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    Tytuł:
    "Without One Tree, a Forest Will Stay a Forest" by Dagmara Drzazga As a Religious and Historical Documentary
    Autorzy:
    Citko, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/918071.pdf
    Data publikacji:
    2014-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    martyrdom
    Nazi occupation
    history
    religion
    documentary
    Opis:
    Katarzyna Citkos article is an analysis of Dagmara Drzazga’s film Bez jednego drzewa las lasem zostanie (Without One Tree, a Forest Will Stay a Forest, 2012), an example of a religious and historical documentary. The article describes the film’s depiction of the tragic fate of Jan Macha, a priest who during the Nazi occupation of Poland organized help for victims of German oppression as a co-founder of the Scout organization Konwalia (Lilly). For his work, he was arrested and executed in a prison in Katowice by means of a guillotine that was installed there in 1941. The article also analyses film-making techniques characteristic to documentaries, as well as the specific forms of expression which situate Drzazga’s work in the realm of religious cinema. These documentary techniques include combining photos and archival documentaries, interviews with people who knew Macha, and the opinions of experts, such as historians, clergymen and journalists. Other interesting techniques employed by the director make it possible to describe the film as belonging to religious cinema of the transcendental style, as described by Paul Schrader, which abandons unnecessary suspense in favour of poetic images; focuses on the dynamics and drama of the events rather than an in-depth psychological analysis of characters’ motivations; interweaves first- and third-person narration, which is carried out by means of both voice-over and by people speaking in the film; uses suggestive image editing combined with music which employs the theme of Agnus Dei. All of these features helped Drzazga’s interesting and thought-provoking film win a number of awards at international Catholic film festivals. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 129-136
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Karolina Wierel, Księga w nie-ludzkim świecie. Motyw Księgi w postapokaliptycznych przekazach literackich i filmowych przełomu XX i XXI wieku, Wydawnictwo Uniwersytetu w Białymstoku, Białystok 2019, ss.45
    Autorzy:
    Citko, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1967901.pdf
    Data publikacji:
    2019-09-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Źródło:
    Kultura i Edukacja; 2019, 3(125); 271-278
    1230-266X
    Pojawia się w:
    Kultura i Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O WARTOŚCIACH I WARTOŚCIOWANIU W KINIEO WARTOŚCIACH I WARTOŚCIOWANIU W KINIE
    ABOUT VALUES AND VALUATION IN CINEMA
    Autorzy:
    Citko, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/566324.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia Pomorska w Słupsku
    Tematy:
    wartości, wartościowanie
    film
    widzowie
    value
    valuation
    spectators
    Opis:
    Talking about the axiological rule in relation to the art of film, should be taking into account the fact that the values appearing in the film can be seen on several different levels. The film is a work of art, and so realizes and embodies the values artistic and aes-thetic. At the same time its plot carries a variety of moral values. There are in the movie, mixed with each other, values associated with the pleasures of the spectators, the values of vital, spiritual, values ethic and aesthetic, as well as the values of sacrum and pro-fanum. In this case, it should be noted that the values occurring in the world of the screen, and represented by the team of filmmakers and the viewers, can generally distin-guish. Because the films also have the value of commercial objects, it is better talking about values in the cinema than in the film; such approach allows for the inclusion in the discussion of issues related to the film as a work of art, with film production, distribution and the processes of its reception. The article discusses the various types of values oc-curring in the cinema, as well as concrete examples of their corresponding films.
    Źródło:
    Ars inter Culturas; 2016, 5; 49-60
    2083-1226
    Pojawia się w:
    Ars inter Culturas
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Malowanie kamerą
    Autorzy:
    Citko, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/636929.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Opis:
    Recenzja ksiązki Joanny Aleksandrowicz "Pomiędzy płótnem a ekranem. Inspiracje twórczością Goi w kinie hiszpańskim", Wydawnictwo Uniwersytetu Śląskiego, Katowice 2012, ss. 358.
    Źródło:
    Przegląd Kulturoznawczy; 2013, 4(18); 322-329
    1895-975X
    2084-3860
    Pojawia się w:
    Przegląd Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Transcendent Images and Semina Verbi in Carlos Reygadas’ Films
    Autorzy:
    Citko, Ewa Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2149985.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    film
    transcendence
    semina Verbi
    Carlos Reygadas
    Opis:
    This article is an analytical and interpretive reading of the Mexican film director Carlos Reygadas’ work in light of “semina Verbi” (seeds of the Word). In his films, Reygadas explores the alienation and confusion that man, who has rejected traditional values and faith in God, experiences in the modern world. At the same time and like his characters, Reygadas seeks transcendence and the possibility of spiritual rebirth. His films are not strictly religious, but they do contain faint echoes the Gospel or semina Verbi, meaning “seeds of the Word” that are present in non-Christian cultures and secular works of art. As John Paul II said, the Spirit sows seeds of the Word in different rites and cultures that open them up to the fullness of meaning in Jesus Christ. Viewers can find semina Verbi in different elements of Reygadas’ films, including: the characters’ motivations, aspirations, and actions; the symbolic structure of the film’s space and time; and in the specific narrative style that invites viewers to meditate and contemplate. This Mexican director’s films echo man’s hidden longing for the spiritual world and for union with the sacred, with nature that surrounds him (which is “divinized” in many films), with himself, and with his spirituality that has been lost.An essential element of Reygadas’ work is the pursuit of transcendence understood in a specific way. The director does not seek metaphysical order in his works. Instead, he uncovers the biological and bodily dimensions of the world and recalls the eternal cycle of death and rebirth in nature. This is why transcendence often has a sexual dimension in Reygadas’ films; his characters experience a renewed physical interaction by which they transcend themselves. This type of experience leads the characters from passivity, stagnation, and death to the vitality and life. Reygadas’ characters’ search for metaphysical and spiritual transcendence and their experience of bodily transcendence are motivated and characterized by something similar: the desire to transcend their own limitations and barriers—an experience of contact with the One Who surpasses man, or that which man surpasses. The presence of images of transcendence and hidden semina Verbi are important determinants of Reygadas’ creative works. The cinematic reality that he creates is a distant sign of a higher order established by something other than man, and, yet, it is an order over which man has an overwhelming influence.
    Źródło:
    Rocznik Teologii Katolickiej; 2021, 20; 191-212
    1644-8855
    Pojawia się w:
    Rocznik Teologii Katolickiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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