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Wyszukujesz frazę "Gołębiewska, Maria" wg kryterium: Autor


Książka
Tytuł:
Edmund Husserl’s Semantics and the Critical Theses of Late Structuralism
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/451273.pdf
Data publikacji:
2019-04-30
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
phenomenon
language
essence
sign
meaning
sense
structure
Opis:
The article contains a review of the main arguments proposed by the philosophers of late structuralism (including the so-called post-structuralism) against Edmund Husserl’s phenomenology, particularly, his theses on semantics. Polemics against the Husserlian conception of semantics are grounded in the structuralists’ opposition to the various theses of Husserl’s phenomenologies (both the transcendental constitutive and the genetic). Initially (particularly in the 1950s), it was an attempt at combining the logical and linguistic theses of Husserlian phenomenology with the structuralist theses proposed by Ferdinand de Saussure, as known from late works by Maurice Merleau-Ponty. In the 1960s, it was an attempt at challenging the status of subjectivity – the subject, including the transcendental ego and the role of consciousness. Simultaneously, it is a polemic against essentialism, in regard to ontological, epistemological and anthropological theses. In the article, I focus on the polemics of the thinkers (i.a. Gilles Deleuze, Jacques Derrida, Jean-François Lyotard) that reformulated Saussure’s theses, against Husserlian semantics which they considered in reference to the broad understanding of a sign, exceeding the sign of language.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 1(7); 30-50
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Henri Bergson a Karol Irzykowski — inspiracje i paralele
Henri Bergson and Karol Irzykowski — inspirations and polemics
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/690239.pdf
Data publikacji:
2015
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
życie
duch
materia
rzeczywistość
komizm
kinematografia
life
spirit
matter
reality
comicality
cinematography
Opis:
The aim of my article is to indicate the inspirations provided by the Bergsonian ideas that we find in texts written by the Polish intellectualist Karol Irzykowski — these inspirations are declared explicitly, but more frequently they are suggested implicite. The inspirations are clearly noticeable in his book on the cinema (Dziesiąta Muza, 1924) as well as in his early articles and the experimental novel Pałuba (1903). On the other hand, the late book by Bergson, concerning religion and morality (Les Deux sources de la morale et de la religion, 1932), reveals a work approaching the clerc’s ideas which is declared explicite and incessantly by Irzykowski. It has to be stressed that Irzykowski is familiar with Bergson’s works, first and foremost, thanks to Polish translations and editions — as referenced in his commentaries (Henri Bergson, Le Rire. Essai sur la signification du comique, 1900, Polish edition 1902; Henri Bergson, L’Évolution créatrice, 1907, edited in Polish in 1911). However, the Bergsonian work which seems most influential for the philosophical theses of Irzykowski, i.e. Matière et mémoire. Essai sur la relation du corps à l’esprit (1896), was only published in Polish in 1926. It is possible that the presence of theses from this book in the works of Irzykowski is the result of his familiarity with philosophical currents and discussions of that time. Irzykowski’s works address, among others, the essential question of “reality” considered at the time by Bergson (as well as by William James). The Bergsonian vitalist philosophy of life (but also the culturalist position of Wilhelm Dilthey and Georg Simmel) was a critical point of reference for Irzykowski’s own comprehension of the terms “life”, “matter”, and “spirit” in the larger context of “reality” (defined as a sum of particular beings). Irzykowski considered language and history — surely after Bergson — in the context of memory and individual biography. He postulated the subjectivisation and individualisation of historical knowledge. Just like Bergson, Irzykowski confronted mechanism and dynamism; he considered in the context of this opposition questions of comicality and laughter as well as the anthropological effects of a specific, cinematographic perception. However, Irzykowski — in contrast to Bergson in his book L’Évolution créatrice — coupled the mechanism strictly with the dynamism, grasping film as a mechanic registration of human perception, as well the art of dynamic movement. According to Irzykowski, film would be a confirmation not of the analytic, but synthetic character of human perception and cognitive faculties. Just like Bergson, Irzykowski tried to go beyond the metaphysical and psychophysical dualism towards the standpoint of monism, but with pluralistic aspects (pluralism of different “realities”). The late Bergsonian theses on religion and morality (Les Deux sources de la morale et de la religion, 1932) demonstrate, once again, some similarities between his ideas and Irzykowski’s concepts. There might seem to be many differences between them: Irzykowski consistently declared his own intellectual point of view and Bergson stressed that instinct and intuition played the most significant roles. However, in the end, Bergson discovered that he had fulfilled his life’s mission and his late declarations seem close to the clerc’s standpoint of Irzykowski.
Źródło:
Prace Polonistyczne; 2015, LXX; 81-99
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncepcja dzieła sztuki Karola Irzykowskiego - aspekt estetyczny i poznawczy
Conception of the work of art by Karol Irzykowski - aesthetic and epistemological aspects
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1392983.pdf
Data publikacji:
2007-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The text presents the main aesthetic theses of Karol Irzykowski, concerning the work of art. Karol Irzykowski (1873-1944) - the Polish writer, critic and theorist of literature, art and culture - considered the work of art as the specific object of culture, as the source of human aesthetic experience and, at the same time, of cognition. He admitted the art, first of all, as the result of intellectual action. That is why, the primary thesis of his aesthetics underlines the connection between the aesthetic and epistemological qualities in the work of art. The text characterises this connection and refers to the philosophical tradition, important for the ideas of Karol Irzykowski.
Źródło:
Przestrzenie Teorii; 2006, 6; 103-119
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Legal interpretation in Paul Amselek’s phenomenology of law — between subjectivism and objectivism
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/2076803.pdf
Data publikacji:
2021-12-24
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
hermeneutics
understanding
intersubjectivity
sense
meaning
intention
Opis:
The aim of the article is to characterise and analyse Paul Amselek’s research approach to legal hermeneutics. The text provides an outline of Amselek’s assumptions and theses about legal interpretation, considered in the broad context of hermeneutics, and in the narrower context of legal logic and argument (including rhetoric and speech act theory). In point of fact, one of the methodological aims of Amselek’s philosophical reflection is to harmonise the two indicated contexts for framing interpretation — the wide context of hermeneutics, and the more narrow context of legal logic and argument. Amselek refers to issues in communication theory, reaching beyond the hermeneutic concept of text interpretation and evocation of the original authorial intention. He analyses the legal text-message in its content and argument layers, he also endeavours to specify the methodological possibilities of interpreting the attitudes and motivations of subjects — participants in communication situation (the sender and receiver of the message). He also inquires about the ethical attitudes of jurisdiction authorities, performing the interpretation of a body of law — the subjects responsible for lawmaking and the execution of law. Adopting post-Enlightenment anthropological assumptions, Amselek accepts the primacy of rationality in cognition, decision making, and activity of the human individual. However, in his considerations on interpretation he concurrently underscores the role of affective factors, motivating many choices and actions made by legal subjects.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2021, 11, 2; 415-433
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Normativity of Prescriptions in Adolf Reinach’s Aprioristic Theory of Right
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1033478.pdf
Data publikacji:
2020-03-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
description
prescription
law
norm
ideality
ideation
Opis:
In the Logical Investigations, Edmund Husserl defines that which is normative as the objectively regular with its rules of regularity, which can be recognised rationally – normativity concerns the being itself and the rational cognition of the being (logic as a normative discipline establishing the rules of scientific knowledge, as the science of science). Instead, Adolf Reinach in The Apriori Foundations of the Civil Law defines the notion of norm as polysemantic and distinguishes the legal provisions (the prescriptive sentences), formulated within a given community, from the basic norms which are grounded in the objective (including moral) justness of the states of affairs. The obligation of the being and the obligation of acting exist in themselves, independently from cognition. In turn, “enactments and the propositions which express enactments” as a kind of normative sentences have the character of normalisation, but they require a person to pronounce them. The prescriptions realise and refer to what is objectively being and to the objectivity of what is being and obligatory. In my text, I present Reinach’s position on the relations between norms and provisions (as prescriptive propositions “which express enactments”) referring his theories to the Husserlian concept of normativity.
Źródło:
Acta Universitatis Lodziensis. Folia Iuridica; 2020, 90; 41-61
0208-6069
2450-2782
Pojawia się w:
Acta Universitatis Lodziensis. Folia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pierwiastek pałubiczny, konstrukcja i akulturacja w „Pałubie” Karola Irzykowskiego
Pałubic element, construction and acculturation in “Pałuba ”by Karol Irzykowski
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/690260.pdf
Data publikacji:
2017
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
pałuba
nature
construction
enculturation
acculturation
natura
konstrukcja
enkulturacja
akulturacja
Opis:
The aim of the text is to discuss Karol Irzykowski’s concepts of “pałuba” and construction, which he proposed in Pałuba (1903), where he characterises a “constructional element” appealing to the theses of empirical criticism of Richard Avenarius and Ernst Mach. However, the question of the construction, understood first from the epistemological and psychological point of view, was present in the theses of Kant, Fichte and Schelling, and it became popularised thanks to neo-Kantianism and empirical criticism. The theses related to the construction were intensively discussed during the creation of Pałuba and Irzykowski’s subsequent works, in which the issue of construction also appears, considered as a cognitive schema, as the formal element confronted with the content, as the constructional aspect of the verbal and visual (film) communication. His later works concern the cultural construction which is also a formal construction, and they come into being at the same time that Cassirer’s books on the symbolic forms of culture were published. However, the question of construction is best presented in Pałuba, described with the phrase “constructional element”, which was opposed to a “pałuba” (“pałubic element”). Confronting the terms “pałuba”, i.e. natural, direct, presented to the human being, and “construction”, i.e. the world created by human beings, specific for us, Irzykowski defines human existence, he shows the regularities of human acts, cognition and feeling. At the same time, he captures the “natural” aspect of culture with the use of the term “pałuba”. It is that coexistence of the naturalness and the specifically human products within the world of culture — in the world which annexes the “natural”, bestows the senses and meanings on “pałuba” — that makes an “enculturation” possible, i.e. an introduction of the “wild” man into culture, teaching and adaptating to life in the cultural world, full of human senses and meanings. The text discusses the category of the “constructional element” and presents Irzykowski’s thoughts on the background of the hitherto existing concepts of construction, as well as in the context of his own anthropological, epistemological and cultural theses.
Źródło:
Prace Polonistyczne; 2017, LXXII; 87-102
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powtórzenie w myśli Sorena Kierkegaarda - opowieść a przypowieść
Repetition in the ideas of Soren Kieerkegard
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1393699.pdf
Data publikacji:
2007-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
In this text the author describes briefly Kierkegaard's conception of existence, which has been juxtaposed by him with the reinterpreted conception of essence and of the existing. Kierkegaard defined existence referring to different orders of representation, first of all to the spoken and written language. He considered existence - always individual and particular - as an object of personal existential choice. This choice concerns, at the same time, the way of individual existence (the stadium of life) and the individual identity. That is why in Kierkegaard's reflection is so important the reference to individual identity and to its grasp in narration - in the mythical parable and in the story concerning everyday life. The problems of existence, identity and their grasp in representation are connected with the Kierkegaardian question of repetition, which is also discussed in this study.
Źródło:
Przestrzenie Teorii; 2007, 8; 123-141
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Concept of Cultural Normativity in the Context of Phenomenology of Law
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/2161790.pdf
Data publikacji:
2022-12-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
normativity
norm
value
phenomenology
law
culturalism
Opis:
The goal of the text is to reconstruct the concept of cultural normativity found in the phenomenological philosophy of law. The starting point of the text is the distinction between cultural normativity and normativity in culture. This distinction is based on reference to an extra-cultural, but not non-human instance – transcendent to the creations of humanity and its world, but in relations with the human equipment, with the characteristics of a specific human being and its existence. The specific relations between cultural and legal normativity can be found in phenomenological concepts of law, which draw on the Husserlian transcendentalism and essentialism. The phenomenology of law attempts to answer the question of the sources, and the ontological and epistemological status of normativity as such. Normativity as a written and unwritten set of norms is characterized by phenomenologists with reference to value and axiology. The values are assumed by them as certain fixed reference points (“horizon of values” given to be recognized), because norms make it possible to establish rules for various individual and collective practices within a particular community and culture on the basis of values.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2022, 6, 3; 79-97
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Issue of Idealization in The Philosophy of Money by Georg Simmel
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1790686.pdf
Data publikacji:
2018-12-30
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
value
essence
essentialism
construction
idea
ideal
idealization
Opis:
The main question of the text concerns the status of value in Georg Simmel’s thinking. According toSimmel, values are submitted to “idealization,” which can be considered a kind of “constructed essentialism.”Together with the concept of construction, “constructed essentialism” first appeared implicitly in Kant’s theseson the human rational equipment containing necessary inborn dispositions and, particularly, in his theses ontranscendental schematism. However, it was Fichte and Schelling who applied the term “construction” to thedescription of cognitive processes. In his theses concerning the idealization of values as conventionally accepted,socially and economically constructed relations, Simmel refers to the anthropological, cognitive equipment: tothe human propensity to seek patterns, ideals, and even ideas. Such a formulation of the process of idealizationspreads Simmel’s concept of value dialectically between constructivism and anthropological essentialism.
Źródło:
Polish Sociological Review; 2018, 204, 4; 463-476
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Performative Aspects of Metaphor: The Metaphorization of Silence between Intentionality and Conventionality
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/451487.pdf
Data publikacji:
2019-12-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
metaphor
silence
performative theory
intention
convention
normativeness
Opis:
Metaphor, as is known, has been considered an expression of the creative approach of a subject to language and thinking. Metaphor enables the subject of cognition and action to establish meaning – the subject exercises semiosis not only by referring to the former convention and the situational context, but also by transforming it due to the distinct act of turning the metaphor into an instrument of expression. The innovative character of metaphor allows one to consider it in the context of performative theory, whereas its receptive, evocative character requires interpretation from the recipient. In both cases, metaphor in acts of communication, opens their participants towards specific expressions – performative expression in the case of individual semantic innovation, and receptive expression in the case of the interpretation of former metaphors. The specific example of silence, considered as a kind of metaphor within the frameworks of the performative theory, is the subject-matter of the paper. The basic question of the paper, referring to John L. Austin’s speech act theory and to his followers, is related to the source of the aforementioned metaphorization – to what degree is it an intention of language users, and to what degree is it a language convention which allows one to combine words and establish new associations metaphorically? In his pragmatic concept of meaning, Austin stresses the role of the context of an utterance – the situational context may also enable the establishment of metaphor as a figure of speech that dynamizes and moves our thinking.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 4(10); 5-20
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Założenia i tezy fenomenologii prawa Carlosa Cossio
Assumptions and Theses of Carlos Cossio’s Phenomenology of the Law
Autorzy:
Gołębiewska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/28762690.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
prawo
fenomenologia
zachowanie
egologia
intersubiektywność
law
phenomenology
conduct
egology
intersubjectivity
Opis:
Carlos Cossio, argentyński filozof prawa rozwijał swoje koncepcje od lat trzydziestych XX wieku, będąc wykładowcą akademickim i aktywnie uczestnicząc w życiu społecznym. W założeniach, tezach i postulatach jego prawnicza teoria zajmuje się społeczną rolą prawa, przede wszystkim rolą sędziów i instytucji sądowych. W swojej fenomenologii prawa Cossio odwołuje się przede wszystkim do tez fenomenologicznych Edmunda Husserla, jak również do etyki Immanuela Kanta oraz do filozofii egzystencji – do koncepcji Miguela de Unamuno i Martina Heideggera. Cossio systematycznie podkreśla pierwszoosobową, czyli egologiczną i indywidualistyczną perspektywę wiedzy, decyzji i działań. Taka perspektywa pozwala nam rozpoznawać prawo jako działające wobec i dla ludzkich jednostek, z uwzględnieniem ich specyficznej sytuacji biograficznej i ich zachowania – prawo jest określane i nabiera ważności w konkretnym społecznym świecie. Równocześnie pozycja podmiotu w świecie jest określana przez intersubiektywny kontekst kultury, tożsamy ze specyficznie ludzkim „światem życia”. Cossio kieruje naszą uwagę ku tezom antropologicznym (antropologiczna potrzeba reguł i normatywności) oraz ku językowi i innym systemom znakowym, uznawanym za specyficznie ludzkie wytwory i nadające znaczenie „przedmiotom kultury” (Wilhelm Dilthey), czyli ku intersubiektywności (Lebenswelt) szeroko pojmowanej jako symboliczna, semiotyczna i semantyczna sfera.  
The Argentinian legal philosopher Carlos Cossio developed his concepts from the 1930s, being an academic lecturer and actively participating in social life. In assumptions, theses and postulates, his theory of law examines the social role of law, primarily the role of judges and judicial institutions. In his phenomenology of law, Cossio refers above all to Edmund Husserl’s phenomenologist theses, but also to Immanuel Kant’s ethics and to the philosophy of existence – to the construals of Miguel de Unamuno and Martin Heidegger. Cossio systematically emphasises the first-person, i.e., egological and individualistic, perspective of knowledge, decisions and actions. Such a perspective allows us to recognise law as acting towards and for human individuals, taking into account their specific biographical situation and their conduct – law is defined and gaining importance in a concrete social world. At the same time, the position of the subject in the world is determined by the intersubjective context of culture, which is identical to the specifically human “world of life”. Cossio directs our attention towards anthropological theses (the anthropological need for rules and normativity) and towards the language and other sign systems presumed to be specific human products and giving meanings to “cultural objects” (Wilhelm Dilthey), i.e., towards intersubjectivity (Lebenswelt) broadly understood as a symbolic, semiotic and semantic sphere. 
Źródło:
Logos i Ethos; 2022, 60, 2; 89-112
0867-8308
Pojawia się w:
Logos i Ethos
Dostawca treści:
Biblioteka Nauki
Artykuł

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