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    Wyświetlanie 1-4 z 4
    Tytuł:
    Bruno Schulz podczas sowieckiej okupacji Drohobycza
    Bruno Schulz during the Soviet Occupation of Drogobych in 1939–1941
    Autorzy:
    Chomycz, Łesia
    Powiązania:
    https://bibliotekanauki.pl/articles/645919.pdf
    Data publikacji:
    2017-09-01
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The author discusses hardly known drawings by Bruno Schulz, published in 1941 in the local Drogobych paper Bolshevytska Pravda and provides some new information about his life under the first Soviet occupation. Focusing on a specific socialist-realist episode in Schulz’s artistic career, on the one hand Khomych writes about his survival techniques under the circumstances, while on the other she tries to find in the commissioned illustrations, mostly explicitly propagandist, some features of his style characteristic also of his earlier works.
    Źródło:
    Schulz/Forum; 2017, 10
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wokół wystawy w Borysławiu. O dwóch debiutach Brunona Schulza
    The Exhibition in Boryslaw. On Bruno Schulz’s Double Debut
    Autorzy:
    Chomycz, Łesia
    Pomorski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/645510.pdf
    Data publikacji:
    2019-12-16
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    Most Schulz experts assume that while working on The Booke of Idolatry, he did not start writing fiction yet. It has been generally believed that his literary talent surfaced rather late, although Jerzy Ficowski thought that Schulz might have tried writing some time earlier. In the critic’s opinion, the beginning of Schulz’s literary talent dated back to his correspondence with close friends in 1925–1926, but since all letters from that period have been lost there is no way to validate that claim. Jerzy Jarzębski supposes that Schulz’s fiction came into being rapidly, at once fully mature and perfect. Władysław Panas also points at Schulz’s magisterial literary debut, The Cinnamon Shops, when the author was already about forty years old. And yet, the present essay puts those hypotheses to test. Having searched the holdings of the Vasyl Stefanyk National Academic Library in Lviv, Ms. Khomych has demonstrated that Schulz made his debut in the early 1920s almost simultaneously in two fields: in art, with a one man show in the town of Boryslaw in 1921, which has been commonly known, and in literature in 1922. Ms Khomych discovered in the 25–26 no. (January 15, 1922) of the bi-weekly Świt, sponsored by the oil officials of Boryslaw, a short story titled “Undula,” signed with a penname “Marceli Weron.” A critical analysis of this story demonstrates a number of affinities both with Schulz’s art, and with his later fiction. The name of the title character, Undula, is the same as that of the main figure of the graphic works included in The Booke of Idolatry. Other similarities include masochistic eroticism and some characters and motifs typical of Schulz’s later stories: a child, a dream, a chambermaid named Adela, the Demiurge, a crab, and a cockroach. Moreover, the stylistic and lexical features of the text leave no doubt that Schulz must have been its author. Imitation by anyone is impossible since in the early 1920s none of his other literary works was available in print. Thus, one may assume that “Marceli Weron” was Schulz’s penname and “Undula” was his proper literary debut.
    Źródło:
    Schulz/Forum; 2019, 14
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyjazd Brunona Schulza do Francji
    Bruno Schulz Goes to France
    Autorzy:
    Chomycz, Łesia
    Powiązania:
    https://bibliotekanauki.pl/articles/645631.pdf
    Data publikacji:
    2018-12-03
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The period of July 31st-August 26th, 1938 Bruno Schulz spent in Paris. Suppressing his doubts, he eventually decided to visit the French capital „to study literature and organize an exhibition of paintings.” The paper includes previously unknown documents which the author has found in the Lviv archives, together with their analysis. Some of them are manuscripts, supplemented by an unknown photo of Schulz.
    Źródło:
    Schulz/Forum; 2018, 11; 179-188
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zapowiedź Schulzowskich cliché-verre’ów
    Schulz’s Cliché-verres Anticipated
    Autorzy:
    Chomycz, Łesia
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645478.pdf
    Data publikacji:
    2020-09-24
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    A commentary on E. Menar’s essay “Sztuki graficzne. Z okazji odbyć się mającej wystawy grafiki oryginalnej w Borysławiu” that announced Bruno Schulz’s exhibition in Borsyław in March 1921. It is a brief account of the historical development of graphic arts. The author explains the essence and significance of graphics, including woodcut, etching, and lithography. The most attention he paid to the etching which, in his opinion, was the most sophisticated and difficult, allowing the artist to use a variety of materials. One of the most interesting aspects of the essay is the emphasis on the cliché-verre technique, rarely used in Poland but preferred by Schulz. Menar’s essay is of a high quality, perhaps surprising in a paper sponsored by and addressed to oil industry clerks. It seems that the author’s task to attract the reader (both the future spectator and the potential buyer) by an accessible introduction to the graphic arts and its tradition was fully accomplished. However, no information concerning E. Menar has been found and his identity remains unknown.
    Źródło:
    Schulz/Forum; 2020, 15; 220-223
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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