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Wyświetlanie 1-8 z 8
Tytuł:
Autobiografie pisarzy rosyjskich, „Studia Rossica” t. XXI, red. naukowa Alicja Wołodźko-Butkiewicz, Ludmiła Łucewicz, Warszawa 2012
Autorzy:
Elena, Janczuk,
Powiązania:
https://bibliotekanauki.pl/articles/902311.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Opis:
-
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2015, 8; 140-148
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Metafizyka” życia Mariny Cwietajewej
Autorzy:
Elena, Janczuk,
Powiązania:
https://bibliotekanauki.pl/articles/902246.pdf
Data publikacji:
2018-11-07
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Marina Tsvetaeva
motive
death
life
Opis:
Feature of oeuvre of Marina Tsvetaeva – the predominance of the motive of death. Henry Gorchakov discovers this topic in sixty percent of the poet’s works of M.Tsvetaeva. Naturally, reflections on death are accompanied by reflections on life. The article analyzes the peculiarities of development of Tsvetaeva’s work of another constant motive – the motive of life, the concept of which is found out in a complex metaphysical context of thinking. Particular attention is paid to the diversity of approaches to understanding life and their changes. At the same time, the poet does not develop his own philosophy of life, focusing on the world of experiences, on the one hand, or on a holistic and volatile reality, on the other.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2018, 11; 174-199
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O genezie „cielesnych” motywów w twórczości Mariny Cwietajewej
Autorzy:
Elena, Janczuk,
Powiązania:
https://bibliotekanauki.pl/articles/902333.pdf
Data publikacji:
2017-11-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Marina Tsvetaeva
ego-documents
poetry
body
corporealness
soul
spirit
Opis:
It is difficult to form a coherent conception of Marina Tsvetaeva’s considerations about the body, as sometimes they contradict each other and sometimes they complement each other. However, they were changing as new experiences were accumulated. From the idea that the body is like a wall or an obstacle in the way, Tsvetaeva moves to the idea of the body as a separate zone of her personality, where freedom and democracy go along with subjection, and where the rigorous part of the personality – soul is to be subdued. When the poet starts to lose contact with the body, when she becomes convinced that she no longer can identify with it, she experiences a stormy passion in which she hopes to complete her own incarnation. However, she comes to the conclusion that the nature of her body is flawed and the signs of gender are not proper. She consciously resigns from love, claiming that love and creativity cannot be reconciled. Her body bothers her, it seems to cast a veil on the true reality, which is invisible and “by which one thinks”. After another period of her soul and body disassociation, she comes to the conclusion that she did not know her body at all.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2017, 10; 86-111
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Irma Kudrowa, Marina Cwietajewa: bezzakonnaja kometa. Biografia, Wydawnictwo AST, Moskwa 2016, 864 s.
Autorzy:
Elena, Janczuk,
Powiązania:
https://bibliotekanauki.pl/articles/902335.pdf
Data publikacji:
2017-11-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Marina Cwietajewa
Opis:
-
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2017, 10; 231-246
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fenomen przeszłości: między historią a pamięcią (o literaturze dokumentu osobistego)
Autorzy:
Elena, Janczuk,
Powiązania:
https://bibliotekanauki.pl/articles/1927189.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
humanities
first-person documentary literature
ethical and metaphysical reflection
Past
Opis:
Humanitarian science many times had to admit that the Past would prove a treacherous ground indeed to be taken for granted. It can easily slide either under the pressure of new facts or reshuffle of known facts or due to a political regime change. The first-person documentary literature plays an important role in revising the Past. Until recently it was considered to be outside the mainstream study, but nowadays it gets more and more attention. In the absence of unified concept as to what the first-person documentary literature is and if it actually can be considered as literature at all, many local theories burst out. The first-person documentary literature offers various points of view on the course of historical events. In the same time it can be used to verify them since there is an ethical or metaphysical reflection to it.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2015, 8; 43-55
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
О ПРИЕМЕ «УСВОЕНИЯ»: ЛЮБОВЬ АРМАНА-ЛУИ ЛОЗЕНА И ИЗАБЕЛЛЫ ЧАРТОРЫЙСКОЙ В ПЬЕСЕ МАРИНЫ ЦВЕТАЕВОЙ ФОРТУНА
POETICS OF APPROPRIATION: LOVE OF DUC DE LAUZUN AND IZABELA CHARTORYSKA IN MARINA TSVETAEVA’S PLAY FORTUNA
Autorzy:
Janczuk, Elena
Powiązania:
https://bibliotekanauki.pl/articles/445040.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Marina Tsvetaeva
Fortuna
intertextuality
poetics of appropriation
identity
Opis:
This article discusses the poetics of appropriation of historical and literary material as a way of the reevaluation of the past proposed by M. Tsvetaeva. In the poet’s consciousness, the coexistence and comparison of different times and historical parallels are inevitably linked to her presence and, at the same time, the material employed by Tsvetaeva does not only show any reality, but it recreates reality according to her own vision of this particular material. Tsvetaeva accentuates the primacy of created reality over historical existence. One part of Tsvetaeva’s play Fortuna presents the transformation of the real love story between Izabela Chartoryska and duke Lauzan into a literary history, and finally the process of the disappearance of this story in her real life. ‘Disappearance’ of Lauzan’s image leads the poet in her life and Tsvetaeva becomes engaged with Lauzan by a very idiomatic relationship.
Źródło:
Acta Neophilologica; 2015, XVII/1; 103-112
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Советская действительность на страницах варшавской газеты российских эмигрантов „Меч”
Soviet realities by the Warsaw Russian emigrants’ weekly "Mech"
Autorzy:
Janczuk, Elena
Powiązania:
https://bibliotekanauki.pl/articles/481353.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Dmitry Filozofov
mother country
Russian emigration
polarization
newspaper „Mech”
bolshevism
Soviet reality
Opis:
In this study the materials dealing with the Soviet realities published in Warsaw by the Russian emigrants’ weekly “Mech” during a year period (the first 45 issues) are analyzed. The analysis constitutes a segment of historical and political context prevailing at that time in Poland, especially of its complex relations with the Soviet Union. In retrospect one can observe a distinct turn in the weekly’s activity explained partly by a change of its form - from a magazine to newspaper (issue 21) which demanded replacement of is analytic way by more informative attitude and partly by separation from emigrant centre in Paris. The air of publications reflected difficult situation of the emigrants, though all information this way or another dealing with the Soviets was filled with biting comments and sheer anti-Soviet rhetoric. Also a clear quantitative tendency is shown in the number of the Soviets related publications, from 1-3 in the initial period up to 11-13 by the end of the period under the study. The scope of issues was also widening embracing economy, political life, repression, education, Soviet manhood, etc. The publication type change is also traced evolving to a more eye-witness, document support, interview, Soviet source mentioning, citation from contemporary Soviet literature depicting real life columnistic kind. The material analyzed gives much food for thought about the character of the Russian identity and its tragic split.
Źródło:
Acta Polono-Ruthenica; 2014, 1, XIX; 47-59
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Возрастные мотивы в творчестве Марины Цветаевой
Autorzy:
Janczuk, Elena
Powiązania:
https://bibliotekanauki.pl/articles/1826567.pdf
Data publikacji:
2020-02-06
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Marina Tsvetaeva
age
childhood
youth
adolescence
maturity
indifference to age
Opis:
In the work of Marina Tsvetaeva, autobiographical in nature, successively trace motifs, exploring the characteristics of the different ages of her life: childhood, adolescence, youth and old age are clearly traced while late adolescence and maturity in her work is less consistently defined. A special place in her work takes the problem of being out of age, having no connection with age.
Źródło:
Conversatoria Litteraria; 2017, 11; 225-241
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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