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Wyszukujesz frazę "Innes, Paul" wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
Seeing the Spider: The Jealous Rage of Exchange in The Winter’s Tale and Othello
Autorzy:
Innes, Paul
Powiązania:
https://bibliotekanauki.pl/articles/888736.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
William Shakespeare
The Winter’s Tale
Othello
social encoding of behaviour
gender roles
Opis:
A venerable critical tradition has long flavoured the reception of Shakespeare’s plays with psychology. Characters are read as real people, and as a consequence, the plays are analysed from the starting point of an individual character’s inward personality. However, this literary reading of the plays fails to take into account not only the performance of character on the Renaissance stage but also the theatrical culture that predetermines forms of characterisation for that audience. The playing of roles within this drama needs to be continually re-investigated, and in the case of The Winter’s Tale and Othello, fully reimagined. The conventional ascription of the plot development entirely to the jealousy of both Leontes and Othello can accordingly be reworked. The modern obsession with psychology obscures a field of semantic forces that goes well beyond the purview of any individual to a social encoding of possible behaviours. This restores multiple potentialities to the plays in performance, freeing them from a narrow insistence that meaning is rooted entirely in the individual. This in turn provides a context for deeper analysis of gender roles and how they intersect with the impetus generated by patriarchal modes of inheritance.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/3; 69-80
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare
Autorzy:
Innes, Paul
Powiązania:
https://bibliotekanauki.pl/articles/647981.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
national poets
comparative literature
romanticism
nationalism
conceptual grid
empire
Opis:
This essay contextualises Shakespeare as product of a field of forces encapsulating national identity and relative cultural status. It begins by historicising the production of national poets in Romantic and Nationalist terms. Lefevere’s conceptual grid is then used to characterise the system that underpins the production of Shakespeare as British national poet, and his place within the canon of world literature. The article defines this context first before moving onto the figure of Shakespeare, by referring to various high status texts such as the Kalevala, the Aeneid, The Faerie Queene and Paradise Lost. The position accorded Shakespeare at the apex is therefore contingent upon a series of prior operations on other texts, and their writers. Shakespeare is not conceived as attaining pre-eminence because of his own innate literary qualities. Rather, a process of elimination occurs by which the common ascription of the position of national poet to a writer of epic is shown to be a cultural impossibility for the British. Instead, via Aristotle’s privileging of tragedy over epic, the rise of Shakespeare is seen as almost a second choice because of the inappropriateness of Spenser and Milton for the position.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 13; 35-50
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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