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Wyświetlanie 1-8 z 8
Tytuł:
Kto to, kto tu, kto tam
Who Is That, Who Is Here, Who Is There
Autorzy:
Gomóła, Anna
Powiązania:
https://bibliotekanauki.pl/articles/466779.pdf
Data publikacji:
2003
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
This brief essay, inspired by Stanisław Sojka's Fracha, is concerned with the issues of self-knowledge, identity and locality.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2003, 7
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kuchnia w Biszkeku
Kitchen in Bishkek
Autorzy:
Gomóła, Anna
Ewa, Kosowska
Powiązania:
https://bibliotekanauki.pl/articles/507769.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
teoria potrzeb
teoria kultury
analiza instytucjonalna
Bronisław Malinowski
Laboratorium Kultury
theory of needs
theory of culture
institutional method of cultural analysis
Bronislaw
Malinowski
Opis:
Kuchnia w Biszkeku jest autoryzowanym zapisem rozmowy, przeprowadzonej jesienią 2013 r., w stolicy Kirgistanu. Dyskusja, inspirowana wizytą w lokalnym muzeum, dotyczyła problemów wynikających z kulturowych reakcji człowieka na potrzeby biologiczne i pozabiologiczne. Wychodząc od koncepcji Bronisława Malinowskiego autorki podjęły refleksję nad możliwościami budowania takiej teorii kultury, która by wykorzystywała zróżnicowane lokalnie reakcje na uniwersalne potrzeby człowieka.
Kitchen in Bishkek is an authorised transcription of a conversation which took place in autumn 2012, in the capital of Kirgizstan. The discussion, inspired by a visit to the local museum, was concerning the problems of a cultural reception of the human reaction to biological and non-biological needs. Using Bronisław Malinowski’s conception, the authors have pondered upon a possibility of creating a theory of culture, which would make a use of local differences of reactions to universal human needs.
Źródło:
Laboratorium Kultury; 2013, 2; 12-26
2084-4697
Pojawia się w:
Laboratorium Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Może lepiej, gdy patrzą?
Maybe it’s better if someone stands guard?
Autorzy:
Gomóła, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1856839.pdf
Data publikacji:
2019
Wydawca:
Narodowe Centrum Kultury
Tematy:
jeremy bentham
projekty panoptykalne
historia kultury – ujęcia aspektowe
rafał nahirny
panopticon
history of culture – different aspects
Opis:
Referring to Rafał Nahirny’s Granice kontroli [Limits of Control], this article discusses the implications of some problems raised in the book. An analysis of Jeremy Bentham’s social projects as well as his personal fears (as indicated in his writings) reveals a crack in the figure of this English philosopher. Bentham presented rational, systematic attempts that were intended to address social risks. To this end, he proposed to establish institutions similar to those operating in England already in the 16th century; however, at the same time he sabotaged their implementation. The emphasis that he put on his panopticon solutions to ensure control reveals the entanglement between the rational need for control and irrational anxiety to have someone that stands guard.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2019, 107, 4; 170-178
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Na początku był zachwyt. Młody Krzywicki czyta Morgana
At the beginning there was wonder. Young Krzywicki reads Morgan
Autorzy:
Gomóła, Anna
Powiązania:
https://bibliotekanauki.pl/articles/507739.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Lewis Henry Morgan
Ancient Society
Społeczeństwo pierwotne
Ludwik Krzywicki
przekład
Laboratorium Kultury
translation
Opis:
W artykule zrekonstruowano wybrane konteksty sporządzenia i wydania polskiego przekładu Ancient Society Lewisa Henry’ego Morgana. Tłumaczenie dokonane przez Aleksandrę Bąkowską wydane zostało w roku 1887 nakładem, redagowanego przez Aleksandra Świętochowskiego, tygodnika „Prawda”. Korygował je Ludwik Krzywicki, który twórczość Morgana znał co najmniej od 1883. Bliżej zaznajomił się z nią za sprawą pracy Fryderyka Engelsa Der Ursprung der Familie, des Privateigenthums und des Staats. Im Anschluss an Lewis H. Morgan’s Forschungen (1884) – Krzywicki spolszczył i wydał tę książkę (pod pseudonimem J.F. Wolski) w 1885 r. pod tytułem Początki cywilizacyi. Na zasadzie i jako uzupełnienie badań Lewisa H. Morgana (dzieło Engelsa jest lepiej znane w Polsce pod tytułem Pochodzenie rodziny, własności prywatnej i państwa. W związku z badaniami Lewisa H. Morgana – tak brzmi tytuł późniejszego tłumaczenia). Od 1885 w pracach naukowych Krzywickiego poświęconych antropologii odwołania do Morgana zdarzają się coraz częściej. W artykułach odnaleźć można skrystalizowane wyobrażenie Morgana jako badacza terenowego, który spędził czterdzieści lat wśród Indian i dzięki temu mógł stworzyć wybitne dzieło podważające dorobek antropologii gabinetowej. Morgan przedstawiany jest jako ten, który dokonał przewrotu w nauce. Krzywicki także, przyjmując za Engelsem przeświadczenie, że twórczość Morgana jest celowo pomijana, czuje się w obowiązku, by ją popularyzować i bronić przed jakąkolwiek krytyką. Dopiero w latach 90. znajdziemy w pismach Krzywickiego fragmenty, które świadczą o narastającym dystansie do ustaleń amerykańskiego antropologa.
Article reconstructs chosen context and editions of Polish translation Lewis Henry Morgan’s Ancient Society. Aleksandra Bąkowska’s translation was first published in 1887, printed in “Prawda” magazine, which senior editor at the time was Aleksander Świętochowski. It was edited by Ludwik Krzywicki, who knew Morgan’s work since estimated 1883. He got closely acquainted with it due to Frederic Engels’ Der Ursprung der Familie, des Privateigenthums und des Staats. Im Anschluss an Lewis H. Morgan’s Forschungen (1884) – Krzywicki translated and published this book (under alias J.F. Wolski) in 1885 and entitled it Początki cywilizacyi. Na zasadzie i jako uzupełnienie badań Lewisa H. Morgana – Beginnings of civilization. Investigation and reinvigoration of work by Lewis H. Morgan (in Poland Engels’ work is better known as Pochodzenie rodziny, własności prywatnej i państwa. W związku z badaniami Lewisa H. Morgana – Origins of family, private property and the State. Investigation into the works of Lewis H. Morgan – which is the title of the book’s latter translation). From 1885, in his scientific research, Krzywicki references Morgan more often. In articles one can find crystallized idea of Morgan as a field researcher, who spent forty years among Native Americans, thus making him able to create a masterpiece that undermined achievements of cabinet anthropology. Morgan is portrayed as the one who revolutionized science. Also, Krzywicki, taking in Engels’ conviction that Morgans work is deliberately omitted, feels obliged to propagate it and defend it from criticism. Only in Krzywicki’s writings from the nineties we find fragments that show his detachment from Morgans’ conclusions.
Źródło:
Laboratorium Kultury; 2014, 3; 83-113
2084-4697
Pojawia się w:
Laboratorium Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Praca naukowa to wydanie umysłu na ciągły niedosyt. Listy Stefanii Skwarczyńskiej do Czesława Zgorzelskiego
Academic Work is Leaving the Mind to a Feeling of Constant Insufficiency. Stefania Skwarczyńska’s Letters to Czesław Zgorzelski
Autorzy:
Gomóła, Anna
Powiązania:
https://bibliotekanauki.pl/articles/578908.pdf
Data publikacji:
2019
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
scientific contacts, scholar’s ethos, researcher’s ethos, correspondence, Polish humanistics after the year 1945
Opis:
In the Library of the Catholic University of Lublin fifty seven letters and correspondence cards which Stefania Skwarczyńska sent to Czesław Zgorzelski between the years 1948–1984 are kept. They are a trace of professional contacts between scholars - documenting in an aspectual way Polish scientific life. Letters, although in a private form, concern professional matters, such as: organisation of the research institution, politics concerning employment, education of young scholars, taking part in conferences, publishing scientific works as well as their circulation. A vast part of them is dedicated to the history of establishing “Zagadnienia Rodzajów Literackich” [“The Problems of Literary Genres”].
Źródło:
Zagadnienia Rodzajów Literackich; 2019, 62, 3; 121-135
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Starość jako wyobrażenie kulturowe
Autorzy:
Rygielska, Małgorzata
Gomóła, Anna
Powiązania:
https://bibliotekanauki.pl/books/1790355.epub
https://bibliotekanauki.pl/books/1790355.mobi
https://bibliotekanauki.pl/books/1790355.pdf
https://bibliotekanauki.pl/books/1790355.zip
Data publikacji:
2013
Wydawca:
Campania Teatralna GENESIS.Europejskie Centrum Kultury i Edukacji
Opis:
The aim of this article is to show that the category of “old age” is currently used as an academic category in social science, although it is extremely imprecise and is of a rather pre-scientific category nature. Pre-scientific categories do not need to be defined strictly and precisely, it is sufficient for them to invoke some specific meanings. On the other hand, scientific categories must be exact and precise. The phenomenon called old age is not homogenous, but it is rather a set of concurrent features such as: the number of years of one’s life, one’s health condition, professional status, and role played in the society. These features - only in common belief - form a strictly related complex. Solutions proposed by scholars representing diverse disciplines and specialties (e.g. biology, medicine, psychology, sociology, demography) do not allow for a more precise meaning. Despite this, the pre-scientific category of “old age” is still used as a strictly scientific term. The author reconstructs the image of old age in the Hebrew Bible. She shows the ambiguity of biblical records and refers to different interpretations of phrases and expressions related to ageing. She argues that determination of the exact time when a person becomes old is very difficult, since the division of human life stages is not precise in the Hebrew Bible. However, she attempts to show in what circumstances men and women were considered as aged, and tries to enumerate the characteristics attributed to old age and longevity which was believed to be a gift from God. The author also points out that according to biblical descriptions, old age is associated with wisdom and life experience, and the elderly deserve respect, since they are obliged to play important roles in the society, acting as judges, scholars, sages and leaders. The author considers the reason for resilience of the myth, and reconstructs cultural contexts for its various interpretations. Since the 19th century, we have observed ambivalence of the Icarus symbolism. The wings have become synonymous with power, zeal, strain, enthusiasm and bursts of passion typical for youth. The sole theme of flight, of conquering the skies and defying nature, transforms into a metaphor of romantic attitude, where death is not a failure, if it can contribute to a victory of ideas. The myth conveys also another, important message. It puts in contrast the pictures of youth and old age, and at the same time shows that these are not universal, but prone to changes in the course of history, and dependent upon a combination of numerous and diverse cultural conditions. Why have we forgotten about Daedalus, a famous inventor, and should we not claim him back? The very essence of myth is complementarity of alternative attitudes, and in this case also an attempt to understand youth and old age, as well as the opportunities and threats associated with them, as told by successive interpretations of this narrative. The author investigates the usage methods and contexts of lexemes related to old age, in old and modern French. Instead of a chronological review, available from numerous lexical sources, she proposes a problem approach. In French (as in many other European languages), the problem of human ageing is not only presented in phases or stages (life stages, 7-year periods, etc.). Human ageing is described similarly to the ageing of trees, where words signifying decay and the stooping towards the ground, are used metaphorically. The relation of old and young can be attributed not only to people, but also to material objects, epochs or even the world. Positive or negative characteristics of elements of this juxtaposition which have not always been considered as opposing each other depend on numerous historical and cultural conditions and are subject to changes in time. Der Text ist ein Versuch die Frage zu beantworten: was sagen die zeitgenossischen deutschen Sprichwörter uber das (hohe) Alter? Die Autorin zeigt Beispiele für die Vielseitigkeit der Bedeutungen deutscher Wörter uber das Alter. Der Ausgangspunkt dafür ist die Etymologie des Wortes alt und seine Verwandschaft mit dem latainischen alere. Die Autorin stutzt sich auf deutschsprachige Arbeiten, in denen die Altersbilder und ihre Veränderungen in der europäischen Kultur seit dem XVI Jahrhundert vorgestellt werden. Durch die Veränderungen der Altersbilder verändert sich auch der Gebrauch alter Sprichwörter und Redensarten: manche werden vergessen und neue kommen in den sprachlichen Umlauf. Die Autorin berücksichtigt auch die Ergebnisse soziologischer Untersuchungen zu der Betrachtung alter Menschen am Ende des XX Jahrhunderts. Der historische Überblick zeigt, daß das Thema Alter und Altern sowohl in der Kultur als auch in der Sprache und im Leben ständig aktuell ist. This article is dedicated to a forgotten manuscript by Polish ethnographer and writer, Ignacy Lubicz Czerwinski. The author shows the likely sources of inspiration of the writer, whose manuscript contains references to then current discoveries in the field of medicine, philosophical works, and texts concerning local history and demography. Dnie starosci [The Days of Old Age] provide guidance for both the young and the old. The former are clearly of a didactic value, while the latter aim to make the last period of life “pleasant”. The manuscript can also be seen as one of the resources facilitating reconstruction of the history of Polish culture at the turn of the 18th and the 19th centuries. The author analyses a nineteenth-century concept of youth and old age, shown in poems by Adam Mickiewicz: Do Joachima Lelewela... (Tribute to Joachim Lelewel...), Oda do młodości (Ode to Youth). The author takes into consideration the complicated political situation of the country and Mickiewicz’s life, as well as the reactions of the Philomaths to the poem by their young colleague, in light of artistic expression conventions at the turn of the 19th century. Arguably, the criticism of the Oda do młodości had much deeper roots than the dictates of classicistic poetics. It also stemmed from established beliefs, according to which the old values had to be protected, and - in a broader context - from the situation of Polish culture against the culture of Europe, whose ideas regarding the glorification of novelty and youth, for a long time present also in philosophical reflections, were introduced by Mickiewicz into his work. The author reconstructs the approach to old age and to the elderly on the basis of Julia Hartwig’s works, comparing her writings with texts by Czeslaw Milosz, who saw in the modern - and more precisely, the twentieth-century poetry - mainly the expression of difficult, bitter and painful human experience. Hartwig shows the loneliness of old people in the shadow of imminent death which fills them with fear. The poetess calls for openness towards fellow human beings and for taking a more empathic and compassionate attitude towards older people. She argues that individual experiences and feelings brought by old age have another, more universal dimension. Old age (more than any other) brings to light the nature of our relations with people, and teaches us to value family ties. Old age teaches us to understand the mystery of life - this message was already known to ancient philosophers. The author of this article, analysing poetic images of old age and of old people, also describes different methods of coping with ageing which is understood as yet another stage of life. The author of the article is analysing the image of an old woman in the works of two Polish poets: Anna Świrszczynska (1909-1984) and Genowefa Jakubowska-Fiałkowska (born 1946). The matter which bothers her most is to what extend the two poets separate themselves from the dominating stereotypical approach to an old woman, which is usually identified with man’s approach, and if they are able to look at themselves without the category of an old woman’s utility (as for example a minder of grandchildren, etc.) and keep this look long enough to understand what (or whom) they are actually experiencing. There is also a reference to Tadeusz Rozewicz’ poem A tale of old women and a novel The Reader by Bernhard Schlink. Thanks to those texts the author is pointing out a characteristic for the old age experience mechanism of „overlaping” of the two images: the young one which is embedded in the mind of the person who is looking and the old one which is being recorded in the present. The Author refers to a concept by Margaret Mead, who, in Culture and Commitment. A Study of the Generation Gap (1970), has distinguished three models of culture: the postfigurative, the cofigurative, and the pre- figurative. These models present three types of intergenerational distance, i.e. relationships which bind grandparents and parents with their children. At the turn of ‘60s and ‘70s, Margaret Mead claimed that this was the time when the prefigurative era started. Since four decades have passed, it is worth to see if her predictions were correct. In this text, the Author asks vital questions: Towards which model of culture are we heading now? What is today’s meaning of generational unity in the Euro-American civilisation? What is the role of old people in Polish, European and American culture? How are the relationships of the old and the young shaped, and what do they depend on? On what basis can we attempt to predict the nature of future changes? The article describes the picture of old age presented in Tove Jansson’s Moominvalley in November. The writer, sketching the character of Grandpa-Grumble, refers to a certain model of social situation faced by old people. This model is not universal, but the Europeans will find some of its elements familiar. The story is not, however, only meant to give a diagnosis - Jansson shows that adverse conditions may be an impulse for action, if one realizes that it is always possible to change his or her life. Grandpa-Grumble takes the risk and, although he fails to achieve his dreams, his life becomes more purposeful and responsible. He casts away the things which trapped him - unnecessary objects and superficial relations; in new circumstances, he has disappointments, but also feels satisfaction. Jansson’s book tells to us that we always have the right to disagree with the current state of affairs and that our strength lies in this potential disagreement. This is the most vital instruction which shows to us how to be old. The author points to the current need for the development of new patterns of familiarisation with old age and death, while facing not only the problems related with old age, but also with those mechanisms which lead to a gradual lengthening of human life, without the essential care for its quality. At the same time, she asks vital questions: what happens, if we still cannot use the enormous potential of old people, if we do not learn to consider old age as an existential and cultural value, and if we do not find a place for it in our modern civilisation? Then, the idea of human dignity and building of intergenerational bonds will only be an empty slogan.
Dostawca treści:
Biblioteka Nauki
Książka
    Wyświetlanie 1-8 z 8

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