Autor: Curzytek, Barbara - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: “La estética de incertidumbre”: la (in)certeza de la realidad en la novela Dios puso una sonrisa sobre su rostro de Winston Morales Chavarro
“The Esthetics of Uncertainty”: The (Un)Certainty of Reality in Winston Morales Chavarro’s novel Dios puso una sonrisa sobre su rostro
Autorzy:: Curzytek, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/1048425.pdf
Data publikacji:: 2018-07-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: fantasy
the neofantastic
Colombian literature
realism
perception in literature
Opis:: The article examines Winston Morales Chavarro’s novel Dios puso una sonrisa sobre su rostro. It reflects on one of its principal themes: the limitations in the perception of reality, and attempts to determine the boundaries between the fantastic and the neofantastic elements in the novel. The purpose of the article is to show that one of the main ingredients of the novel is the neofantastic.
Źródło:: Studia Romanica Posnaniensia; 2018, 45, 2; 121-134
0137-2475
2084-4158
Pojawia się w:: Studia Romanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Medellín como una representación de la decadencia de Colombia en Casablanca la bella de Fernando Vallejo
Medellín as representation of decline of Colombia in Fernando Vallejo’s Casablanca la bella
Autorzy:: Curzytek, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/2143391.pdf
Data publikacji:: 2022-03-30
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Fernando Vallejo
urban space
Colombia
Colombian novel
violence
Opis:: The article analyses the representation of Medellín in Fernando Vallejo’s 2013 novel Casablanca la bella in the context of Zygmunt Bauman’s liquid modernity concept and other cultural theories of the urban, which can be applied to Colombia in the context of omnipresence of violence. The analysis proves that the narrator-protagonist, disappointed with the modernity in Colombian context, is incapable of accepting the changes that the city as well as the country have suffered during his life and uses the descriptions of the urban space for social criticism. The conclusion is that the narrator-protagonist obsessively tries to re-actualize the past and persists in linking to it as he does not see any point of reference in the present nor any positive perspective for Colombia in a foreseeable future.
Źródło:: Studia Romanica Posnaniensia; 2022, 49, 1; 5-16
0137-2475
2084-4158
Pojawia się w:: Studia Romanica Posnaniensia
Dostawca treści:: Biblioteka Nauki

Artykuł

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