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Wyświetlanie 1-15 z 43
Tytuł:
Odzyskane autografy norwidowskie Biblioteki Narodowej w Warszawie
Newly recovered Norwid autographs of the National Library in Warsaw
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/16729235.pdf
Data publikacji:
2020-02-24
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Studia Norwidiana; 1993, 11; 111-123
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quidam wobec poetyki żywych obrazów. Przyczynek do genologii poematu
Quidam and the poetics of the tableau vivants. A contribution to the genology of the poem
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/16729480.pdf
Data publikacji:
2020-05-05
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Quidam
Cyprian Norwid
obraz
narracja
fabuła
zdarzenie
żywe obrazy
tableaux vivants
picture
narrative
event
Opis:
The article points to a genological clue that has not yet been noticed in studies of Quidam. The clue – situating the pictorial art of description on the side of tableaux vivants – leads genological findings in a direction that is different from the one that has been followed up till now: it allows one to see the structure of the work in a different perspective, first of all connected with the idea of a synthesis of arts, with a strong visual and theatrical emphasis. The author, pointing to a connection between Quidam and the poetics of tableaux vivants, not only wants to broaden the genological spectrum by adding new, unknown areas, but also tries to understand its enigmatic plot structure, within which there are two contradictory factors: power and atrophy, synthesis and analysis, fragmentation of the plot and concentration on one event, reduction and excess.
Źródło:
Studia Norwidiana; 2013, 31; 117-135
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Brzozowski - Norwid, czyli próby
Brzozowski - Norwid, or attempts
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/16729487.pdf
Data publikacji:
2020-05-05
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Cyprian Norwid
Brzozowski
Białe kwiaty
Promethidion
romantyzm
krytyka
recepcja
White Flowers
Romanticism
criticism
reception
Opis:
Eliza Kącka’s book that the present article is devoted to, concerning the reception of Cyprian Norwid in Stanisław Brzozowski’s writings, is a significant publication, a necessary one in historical-literary studies. It is not easy reading, and the methodological strategy chosen by the author, not shunning eclectic approaches, needlessly complicates fairly lucid and comprehensible exposition of the main subject. It is not clearer in this way, and the reader has to put a lot of effort into understanding the author’s particular research activities. This, however, does not influence the fact that the book Stanisław Brzozowski’s Attitude Towards Cyprian Norwid bridges a serious gap in the studies on the reception of the author of Vade-mecum. In the book Brzozowski is presented as an attentive reader of Norwid’s writings, and at the same time a continuator of his way of thinking about man and history. The critic belonging to the Young Poland movement tried to determine a specific mode of reception based on a deep intellectual, ethical and personal communion that should be created between the author and the reader, anchored in the same axiological space.
Źródło:
Studia Norwidiana; 2013, 31; 246-256
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norwid do „Poety-Ruin” – bez listu. O tekście Do Z. K.
Norwid to the „Poet-of-the-Ruins” – without a letter. On the text of To Z. K.
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/16729545.pdf
Data publikacji:
2020-05-07
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Norwid
list
Do Z. K.
Quidam
Słowacki
Balladyna
Lilla Weneda
wstęp
Krasiński
letter
introduction
To Z. K.
Opis:
The article tries to revise the views that are established in the study of Norwid, the ones concerning the introduction to the poem Quidam, which was written in the form of a letter. Up till now – almost univocally – researchers have stated that this fragment of the poem is the poet’s real letter written to Zygmunt Krasiński. The present interpretation starts from the facts and editors’ findings, and finally it analyzes the text, taking into consideration the broad literary context, similar forms in works by Słowacki and Krasiński (the immediate addressee of this expression).
Źródło:
Studia Norwidiana; 2014, 32; 131-146
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„To jest najgłupsza, najhaniebniejsza historia pod słońcem!”
“This is the most stupid, most shameful story under the sun!”
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/16729671.pdf
Data publikacji:
2020-05-07
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Berezowski
Norwid
zamach
Aleksander II
Matejko
Napoleon III
Paryż
attempt
Alexander II
Paris
Opis:
The article describes Antoni Berezowski’s assassination attempt on Tsar Alexander II on 6th June 1867 (Berezowski was a Polish émigré and former insurgent). In Norwid’s writings the event is just an episode, however, it has not been fairly thoroughly discussed: both with respect to the data and facts that here and there appear in commentaries to the poet’s writings, and with respect to the very historical fact that caused commotion in the Polish émigré circles in Paris; but also with respect to the event’s context and its political repercussions in Europe and in Poland. The present text tries – since it is based on authentic materials and documents – to fairly thoroughly describe the whole affair and verify Norwid’s judgments and opinions formulated for the moment, without a proper political and historical analysis. It also shows the figure of Berezowski, an unusual émigré and patriot who paid a terrible price for the unsuccessful attempt.
Źródło:
Studia Norwidiana; 2015, 33; 219-268
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy Norwid jest autorem sonetu Samotność?
Is Norwid the author of the sonnet Loneliness?
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/18029965.pdf
Data publikacji:
2022-09-13
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Samotność
atrybucja
Norwid
tekst
styl
Gomulicki
motyw
leksyka
słowo
Loneliness
attribution
Cyprian Norwid
text
style
Wiktor Gomulicki
themes
lexis
word
Opis:
Artykuł dotyczy weryfikacji przyjętego przez Juliusza W. Gomulickiego jako wiersz Norwida sonetu Samotność i umieszczonego przez tegoż edytora w kanonie lirycznym poety. Ani sposób ujęcia problematyki samotności, ani elementy stylu, ani przebiegu myśli oraz jej konstrukcji nie potwierdzają wskazanej przez edytora Pism wszystkich atrybucji.
The article discusses Juliusz W. Gomulicki’s attribution of the sonnet Loneliness as a poem by Norwid, which led the editor to include it among the poet’s lyrical works. In this piece, however, neither the specific development of the theme of loneliness, nor elements of style, argumentation and construction seem to confirm this.
Źródło:
Studia Norwidiana; 2022, 40; 117-130
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzecz o wolności słowa jako problem genologiczny
Rzecz o wolności słowa as a Genological Problem
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/16729225.pdf
Data publikacji:
2020-02-24
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
Norwid’s long poem Rzecz o wolności słowa is genologically a complex structure, with a truly enormous range of possibilities. This means that the piece is rich in constructional forms and also that no single genological concept can be assigned to it; the work eludes unequivocal identification. Rzecz o wolności słowa is neither a poetic treatise, a learned poem, an epic, a romantic poem, nor a humanistic poem, etc., even though many elements of each of the above can be found in it. The poem shows Norwid demolishing all kinds of petrified schemata of literary genre. Does it follow that all attempts to uniquely classify Norwid’s piece are doomed to failure? By no means. But the question has to be considered in terms of genological forms or tendencies rather than specific genres, all of them designed to constitute a coherent artistic whole. Its backbone is, I think, the binary principle. Rzecz o wolności słowa is dominated by two interwoven elements, those appropriate to the treatise and the epic. The former is co nnected with such features as discursiveness, rhetoric, persuasion, plotlessness, conceptual style, objectivity and, in terms of composition, the theory of the word. The latter is connected with thematic openness, totality of represented reality, subjectivity of some parts (especially Ch. XIV), Frequent use of the excursus and the fragment, presence of narrative and historiosophical elements, and with the history of the word. Constant tension between the two major tendencies creates novel artistic qualities. The incessant friction and mutual interpenetration of epic structure and treatise structure give Rzecz o wolności słowa its poetic force.
Źródło:
Studia Norwidiana; 1993, 11; 53-75
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Śmierć na Placu Przedajnym. Uwag kilka o pieśni XXIV poematu "Quidam". Profesorowi Stefanowi Sawickiemu z wdzięcznością
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/624174.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Cyprian Norwid
"Quidam"
historia antyczna
historia starożytna
Źródło:
Colloquia Litteraria; 2007, 2, 1/2; 41-62
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O przygodzie z zagadkowym rękopisem
On the Adventure with the Mysterious Manuscript
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2116840.pdf
Data publikacji:
2000
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Studia Norwidiana; 2000, 17-18; 311-323
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kilka drobiazgów biograficznych
A Few Biographical Details
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2116905.pdf
Data publikacji:
1995
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Studia Norwidiana; 1995, 12-13; 171-182
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bema pamięci żałobny-rapsod. Rockowa suita Niemena do wiersza Norwida
A Funeral Rhapsody in Memory of Bem. Niemen's Rock Suite to Norwid's Poem (transl. by Jan Kłos)
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2117110.pdf
Data publikacji:
2010
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Norwid
Niemen
suita rockowa
rondo
marsz
muzyka
rock suite
march
music
Opis:
This paper analyses the musical structure of Bema pamięci żałobnego-rapsodu [A Funeral Rhapsody in Memory of Bem] produced by Czesław Niemen and his group Enigmatic, recorded in 1969. We have to point at the careful composition of this rock suite. Its three-part structure and musicians (apart from his rock band, the artist used also a mixed choir) were supposed to correspond not only with the course of lyrical narration in Norwid's text, but also stress its semantic vision. The poetic composition thus became the principal form-making factor – it laid down the foundations for the innovative form in rock music in Poland. The study seeks to show how Niemen interpreted and how he used music to render its sense. Much room is devoted to the vocal aspect: how Niemen coped with hexameter, a fact that in the past raised so much controversy. The vocal singer deliberately frees himself from the metric rigours of the poem and introduces his own interpretation in this respect; the main reason is to concentrates on the semantic properties of the text and his image function. On analysis of the intonation technique and the rhythmic rigour of music we may conclude that Niemen had on purpose introduced a conflict between them. This conflict enhances and makes real the presented reality, the qualities and values evoked by Norwid's poem. This contradiction allows to have an almost direct contact between the recipient and the essence of drama, the greatness and sublimity of General Bem. The whole of the work is constructed as “a speech of sounds,” as a dialogue between word and music
Źródło:
Studia Norwidiana; 2010, 27-28; 77-100
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzecz o epopei w twórczości Norwida
On the Epic in Norwids Work
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2117201.pdf
Data publikacji:
1995
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Studia Norwidiana; 1995, 12-13; 209-222
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spotkania Józefa Ignacego Kraszewskiego z Ostatnią Wieczerzą, czyli trzy epizody z włoskiej podróży
Józef Ignacy Kraszewski’s meetings with The Last Supper, or three episodes from an Italian journey
Autorzy:
Chlebowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/560159.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Józef Ignacy Kraszewski
Ostatnia Wieczerza
Leonardo da Vinci
Andrea del Sarto
Pietro Perugino
ekfraza
Kartki z podróży
The last Supper
ekphrasis
Kartki z podróży (Pages from a Journey)
Opis:
The article discusses three ekphrases produced by Kraszewski referring to an execution of one pictorial topic, namely the Last Supper, consecutively the famous work executed by Leonardo da Vinci from Milan, Last Supper at present assigned to Perugino or Perugino’s school (whilst in the mid 19th century it was claimed Raphael’s work), and a fresco by Andrea del Sarto from San Salvi. The writer’s reports are inscribed in his European (or to be more precise, Italian) journey, and preserved on leaves of his Kartki z podróży (Pages from a Journey). The set of the descriptions concerning the grand art subject allows us to recognise a mechanism of description and evaluation of a work of art performed by the author of Stara baśń (An Ancient Tale). The analysed relations are undoubtedly marked by substantive and almost report-like approach. At the same time Kraszewski does not hide away his knowledge and erudition which derived from various specialist as well as fiction and popular editions, e.g. guide books of that time. The circumstances under which the works of art were created, historical and biographical facts concerning the painters, anecdotes and legends, etc. function as not only introductory and preparatory elements but first of all – as an acoustic background of the writer’s account, which makes it sound more fully and louder. Kraszewski does not hide his emotional and subjective approach to the viewed and contemplated by him piece of art, what can be seen at the level of the very description, which despite its substantive and objective form, does not purport to be a complete one as in case of scientific or even popular scientific approach, but also at the level of formulating judgement. These reflections have their basis in an axiological intention, which is born at the moment when the descriptor reveals a crucial sense of a pictorial message. A “literary” or a “semantic” factor becomes an essential one. To a large extent it defines Kraszewski’s style of reception. In case of Sarto’s Supper, where a simple equivalent in a form of a deeper verbalized sense is lacking (as it was not the artist’s aim, he wanted to achieve for instance external beauty or technical proficiency), the judgement and evaluation are strident and clearly negative. Whereas, in case when the sense is the basis of a work of art, the descriptor focuses on revealing it, and subordinates to it all elements of his relation. The sensu stricto literary categories introduced by Kraszewski in his descriptions of works of art by Leonardo and a supposed one by Raphael tend to reveal axiological inside of the reality – motion and life (seen in drama, or even scenic categories), and silence before the storm (in categories of epic order and epic sensitivity).
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2015, 2(36); 40-55
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 43

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