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    Wyświetlanie 1-9 z 9
    Tytuł:
    Między minimalizmem a melodramatem. Przestrzeń filmowa w kinie rumuńskiej nowej fali
    Between minimalism and melodrama. Film space in the Romanian New Wave cinema
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/1047193.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Romanian cinema
    communism and motion pictures
    motion pictures – semiotics
    motion pictures – political aspects
    Opis:
    The starting point for considering the means of creating and designing a film space in Romanian New Wave cinema is the thesis that Romanian film art in the 21st century is an artistic response to the times of communism and that images of the post-socialist architectural space – their multi-faceted functionalization in film mise-en-scéne – are the key method of evoking memories of the past. The article discusses, via the example of movies by Crisitian Mungiu, Corneliu Porumboiu and Cristi Puiu, (1) ways of depicting the “closing” of film characters in the cramped interiors of their apartments and (2) film images of individuals’ alienation in public spaces, both of them allusively referring to the times of the oppressive Nicolae Ceaușescu regime. The most important cinematographic devices used bythe authors of the Romanian New Wave cinema include: seemingly static shots, which, however, are filmed with a camera that is constantly gently moving and observing, and tableau shots. A common feature of all the considered works is the panopticism of the film world: the private and public spaces designed in them easily become a place of constant, panoptical observation. In the summary, theauthor remarks on and briefly discusses the coexistence of the aesthetics of minimalism / realism with the melodramatic elements in the cinematic structure of Romanian New Wave films.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 71-92
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aktorzy filmowi, aktorzy teatralni? Polski rynek aktorski ostatnich lat
    Film actors, theatre actors? The Polish actors’ market in recent years
    Autorzy:
    DOMALEWSKI, ADAM
    Powiązania:
    https://bibliotekanauki.pl/articles/920959.pdf
    Data publikacji:
    2016-11-03
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film production
    theater production
    actors’ market
    best actors’ awards
    cinema in Poland after 1989
    theater in Poland after 1989
    Opis:
    The author of the paper analyzes the career paths of Polish film and theater actors in recent years, taking account of social and institutional changes in Polish theater and cinema after 1989. On this basis, current three strategies present in the acting profession are identified: Courtier, Byplay and Celebrity. These three groups are highlighted depending on actors’ artistic achievements and accumulated symbolic capital. The main thesis of the article is that leading film actors, who are most successful on the big screen, forsake engagement in theater. While describing this regularity, the author provides specific examples of actresses and actors - eg. Magdalena Cielecka, Andrzej Chyra, Jacek Poniedziałek and Agnieszka Grochowska. The article concludes with considerations about the various reasons why Polands market for film actors and the theater market have split in recent years.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 121-134
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Etiudy animowane Grzegorza Wacławka
    Animated etudes by Grzegorz Wacławek
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/921225.pdf
    Data publikacji:
    2017-08-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    animation
    animated film
    Grzegorz Wacławek
    Polish Animation School
    film – philosophy
    Opis:
    The author considers in the paper three animated etudes made by Grzegorz Wacławek in Film School in Łódź. Films entitled Gleam, Scrap and Lost share many common features: creation of the hero’s outer world, extensive use of symbolism and condensation of events centered around one or two heroes. Particularly interesting mean used by Wacławek in endings of the films is the transformation of the presented world that can be named a scale change. Also on this basis director’s animations are metaphorically interpreted, showing their existential meaning, close to the tradition of Polish Animation School.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 323-328
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Analiza gatunkowo-estetyczna „Pomostu” Chrisa Markera. Interpretacja filmu jako przykładu „kina możliwego”
    Genre and aesthetic analysis of The Jetty by Chris Marker. Interpretation of the film as a case of “possible cinema”
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/920163.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    science fiction
    The Jetty (La Jetée)
    Chris Marker
    photography
    genre syncretism
    “possible cinema”
    Waldemar Frąc
    existentialism
    film and philosophy
    Opis:
    The paper discusses the French science fiction short film The Jetty (La Jetée) by Chris Marker. Made in 1962, the black and white film is constructed almost entirely from still photos. The author first gives a summary of the plot and then considers the genre and aesthetic syncretism of Marker’s work. Musical, rhythmical and visual aspects of the movie are also covered. Using Waldemar Frąc’s theory of “possible cinema”, whose main ideas are presented in the article, various possible ways of interpreting the film are shown.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 207-217
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między Koreą i Europą. O dramaturgii filmów Kim Ki-duka
    Between Korea and Europe. The Dramaturgy of Films by Kim Ki-duk
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/920481.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Kim Ki-duk
    film dramaturgy
    art cinema narration
    Korean cinema
    violence in cinema
    Hamid Naficy
    accented cinema
    Opis:
    The article attempts to point out how Korean director Kim Ki-duk constructs the dramaturgy of his films. His works belong to the European art cinema tradition, and are marked by specific narrative structures and strategies (e.g. chronological order of events, parallel and mirror plot schemes, silent characters and limitation of film dialogue). Dramaturgically significant are also repeating scenes of violence and cruelty, characteristic for Kim. Finally, briefly presented are critical approaches to his films, which together with the director’s biography allow us to call him “an accented filmmaker” (using terms and concepts proposed by Hamid Naficy).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 53-63
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filmowe rejestracje teatru - opis i problematyzacje zjawiska
    Film Recordings of Theater – Description and Problematisations
    Autorzy:
    DOMALEWSKI, ADAM
    Powiązania:
    https://bibliotekanauki.pl/articles/921095.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film recordings of theatre
    TV theatre
    performance
    theatre in Poland
    film production
    Opis:
    The paper attempts to distinguish film recordings of theater from the TV theater genre. The decisive criterion for this distinction proposed by the author is the chronology of the production process - film recordings of theater performances provide a record of pre-existing theater performances, whereas TV theatre includes all theatre-like productions created for the small screen and which do not have their own stage ‘odginali In each of these cases there are different tasks and difficulties facing producers and executors. The next part of the article focuses on film recordings of theater: the reasons for which they are made (documentation, dissemination, promotion) and the differences between their types. Referring to the work of Jacek Wachowski, the author also presents a brief discussion about the possibilities and consequences of technical mediation of any performances, not only theatrical shows. The article concludes with an attempt to define the status of the film recording of a performance in relation to its original theatrical nature (the “residuum of the theater”).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 332-338
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana
    Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/1039174.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ceylan
    Nuri Bilge (1959– )
    Turkish cinema
    Motion pictures and literature
    Trojan war
    film analysis
    Opis:
    Domalewski Adam, Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana [Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 343–355. ISSN 1644-6763. DOI 10.14746/pt.2019.32.18. The article focuses on topics related to literature, especially to the works of Anton Chekhov, in the latest film by Nuri Bilge Ceylan The Wild Pear Tree. Its main character, Sinan, is a young writer, while the film is set in the province of Çanakkale, where ancient Troy was located. The analysis of the picture shows that the director refers to the historicity of the myth of the Trojan War with distrust. Instead, Ceylan portrays a local community immersed in intellectual stagnation and creates his hero as an extremely unlikeable misanthropist, to whom literature cannot bring fulfillment. The character of his father, Idris, introduces another ancient motif to the film – the figure of Sisyphus. The relationship between father and son, which deepens in the finale, brings an unexpected note of optimism to the picture, which in its dramaturgy resembles Anton Chekhov’s literary worlds.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 343-355
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Główne nurty w badaniach nad filmem i religią
    Main directions in film and religion studies
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/2135406.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    motion pictures – religious aspects
    religion in motion pictures
    postsecularism
    film theory
    Opis:
    The article is a meta-study and provides an original typology of research on film and religion, based on Polish and English academic sources. The author proposes to divide this field of research into four main domains, which he names successively: substantial-theological, anthropological-mythological, socio-cultural and post-secular. The following descriptive criteria were used to introduce this division: the relationship between religion and culture adopted (usually implicitly) in a given direction of research, the concept of both human and religion emerging from them, and the established subject and scope of research, as well as the basic set of tools used within them. The proposed systematic is intended to help capture the significant differences between the main types of research on film and religion, both in terms of research assumptions, methods of analysis, and set goals.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 5-25
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Diaspora w podróży. Międzypokoleniowa luka, mit wspaniałego powrotu i inne zabiegi mitologizujące w „Wielkiej podróży” Ismaëla Ferroukhiego i „Na krawędzi nieba” Fatiha Akına
    Diaspora on a Journey. Intergenerational Gap, the Myth of a Glorious Return and Other Mythologising Techniques in Ismaël Ferroukhi’s „The Great Journey” and „The Edge of Heaven” by Fatih Akın
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/31340645.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Fatih Akın
    Ismaël Ferroukhi
    kino diasporyczne
    kino drogi
    islam
    diasporic cinema
    road movies
    Opis:
    Artykuł dotyczy dwóch filmów, będących przykładami współczesnego kina diasporycznego, których bohaterowie wywodzą się z krajów o muzułmańskiej tradycji religijnej: z Turcji i z Maroka. Wielka podróż (2004) Ismaëla Ferroukhiego oraz Na krawędzi nieba (2007) Fatiha Akına to obrazy, których tematem jest dystans międzypokoleniowy w rodzinach diasporycznych, a wykorzystana w nich formuła kina drogi obrazuje próbę zbliżenia się bohaterów do siebie dzięki wspólnemu (Wielka podróż) lub osobnemu (Na krawędzi nieba) pokonywaniu dużych przestrzeni. W obu tych filmach pojawia się wprost charakterystyczny dla kina diasporycznego motyw, jakim jest mit wspaniałego powrotu. Oba obrazy przybierają też formę filmowych przypowieści, których wymowa jest zakorzeniona w duchowości i wierzeniach islamu. Niebędące filmami religijnymi w sensie ścisłym, obrazy te dokonują silnej mitologizacji przestrzeni: pozytywnej w przypadku Wielkiej podróży i negatywnej w Na krawędzi nieba.
    The article deals with two films, which are examples of contemporary diasporic cinema, whose characters come from countries with a Muslim religious tradition: from Turkey and Morocco. The Great Journey (2004) by Ismaël Ferroukhi and The Edge of Heaven (2007) by Fatih Akın are films about the intergenerational distance in diaspora families, and the formula of the road cinema used in them illustrates the attempt of the heroes to get closer to themselves thanks to a joint (The Great Journey) or separate (The Edge of Heaven) overcoming large spaces. In both of these films there is a characteristic theme of diasporic cinema, which is the myth of a glorious return. Both films also take the form of film parables whose significance is rooted in Islamic spirituality and beliefs. Whilst the two films are not religious in the strict sense, they strongly mythologise space: in a positive manner in the case of The Great Journey and negative in The Edge of Heaven.
    Źródło:
    Kwartalnik Filmowy; 2019, 107; 73-87
    0452-9502
    2719-2725
    Pojawia się w:
    Kwartalnik Filmowy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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