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Wyszukujesz frazę "Gray, J" wg kryterium: Autor


Wyświetlanie 1-5 z 5
Tytuł:
Early Silurian nonmarine animal remains and the nature of the early continental ecosystem
Autorzy:
Gray, J
Boucot, A.J.
Powiązania:
https://bibliotekanauki.pl/articles/22661.pdf
Data publikacji:
1993
Wydawca:
Polska Akademia Nauk. Instytut Paleobiologii PAN
Tematy:
sylur
Apallachy
ewolucja
tchawki
szczecinki
stawonogi ladowe
skamienialosci
ekosystemy ladowe
morfologia
paleontologia
Opis:
An assemblage of animal remains, the oldest from undoubted nonmarine beds, with structures attributable to at least one possible terrestrial animal, has been recovered in deposits of Early Silurian, Rhuddanian age, from the Central Appalachians. Other elements of a terrestrial ecosystem are plants at a nonvascular, possible liverwort-like, level of organization, and ascomycetes, predominantly terrestrial saprophytic and parasitic fungi (the oldest known). Together they provide evidence that pre-tracheophytic land plants and fungi, in association with invertebrates, occupied continental habitats by at least the earliest Silurian. While no evidence suggests that these organisms existed in a single community, they provide the earliest fossil record for the coexistence of varied organisms in the nonmarine ecosystem. Terrestrial invertebrates may have co-occurred with the earliest mid-Ordovician embryophytes although no fossil evidence for invertebrates exists before the Late Ordovician/Early Silurian. In view of the limited embryophytic dependence of many soil invertebrates, a preembryophytic evolution for them is consistent with the postulated significance of the soil habitat in terrestrialization and the evolution of feeding strategies among nonpredatory terrestrial invertebrates from microphytophagy to detritivory to herbivory as some emerged from within soils to soil litter to the soil surface. Detritivory can be regarded as a derivative extension of microphytophagy, since detritivores only consume detritus ‘processed’ by microorganisms and may be selecting microorganisms from detrital substrates as the basis of their nutrition.
W kontynentalnych osadach wczesnego syluru z Tuscarora w Apallachach, wraz z zarodnikami przypuszczalnych roślin lądowych, występują mikroskopijne organiczne skamieniałości interpretowane przez autorów jako szczecinki i tchawki lądowych stawonogów. W nawiązaniu do tych nowych stanowisk autorzy dokonują przeglądu najstarszych znanych zespołów lądowych zwierząt i szeroko dyskutują prawdopodobne warunki życia w najpierwotniejszych ekosystemach lądowych.
Źródło:
Acta Palaeontologica Polonica; 1993, 38, 3-4; 303-328
0567-7920
Pojawia się w:
Acta Palaeontologica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On monotone mappings of continua
Autorzy:
Gray, William J.
Powiązania:
https://bibliotekanauki.pl/articles/725067.pdf
Data publikacji:
1972
Wydawca:
Polska Akademia Nauk. Instytut Matematyczny PAN
Źródło:
Colloquium Mathematicum; 1971-1972, 24, 2; 185-188
0010-1354
Pojawia się w:
Colloquium Mathematicum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s La Goutte d’or
Autorzy:
Gray, Richard J.
Powiązania:
https://bibliotekanauki.pl/articles/970166.pdf
Data publikacji:
2012-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:
In the final scene of Michel Tournier’s postcolonial novel La Goutte d’or (1986), the protagonist, Idriss, shatters the glass of a Cristobal & Co. storefront window while operating a jackhammer in the working-class Parisian neighbourhood on the Rue de la Goutte d’or. Glass fragments fly everywhere as the Parisian police arrive. In La Goutte d’or, Tournier explores the identity construction of Idriss through a discussion of the role that visual images play in the development of a twentieth-century consciousness of the “Other.” At the beginning of the novel, a French tourist takes a photograph of Idriss during her visit to the Sahara. The boy’s quest to reclaim his stolen image leads him from the Sahara to Marseille, and finally to the Rue de la Goutte d’or in Paris. The Rue de la Goutte d’or remains one the most cosmopolitan neighbourhoods of the city. In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille. From the very moment that the French tourist photographs him, a marginalization of Idriss’s identity occurs. Marginality, quite literally, refers to the spatial property of a location in which something is situated. Figuratively speaking, marginality suggests something that is on the edges or at the outer limits of social acceptability. In this essay, I explore the construction of the marginalized postcolonial self (the “Other”) through an examination of the function of visual representation in the development of a postcolonial identity in La Goutte d’or. In the end, I conclude that the construction of a postcolonial identity is based upon fragmentation and marginalization, which ultimately leads its subject to create an identity based upon false constructions.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2012, 2; 250-263
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sexual Politics: Mapping the Body in Marguerite Duras’s L’Amant
Autorzy:
Gray II, Richard J.
Powiązania:
https://bibliotekanauki.pl/articles/700955.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
In L’Amant (1984), through the juxtaposition of traditional male/female sexual roles, Marguerite Duras painted a gynocentric portrait of sexual politics. By depicting a series of encounters in diverse parts of the Indochinese (Vietnam) landscape, Duras’s novel described the sexual “coming of age” story of her female protagonist’s. Each Vietnamese setting became a visual and sensory metaphor for the various developmental stages of the protagonist. In this essay, I contend that Duras’s use of contrasting settings serves to “flesh out” the sexual politics conveyed in the novel. Herein, I examine the geographic locations illustrating the sexual politics of the novel, including the Mekong River signifying the female protagonist’s rite of passage, Cholon, the city where the girl experiences sexual liberation and a struggle with the established authority, the lover’s apartment where the couple consummates their relationship, and finally, France representing the land of wealth to which the protagonist will eventually return. Key words: autobiography, Judith Butler, Cholen (Cholon), colonisation, crossing, gender, juxtaposition, Marguerite Duras, Julia Kristeva, liberation, liminal space, mapping the body, Mekong, Kate Millett, Other, post-colonial, prostitution, sexploitation, sexuality, sexual politics.
Źródło:
Romanica Silesiana; 2013, 8, 1
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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