Autor: Copeland, Natalia - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Spontaneous creativity: An overview of theories crucial to musical idea generation
Autorzy:: Copeland, Natalia
Powiązania:: https://bibliotekanauki.pl/articles/2125557.pdf
Data publikacji:: 2020-06-29
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:: creative process
Involuntary Musical Imagery
musical creativity
musical epiphany
creative cognition
Opis:: The aim of this article is to present selected concepts related to idea generation in musical com-position. Different approaches towards creativity are discussed in order to delineate how they describe spontaneous creativity. The typological view of composers and theories of the creative process are discussed. Further advances in studies of creative cognition are scrutinized: research on unconscious and conscious processes in creation, followed by the development of the concept of innovative Involuntary Musical Imagery (InMI) in composers. Current research on internal auditory phenomena suggests that composers’ InMI can be potentially innovative and serve composers as a source of ready ideas to be used in their compositions. The current overview is informed by cognitive sciences and creative process studies, especially compositional studies.
Źródło:: Roczniki Psychologiczne; 2019, 22, 4; 325-336
1507-7888
Pojawia się w:: Roczniki Psychologiczne
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: InMI and its potential originality – musical creativity in composers’ minds
Autorzy:: Copeland, Natalia E.
Powiązania:: https://bibliotekanauki.pl/articles/780105.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Involuntary Musical Imagery
creativity
unconscious cognition
spontaneous creativity
Opis:: The current article explores the potential innovativeness of Involuntary Musical Imagery and presents the current state of InMI researches. There is a lack of precise definition of the term, as well as related terms (such as earworm or musical imagery). InMI is often equated to earworms which does not do justice to its creative potential. Several authors suggest that InMI can be a source of new melodies useful for composers in their composition process. The article proposes that InMI can consist of new melodies and appear as a single event. Composers use their working memory and musical abilities to volitionaly loop the tune in their head, then transcribe it into external realm (notation, recording). Composers can later use it in their creative process. The use of InMI in composing is a matter of individual differences between composers.
Źródło:: Interdisciplinary Studies in Musicology; 2019, 19; 41-52
1734-2406
Pojawia się w:: Interdisciplinary Studies in Musicology
Dostawca treści:: Biblioteka Nauki

Artykuł

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