Autor: Feliksiak, Elżbieta - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Norwidowska całość?
The Complete Norwid?
Autorzy:: Feliksiak, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/16729290.pdf
Data publikacji:: 2020-02-24
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:: Studia Norwidiana; 2001, 19; 158-164
0860-0562
Pojawia się w:: Studia Norwidiana
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Poezja i myśl ujdą cało nawet z gorsetu teorii
Poetry and thought will come out safe and sound even from the straightjacket of theory
Autorzy:: Feliksiak, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/16729463.pdf
Data publikacji:: 2020-05-05
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Norwid
Mallarmé
milczenie
modernizm
komparatystyka
retoryka
tekst
pismo
sens
efekt
dekonstrukcja
hermeneutyka
silence
modernism
comparative study
rhetoric
text
writing
meaning
effect
deconstruction
hermeneutics
Opis:: The article is a critical discussion of a book by Piotr Śniedziewski, who made the subject of his research a comparative analysis of the work and thought of two poets of the second half of the 19th century: Mallarmé and Norwid, treating them both as precursors of the esthetics of modernism. The author of the review remarks that the analytical arguments of the book are subjected to its real and main aim, that is practical verification of the theoretical construct projected by the Poznań researcher. The construct is the “rhetoric of silence” that could replace the traditional category of rhetoric based on classical models. After a synthesizing characteristic of the whole that is competently and clearly built by the author very well read in the poetry of the researched epoch and in the literature of the subject, the reviewer reminds shortly the achievements to date of comparative Norwidology, with the publications by Maciej Żurowski leading the way. Next she presents six chapters as subsequent stages of Piotr Śniedziewski's argument, commenting them economically, in a way that does not disturb objectivity of the presentation. The predominant feature of the commentaries is the reviewer's conviction that although the author emphasizes the connections between Norwid and Romantic poetry as well as his philosophy that is distant from modernism, the thesis about a common basis of both the poets' work is a peculiar attempt at imposing a straightjacket of an a priori constructed theory on the subject he studies. However, the work of both the poets (both their poetry and thought) emerges victorious from this ordeal. It is so both because of the resistance of art as a domain of independent mastery, and of the fact that Śniedziewski, a follower of the “new comparative study”, comparing rather differences than similarities, consciously dissociated himself from extreme deconstruction that is in fashion. Hence ultimately there are no losers in the book: the rhetoric of silence does work in the workshop practice, and works by the two outstanding poets are not overshadowed by a risky interpretation. From the point of view of Norwidology let us just add that we still have to wait for broadening the comparative background of his work.
Źródło:: Studia Norwidiana; 2012, 30; 209-229
0860-0562
Pojawia się w:: Studia Norwidiana
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Norwidowe Quidam, czyli przypowieść o ludziach i kamieniach
Norwid’s Quidam or A Parable About People and Stones
Autorzy:: Feliksiak, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/16729320.pdf
Data publikacji:: 2020-05-04
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: Norwid
Chateaubriand
Rzym
Grecja
chrześcijanie
Żydzi
człowiek
quidam
miasto
dom
kamienie
droga
rozmowa
ruch
zmiana
przypowieść
historia
wzór
Rome
Greece
Christians
Jews
man
city
home
stones
way
conversation
movement
change
parable
history
pattern
Opis:: A reinterpretation of the title of the poem on the basis of analysis of the semantic context of the uninflected work quidam as an indefinite pronoun is the starting point of the study. The author proves that the title Quidam is not restricted to a particular nameless protagonist, but it is a condensed sign of indeterminateness (not only personal) as a structural dominant of the poem. Hence it can only have an uninflected form. This is how Norwid always treated it. In the course of further argument the author justifies the proposition that the main subject of Quidam is Rome as the Eternal City, ever built anew on its ruins, maintaining the continuity of life for ages and being a sign of hope. The poem is a picture of the mature Empire in the epoch of Hadrian shown as the time of a slowly ripening coup, when in the multicultural environment Christianity grew, even if it was mysterious for many people and persecuted by the authorities. Interpreted in the context of F. R. Chateaubriand's Les Martyrs the parable is an equivocal reflection on the tragic character of history and on the role that heroic and often nameless sacrifice of people and stones of the city plays in building its meaning. It is also a reflection on how intolerance and weakness resulting from selfish conceit makes coexistence of various religions and cultures in mutual respect impossible.
Źródło:: Studia Norwidiana; 2008, 26; 17-48
0860-0562
Pojawia się w:: Studia Norwidiana
Dostawca treści:: Biblioteka Nauki

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