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Wyświetlanie 1-15 z 31
Tytuł:
Życie Sofoklesa. Wstęp − Przekład − Komentarz
Vita Sophoclis. Introductio − Translatio − Commentum
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1964032.pdf
Data publikacji:
1995
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
Commentarii de vita et scriptis trium principum tragicorum, Aeschyli, Sophoclis Euripidisque, ab antiquis auctoribus libris non paucis expositi mature neglecti omnes perierunt. Ex his rei scaenicae et historiae Graecorum litterariae scriptoribus breviora, quae grammatici composuerant, viri docti, qui medii aevi temporibus in litteris versabantur, acceperunt et eis usi excerpta suffecerunt. Haec excerpta per codices propagata, etiam si non tales omni ex ad nos pervenerint quales eorum auctores reliquerant, tamen ea aetate sunt compositae, qua satis ampla antiquiorum fontium copia superessent. Vita Sophoclis in multis poetae manuscriptis tradita, quae in hoc nostro articulo in linguam Polonam transfertur, commentatur brevique introductione illustratur, est etiam ex eo genere excerptorum. Quamquam non dubitandum esse videtur, quin eius auctor fontibus qui ab grammaticis Alexandrinis sunt profecti usus sit, tamen huic non obstat, quod Vita Sophoclis falsa et commenticia non pauca continet. Quam ob rem in commento nostro quae explorata testium fide certo aut probabiliter dici posse vedeantur ab falsis et ex nihilo fictis, quantum fieri poterit, segregamus.
Źródło:
Roczniki Humanistyczne; 1995, 43, 3; 5-23
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Życie Ajschylosa. Wstęp − Przekład – Komentarz
Vita Aeschyli. Introductio − Translatio – Commentum
Autorzy:
Chodkowski, Robert Roman
Powiązania:
https://bibliotekanauki.pl/articles/1964505.pdf
Data publikacji:
1993
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
Vita Aeschyli, in multis manuscriptis poetae tradita, transfertur, commentatur brevique introductione illustratur. Heac prima in linguam Polonam translatio textu a Stephano Radtio in libro qui Tragicorum Graecorum Fragmenta inscribitur edito, nititur. Introductio narrat quo tempore Vita composita fuerit et quibus ex fontibus auctor eius exhauserit. Commentum ad res et personas in Vita commemoratas attinet atque eius errores coriigit.
Źródło:
Roczniki Humanistyczne; 1993, 41, 3; 57-67
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Widownia antycznego teatru greckiego
The Auditorium and the Audience of the Greek Ancient Theatre
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1954797.pdf
Data publikacji:
2001
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
teatr
Grecja
widownia
dramat grecki
theatre
Greek drama
auditorium
audience
Greece
Opis:
The author deals with the auditorium of the Greek theatre in a twofold meaning: as a part of the stage building and as its audience who took seats in the theatre during performances. The first part of the paper depicts the following issues from the historical point of view: the auditorium of the Greek theatre as instanced by the most characteristic remnants of the ancient theatrical buildings, that is the size of the audience, its division into blocks of seats, benches for the audience, seats and seats of honour. The second part deals with the theatrical audience: their number, their social composition, their behaviour during performances, relations between the stage and the audience. The latter aspect is more particularly exposed in the paper; the close relations between the spectators and actors have been discussed on the example of the texts of dramas (tragedy and ancient comedy) that have been preserved until now. As far as other particular issues are concerned, one should stress that the author is in favour of women in the theatre both during agons (dramatic contests) of tragedies, and in comedies, disputing in this matter with the opposite view presented by S. Goldhill (of 1997).
Źródło:
Roczniki Humanistyczne; 2001, 49, 3; 61-93
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tragedia Ajschylosa jako widowisko teatralne
Aeschylus’ Tragedy as a Theatrical Performance
Autorzy:
Chodkowski, Robert Roman
Powiązania:
https://bibliotekanauki.pl/articles/2119782.pdf
Data publikacji:
1992
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
In the initial section of the article the author justifies the view that it is bout useful and necessary to apply the theatrical theory of drama to the study of ancient Greek tragedy. Analyzing Aristotle’s Poetics he first shows that while the Philosopher says several times that tragedy can achieve its effect even without stage production (ὄψις), in his many observations on tragedy he envisages it as a theatrical performance and in fact takes the performance aspect of drama as its organic part. As the author argues next, tragedy originated as a performance; this concerns the genre as a whole as well as individual plays. As a genre it enriched poetry by contributing visual and accustic aspects, a fact also recognized by Aristotle. The Greek playwright made his plays for the stage and the spectator, not for the reader. Since in Aeschylus’ days the dramatic poet was also a director and an actor, every word in his plays was both literature and theatre. In the second section of the article the author uses examples selected from Aeschylus’ extant plays to demonstrate how closely interwoven the poet’s word and stage image are and how they work together in the creation of the represented world. The word does not lose its poetic force in the process; it is not merely a score as has sometimes been said, but − supported by visual images − it is the more effective in stirring the viewer’s imagination.
Źródło:
Roczniki Humanistyczne; 1992, 39-40, 3; 5-17
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sytuacja społeczno-ekonomiczna aktorów w starożytnej Grecji
The Socio-Economic Situation of the Actors in Ancient Greece
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1957160.pdf
Data publikacji:
1998
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
On the basis source materials and the studies, the author, and it is the first time in the Polish language, depicts more extensively the various aspects of the socio-economic situation in the actors of ancient Greece. He proves that their circumstances were different than in the Roman times, or over long centuries and in modern and medieval Europe until the twentieth century, in which time they were rather despised. The actors (protagonists) in Greece had always been rated highly in social hierarchy, enjoyed respect and received wide recognition. The most prominent of them made an international name for themselves and made great fortunes. Establishing trade unions, they not only could successfully defend their own group interests, but also secured for themselves various privileges, and to a great extent influenced the development of literature and stage art. They also influenced on politics, fulfilling diplomatic functions, on occasions becoming friends of the Macedonian rulers, and later their successors in the Hellenistic epoch. Such characteristics of their lives as stardom, huge income, moral scandals and membership of the upper calsses remind us of the present times.
Źródło:
Roczniki Humanistyczne; 1998, 46, 3; 31-42
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ród i życie Eurypidesa. Wstęp – przekład – komentarz
Vita Euripidis. Introductio – translatio – commentum
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1944398.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
literatura grecka
Eurypides
Vita Euripidis
Greek literature
Euripides
Opis:
Vita Euripidis in variis codicibus tradita in hoc articulo transfertur, commentatur brevique introductione illustratur. Haec prima in linguam Polonam translatio textu contento in quinto volumine libri, qui Tragicorum Graecorum Fragmenta inscribitur, a Richardo Kannicht editi, nititur. Commentum ad res personasque in Vita commemoratas attinet atque eius errores corrigit.
Źródło:
Roczniki Humanistyczne; 2009, 57, 3; 5-27
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reminiscencje ajschylejskie w parodosie Antygony Sofoklesa
Aeschylean Reminiscences in the Parodos of Sophocles’ Antigone
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1954286.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
literatura
teatr
tragedia grecka
chór
parodos
literature
theatre
Greek tragedy
chorus
Opis:
The paper discusses some similarities between Aeschylus and the parodos of Sophocles’ Antigone. The chorus in the Antigone is a group of royal counsellors whose social status reminds us of the choruses of Persians and Aeschylus’ Agamemnon. As such, it plays similar functions: it is dramatic and plays the role of a commentary. Like the choruses in Aeschylus, in which the old tragedian penetrates into the past following the principle of retrospection, Sophocles in the introductory part of his chorus also refers to a scene of the event from pre-action (Vorgeschichte) and submits it to a commentary in lyrical and reflective manifestations. Introducing narrative elements into the song of parodos, Sophocles – following Aeschylus – does not make his chorus relate the events in a chronological order, but uses “the technique of editing”. He cuts them into certain units and remodels them in time in order to submit them to poetization or reflection, or to expose them as meaningful for the further course of action. In the final part of the paper, the author discusses Aeschylean reminiscences which he noticed in the linguistic layer of the parodos.
Źródło:
Roczniki Humanistyczne; 2003, 51, 3; 19-28
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przywołanie przestrzeni w Bachantkach Eurypidesa
Spatial Approach in the Bacchae of Euripides
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/2127711.pdf
Data publikacji:
2007
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Eurypides
Bachantki
tragedia grecka
przestrzeń przywołana
Euripides
the Bacchae
Greek tragedy
spatial approach
Opis:
The presented world in the Bacchae of Euripides is extremely rich and extended, therefore it calls for a broader space than the place of action itself, understood as a space available for the recipients of this play in visual perception. The scenic action of the Bacchae takes place in front of the royal palace, but this is not the only place of dramatic events. The theme of the tragedy is not only the history of Pentheus, but also the dissemination of the cult of Dionysus as a universal religion. Accordingly, the places of the cult in Greece and Asia Minor, above all the mountains of Cithaeron, are constantly brought to mind. In those places the Thebanese Bacchantes worship this god with singing and dancing. The poet transfers also the tragic ending of the action to the mountains of Cithaeron: Pentheus’ torn apart by his mother and the attendant Thebanese women. The author describes the character of the space referred to in the Bacchae, showing the way of its presentation on the stage, and describes its functions in the text.
Źródło:
Roczniki Humanistyczne; 2007, 54-55, 3; 55-63
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetyka Arystotelesa a współczesne teorie dramatu
Aristotle’s Poetics versus Modern Theories of Drama
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1944397.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Arystoteles
Poetyka
opsis
współczesne teorie dramatu
Aristotle
Poetics
modern theories of drama
Opis:
This paper seeks to prove that there are no grounds in the Poetics to ascribe to Aristotle the views identified with the literary theory of drama because he does not identify drama with a verbal work. On the contrary, the spectacular dimension of tragedy is for Aristotle one of the distinctive feature of tragedy vis-à-vis epos that is for the Stagirite, if we rely on our modern terms, only a literary work. Then the visual element (ὄψις or ὄψεως κόσμος) is not only very important for Aristotle, but it is even a necessary component of tragedy. Indeed there are some remarks in the Poetics that suggest tragedy may exist without ὄψις, but this is only regarded as a hypothetical situation, analogical to the one when he argues that tragedy may exist without characters. In fact, however, both ὄψις and characters are regarded by Aristotle as necessary components of tragedy. He makes his considerations assuming both components. All the time then he treats tragedy not as a text, but as a theatrical work in which mimesis can be conducting by the “acting persons” (πράττοντες). They are understood not as literary figures, but as stage embodiments of the heroes whose psychophysical ontic paradigms are actors.
Źródło:
Roczniki Humanistyczne; 2009, 57, 3; 29-39
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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