting the artist’s ideological evolution in the light of the transformations of social, political and economic realities of America in the past thirty years.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2012, 1-2(24-25) interiory/eksteriory (pod gościnną redakcją Zbigniewa Białasa i Pawła Jędrzejki); 138-140
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Borders and Vacuums
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/626382.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
intro
philosophy
literary and cultural theory
border
language
conceptual space
Opis:
Paweł JędrzejkoDepartment of American and Canadian StudiesUniversity of Silesia in KatowicePolandBorders and VacuumsAbstract: Whoever said that the more thresholds we draw, the more marginal spaces we create, was certainly right. The indefinite character of liminality seems to infallibly invite radical solutions: the margin is the locus of the aporia: a non-encounter with a non-language in a non-space. It is there that the Spanish conquistadors located the native peoples of the Americas, construing them as “out of place” in the place in which they had dwelled since the times immemorial; it is there that the thinkers of the Age of Reason would relegate phenomena defying rationalist argumentation or empirical proof, yet undeniably felt as present; it is finally there that individuals driven by empathy end  up today amidst the ruthless political tug-of-war between 21st century nationalisms and progressive advocacy of freedom and equality. The mirage of greatness, poisoning the minds of many, calls into existence discourses of degradation and deprivation; the self-proclaimed “righteous” need a scapegoat to purge their own sins; the necessary condition of “being great” is the legitimization of the fallacy of someone else’s insignificance. with alt-facts ousting hard facts from the public space, with Orwellian media shamelessly creating realities based on the binarity of familiarity and enmity, with all visible attempts to silence the academic humanities, arts and letters by means of massive cuts in funding, the marginalization of those who find the “he who is not with us is against us” philosophy abhorrent gains significant momentum. But it is not in the margins that the monsters awaken: it is in the very heart of the well-defined center that fear rules unchecked while coercion, wearing white gloves, and walking hand in hand with blatant lies that boost fearful egos, facilitates turning a blind eye to cynical oppression, rendering the alleged winners actual victims of their own would-be “greatness.” More thresholds, more limits, all designed to keep the Others out, but all trapping those drawing the demarcation lines within, are being called into existence with increasing speed and intensity; yet the tighter the grip of the stultifying discourse is, the larger the space of the margin, the more obvious the aporias. 
Źródło:
Review of International American Studies; 2018, 11, 2
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Campo di Fiori, or Walls
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/626286.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
American Studies
walls
Campo di Fiori
Czesław Miłosz
ethics
separation
isolation
editorial
Opis:
Paweł JędrzejkoDepartment of American and Canadian StudiesInstitute of English Cultures and LiteraturesUniversity of Silesia in KatowicePoland Campo di Fiori, or WallsAbstract: The present editorial addresses the issue of separation walls as from an ethical standpoint. Walls, metaphorical and physical, offering those (temporarily) privileged protection from the realization of the uncomfortable fact that they stand by while others suffer and die, are supposedly to “keep us free,” although in fact they become a prison of an illusion of safety and a weapon that may sooner or later be used against those who pretend not to hear the noise of the ongoing battle “on the other side.” Keywords: American Studies, walls, Campo di Fiori, Czesław Miłosz, ethics, separation, isolation, editorial
Źródło:
Review of International American Studies; 2018, 11, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ciśnienie czasu, czyli o "Europejskich manifestach kina"
The Pressure of Time: On the „European Manifestos of the Cinema”
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/466757.pdf
Data publikacji:
2003
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
Paweł Jędrzejko's review of Europejskie manifesty kina. Od Matuszewskiego do Dogmy. Antologia, edited by Andrzej Gwóźdź (2002).
Paweł Jędrzejko's review of Europejskie manifesty kina. Od Matuszewskiego do Dogmy. Antologia, edited by Andrzej Gwóźdź (2002).
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2003, 6
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Directionality/Flow
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/625897.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
directionality of value transfer
polysystem theory
translated literature in national canons
Opis:
Paweł JędrzejkoDepartment of American and Canadian StudiesInstitute of English Cultures and LiteraturesUniversity of Silesia in KatowicePolandDirectionality/FlowAbstract: The present volume, generously guest-edited by Claudio Salmeri of the University of Silesia in Katowice, Poland, offers a multifaceted insight into how American values have been “translated into Italian” and accommodated within the cultural space of twenty-first century Italy. The volume’s title, Trans/Lazio, is thus both a gesture in recognition of the complexity of the Italian cultural space and an attempt to accommodate theoretical premises of polysystem theory in a study of the mutual relations between Italy and America as simultaneously donor and acceptor cultures, simultaneously distinctive and accommodating. Emphasizing these values, the present, aptly titled, issue ushers in the second decade of RIAS, a journal univocally dedicated to the hemispheric and transoceanic study of the Americas.
Źródło:
Review of International American Studies; 2017, 10, 2
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Distâncias...
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/626097.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
DISTÂNCIAS…[for English, scroll to the bottom of the page] não possa tanta distânciadeixar entre nóseste solque se põe entre uma ondae outra ondano oceano dos lençóisPaulo Leminski Eu não escolhi abrir a presente nota editorial com um poema de Paulo Leminski porque sou polonês; e, para ser sincero, tampouco o fiz devido ao fato de ele ser brasileiro. Fiz isso porque a sensibilidade profundamente empática de Leminski, pulsando na linguagem, parece ressoar com perfeição o teor desse inovador número da Review of International American Studies. Feito por eminentes colegas, intelectuais excelentes e cuidadosos como Alice Áurea Penteado Martha, Elizabete Sanches Rocha, Ricardo Portella de Aguiar, Virna Ligia Fernandes Braga e Márcio Roberto do Prado, essa edição da RIAS aborda aquele que talvez seja o valor mais importante nesse mundo sempre dilacerado pelos desumanos vendavais da História: nosso potencial para entender. A inefável palpabilidade da experiência corriqueira daquilo que Martin Heidegger descreveu como Sorge transcende os oceanos. O distante, o longínquo, torna-se estranhamente familiar quando visto através da delicada tessitura dos textos entrelaçados. A metáfora ondulante de Leminski, tão ‘têxtil’, captura-nos em sua teia cuidadosamente tecida: os lençóis, no fim das contas, remetem tanto ao contexto hídrico quanto à roupa de cama. Em ambos repousamos nossos amores, medos e desejos; enredadas entre os lençóis todas as aporias naufragam e se rendem. Os lençóis brancos tornam-se confidentes de nossas sensações inefáveis. Remorso e pánta reî. A raiva da conquista sem fim e o nascimento de mitologias que resistem à imposição de paradigmas (neo)coloniais. Nossos traumas de passados violentos, presentes esperançosos, futuros incertos. Nossa perplexidade frente à experiência quântica do real fundindo-se sem pudor no virtual para, no fim das contas, desafiar o continuum espaço-temporal. Nosso egoísmo e nossa solidariedade, nossa ganância e nossa responsabilidade cívica, nosso medo e nossa coragem. Nossos diálogos sobre intraduzibilidade. Tudo isso, visto através da lente do discurso do Brasil, costura a riquíssima textura do tecido cultural do nosso mundo, que, através desse discurso, torna-se tangível. O tom quente e aveludado do português brasileiro oferece um (pre)texto mais que bem-vindo para que todos nós possamos submergir em uma mútua, thoreauniana, experiência de escuta. Ouvindo atentamente, para não perder nenhuma palavra dita por um amigo do outro lado da lagoa. Uma lagoa muito maior, embora, talvez, muito menor do que a lagoa de Walden jamais poderia ser. A RIAS, mais uma vez, oferece-nos uma chance de nos surpreendermos ouvindo. Existência encarnada: estética e essência casadas em um ato de poesia silenciosa que não se limita a comentar sobre os (e)ventos contra os quais a bondade humana pode ser o único escudo, farol e porto seguro. Abraçando o Brasil de Alice Áurea Penteado Martha, Elizabete Sanches Rocha, Ricardo Portella de Aguiar, Virna Ligia Fernandes Braga e Márcio Roberto do Prado, nós nos sintonizamos com um comprimento de onda para além da dialética de semelhança e diferença. Vemos nossos próprios rostos refletidos no espelho do mar, entre os lampejos de sol, virando as páginas, o leito do papel em branco. A poesia de Leminski tem muito a ver com ouvir o que sussurra do outro lado da lagoa: torna toda distância minúscula, ainda que reconheça sua importância. Tudo que ecoa na distância é um convite. Vamos ouvir. Distâncias Mínimasum texto morcegose guia por ecosum texto texto cegoum eco anti anti anti antigoum grito na parede rede redevolta verde verde verdecom mim com com consigoouvir é ver se se se se seou se se me lhe te sigo? Paweł JędrzejkoEditor Asociado RIAS DISTANCESnão possa tanta distânciadeixar entre nóseste solque se põe entre uma ondae outra ondano oceano dos lençóisPaulo LeminskiI did not choose to open this Ed/Note with Paulo Leminski’s poem because I am Polish; quite honestly, I did not do it because he was Brazilian either. I did this, because Leminski’s profoundly empathic sensitivity, pulsing in language, seems to ideally resonate with the tenor of this groundbreaking issue of the Review of International American Studies. Created by eminent Colleagues, excellent, caring intellectuals-Alice Áurea Penteado Martha, Elizabete Sanches Rocha, Ricardo Portella de Aguiar, Virna Ligia Fernandes Braga and Márcio Roberto do Prado, this issue of RIAS addresses perhaps the most important value in the world forever torn by inhuman gales of history: our potential to understand.The unspeakable palpability of the commonplace experience of what Martin Heidegger described as Sorge transcends the oceans. The distant, the far off, becomes strangely familiar when seen through the gauze of the interweaving texts. Leminski’s undulating, ‘textile’, metaphor holds: lençóis, after all, may be translated as linens as well as sheets. We entrust both with our loves, fears and desires; between sheets aporias surrender. The white sheets become privy to our ineffable sensations. Remorse and panta rhei. The anger at the neverending conquest and the birth of mythologies that resist the imposition of (neo)colonial paradigms. Our traumas of violent pasts, hopeful presents, uncertain futures. Our bafflement at the quantum experience of the actual seemlessly fusing into the virtual to ultimately defy timespace. Our selfishness and our solidarity; our greed and our civic responsibility; our fear and our courage. Our dialogs over untranslatability. All this, seen through the lense of the discourse of Brazil, makes up the immensely rich texture of the cultural fabric of our world, which, through that discourse, is made tangible. The warm velvet of Brazilian Portuguese offers a most welcome pre-text for all of us to indulge in a mutual, Thoreauvian, experience of listening. Listening intently, not to miss out on any words spoken by a friend across the pond. A pond much larger, though perhaps much smaller, than Walden pond could ever be.RIAS, again, gives us a chance to catch ourselves listening. Existence incarnated: aesthetics and essence married in an act of silent poetry that does not simply comment upon the (e)ventos, against which human kindness may be the only shield. Embracing the Brazil of Alice Áurea Penteado Martha, Elizabete Sanches Rocha, Ricardo Portella de Aguiar, Virna Ligia Fernandes Braga and Márcio Roberto do Prado, we attune ourselves to a wavelenght beyond the dialectics of similarity and difference. We see our own faces reflected in the mirror of the sea, among the flickers of the sun, turning pages, the once blank sheets of paper. Leminski’s poetry, is very much about listening across the pond: it renders all distance miniscule, yet acknowledges its importance. Reverberating in the distance is an invitation.Let’s listen.Distâncias Mínimasum texto morcegose guia por ecosum texto texto cegoum eco anti anti anti antigoum grito na parede rede redevolta verde verde verdecom mim com com consigoouvir é ver se se se se seou se se me lhe te sigo?Paweł JędrzejkoRIAS Associate Editor
Źródło:
Review of International American Studies; 2016, 9, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
HEARTS OF DARKNESS?
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/626278.pdf
Data publikacji:
2007
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
TO BE ADDED
Źródło:
Review of International American Studies; 2007, 2, 3
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inhabiting the River. Musings on Boulevards and Arteries
Autorzy:
Jędrzejko, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2076958.pdf
Data publikacji:
2021-09-30
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
America
Canada
rivers
St. Laurent River
Robert Charlebois
songs
river as artery
Opis:
This introductory essay revisits the multidimensionality of the river conceived of as a system of "communicating vessels," both literally and metaphorically. Drawing upon fine arts, poetry, biology, and philosophy, the argument organizing this text presents the river as a non-human, albeit often anthropomorphized, subjectivity, and serves to remind the reader of the universality of the neverending flow of essence and thought. Moored to the tides, humankind depends on the flow understood both in terms of the circulation of the ever-changing matter, but also in terms of the circulation of values. A human subject, dependent on other (not necessarily human, and not necessarily animate) subjectivities, recognizing the importance of the river as a living artery and as a principal agent of change, re-discovers the necessity to adopt the position of stewardship rather than that of ownership with respect to the world-in-flux that he or she inhabits. 
Źródło:
Review of International American Studies; 2021, 14, 1; 5-12
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
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