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Wyświetlanie 1-3 z 3
Tytuł:
L’image de l’autre dans L’Occupation américaine de Pascal Quignard
The image of the Other in Pascal Quignard’s "L’Occupation américaine"
Autorzy:
Gauthier, Patricia
Powiązania:
https://bibliotekanauki.pl/articles/2056752.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
otherness
fascination
repulsion
United States
values
Altérité
répulsion
Etats-Unis
valeurs
Opis:
A la fin des années 50, les Etats-Unis installent une base à Meung-sur-Loire, où se déroule L’Occupation américaine de Pascal Quignard. Pour le héros du roman, cet « autre monde » est à la fois objet de fascination et de répulsion. On se propose d’étudier comment se construit l’image que renvoie l’altérité d’une civilisation décrite du point de vue de l’occupé et qui contraint celui-ci à s’examiner lui-même. Ainsi liée à la découverte de l’autre en soi, cette image empêche le lecteur de se replier derrière une opposition figée des valeurs.
In the late 1950s, the United States set up a military base in Meung-sur-Loire, where Pascal Quignard’s L’Occupation américaine is set. For the hero of the novel, this “other world” is at once an object of fascination and an object of repulsion. In this paper, we discuss how the image of the otherness of a civilization described from the point of view of the occupied party is construed and how it forces that party to examine itself. This image, thereby linked to the discovery of the Other in oneself, prevents the reader from withdrawing behind a fixed opposition of values.
Źródło:
Lublin Studies in Modern Languages and Literature; 2021, 45, 4; 59-68
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lecture et sens chez Pascal Quignard (La Suite des chats et des ânes, La Rive dans le noir, Performances de ténèbres)
Autorzy:
Gauthier, Patricia
Powiązania:
https://bibliotekanauki.pl/articles/559908.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Quignard
reading
lectio
lecture
performance
meaning
stage
Opis:
Reading and Meaning in Pascal Quignard’s work Pascal Quignard makes reading the very core of his work, drawing on his erudition to feed its content. It is not, however, to be viewed as a scholarly process to legitimize the construction of a discourse. For he is always wary of any construction of meaning and consistently exposes the illusion of Logos and reason. On the contrary, his work is aimed at deconstructing their hold on them. In La Suite des chats et des ânes, Quignard recounts the lecture given to Mireille Calle-Gruber’s students at the Sorbonne, in which he comments on the writing of his novel Les Solidarités mystérieuses. What we mean to do is follow this lesson in order to trace the meaning of the readings at work in writing.
Źródło:
Orbis Linguarum; 2018, 50; 199-209
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quête de soi, quête du sens : alchimie et roman comique à la première personne dans Le Page disgracié et L’Autre Monde
Quest for Self, Quest for Meaning: Alchemy and First Person Novel in Le Page disgracié and L’Autre Monde
Autorzy:
Gauthier, Patricia
Powiązania:
https://bibliotekanauki.pl/articles/2020939.pdf
Data publikacji:
2020
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Tristan
Cyrano
alchemy
illusion
sense
libertinism
Opis:
The Other World and Le Page disgracié (The Disgraced Page) occupy a singular place in the luxuriant seventeenth-century novel landscape on account of their first-person writing. In a process quite akin to the formative novel, the experiences of the “I” are stages in the construction of a meaning that is elaborated in the course of adventures rather than set as a goal to be reached. Meaning remains elusive, never predetermined, ravelled and unravelled as it is along with the episodes experienced by the narrator, regardless of whether those episodes are conveyed by the imagination of Cyrano or by the memory of Tristan’s experiences. No matter whether we are dealing with the most unbridled fantasies or autobiographical narrative, the route followed by the “I” is not oriented towards a goal that would make sense. Both texts call for alchemy, but the narrators do not make the quest for the philosopher’s stone the guiding thread of their narrative. Alchemy, described as a deception in Tristan and as an approach among others to the mysteries of the world in Cyrano, is presented as the touchstone of a possible decoding of the world, as the reign of illusion and, therefore, of the impossibility even to fix meaning. A pie-in-the-sky quest for meaning leading to a goal that does not exist (the two texts are abruptly interrupted), the formative novel finds a possible hermeneutic opening in the form of libertinism that forces one to play with meaning. Both works put sensual pleasure at the heart of the adventures lived by the characters and this rehabilitation of sensuality could offer itself as the key to a libertine strategy.
Źródło:
Academic Journal of Modern Philology; 2020, 9; 255-263
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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