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    Wyświetlanie 1-5 z 5
    Tytuł:
    „O miasto nierzeczywiste”...Infernalne przestrzenie prozy Miodraga Bulatovicia
    OH, THE UNREAL CITY... THE INFERNAL SPACE IN THE PROSE WORKS BY MIODRAG BULATOVIĆ
    Autorzy:
    Bukwalt, Miłosz
    Powiązania:
    https://bibliotekanauki.pl/articles/705128.pdf
    Data publikacji:
    2011
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Miodrag Bulatović
    urban space
    infernum
    Opis:
    This article is an attempt to describe the meaningful, symbolic, metaphorical and metonymical elements of inhuman urban space present in the prose works by Bulatović. The detailed analysis includes the discussion of structural features of the urban hell, the presentation of its permanent attributes and inhabitants – “the people of the lowest rank” who are led by the mentally ill misfits and political and economic immigrants from the Balkans and the Central and Eastern Europe. The study includes the examination of the static elements of the big-city infernum (a tavern with people of dubious repute as the reflection of the otherworldly space). It also draws the attention to the mental picture of the city created in the mind of a mad person (the urban space as a perceptive creation, an infernal labyrinth, a trap, and a place of assault). It also presents the space of the West European metropolis as the area of criminal activities of the immigrant rabble, revanchists, and political vampires (the acts of the characters in the liminal space of the city: railway stations, underground stations and tunnels, bars, cemeteries). The basic discussion is preceded with the reflection on the infernal inspirations, derived from painting and literature, in the prose works by Miodrag Bulatović (referring to the cultural context, interdisciplinary perspective). The article makes use of the conceptual apparatus in the scope of demonology, infernology, psychopathology, the anthropology of culture, and the history of art.
    Źródło:
    Pamiętnik Słowiański; 2011, 61, 2; 81-106
    0078-866X
    Pojawia się w:
    Pamiętnik Słowiański
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dalmatyńskiego wiolinisty marzenia o dzieciństwie. Problematyka onejrologiczna w powieści „Niespokojne wiosny” Vladana Desnicy
    ONEIROLOGICAL ISSUES IN SPRINGS OF IVAN GALEB, A NOVEL BY VLADAN DESNICA
    Autorzy:
    Bukwalt, Miłosz
    Powiązania:
    https://bibliotekanauki.pl/articles/705076.pdf
    Data publikacji:
    2012
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Opis:
    Springs of Ivan Galeb is a novel being Vladan Desnica’s crowning artistic achievement which represents the trend of psychological and contemplative prose. Among all manifestations of mental life of the primary character in the represented world, the most predominant is the oneiric experience in the form of daily dreams “with partly-shut eyes”. A daydreamer organises and controls the content of a dream in a conscious manner for the images from the beginning of the life, originating from imagination, are recollected in a defined order complying with the dreamer’s will. The dreams about the beginnings of life – this “well of being” – are set in specific space and time frames. The choice of childhood as a matter for dreams is not accidental here. The protagonist’s – bedridden violinist’s and globetrotter’s – turn towards the origins of his own life is an attempt to overcome the existential fear of suffering, death and nothingness. Therefore, daydreaming about the beginnings of life have therapeutic function in the work by Desnica. This article is an attempt to research the motif of imagined return to the land of childhood which is of key importance in Vladan Desnica’s novel. The detailed description of all spatial categories and interpersonal relations present in the work is based on Singer’s category of daydreaming, and Bachelard’s poetics of reverie.
    Źródło:
    Pamiętnik Słowiański; 2012, 62, 1-2; 101-122
    0078-866X
    Pojawia się w:
    Pamiętnik Słowiański
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „An der schönen blauen Donau…” Obraz rzezi nowosadzkiej we współczesnej literaturze serbskiej
    Autorzy:
    Bukwalt, Miłosz
    Powiązania:
    https://bibliotekanauki.pl/articles/677515.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Instytut Slawistyki PAN
    Tematy:
    Shoa literature
    Novi Sad massacre
    purge
    persecutor
    victim
    logistics and mechanics of death
    Opis:
    An der schönen blauen Donau… Depictions of the Novi Sad massacre in contemporary Serbian literatureThe tragic events in Novi Sad in January 1942 constitute an important subject in the prose of Aleksandar Tišma (Knjiga o Blamu [The Book of Blam]), Erih Koš (Novosadski pokolj [Novi Sad Massacre]), and Danilo Kiš (Psalm 44 and Peščanik [Hourglass]). Jewish-Serbian writers were not left disinterested by the fact of the Shoah of fellow Jews or by the violent deaths of their Slavic neighbours. The above-mentioned, formally very diverse works belong to the corpus of Serbian novels about the Holocaust, which are a testament to the crime and which render individual deaths meaningful. Novels about the Novi Sad massacre reveal the psychological motivation of the instigators and direct perpetrators of the crime, shed light upon the logistics and the mechanics of death, and constitute a record of the victims’ reactions in the situation of a direct threat to their lives, and also the world of mental nightmares tormenting the survivors. Finally, and most importantly, they are an artistic tribute to all the identified and anonymous victims of the Hungarian repressive and exterminatory operation.The above-outlined issues were examined using the notions and research tools of psychopathology, individual psychology, humanistic psychiatry, thanatology, suicidology, victimology, and cultural anthropology. An der schönen blauen Donau… Obraz rzezi nowosadzkiej we współczesnej literaturze serbskiejTragiczne wydarzenia nowosadzkie ze stycznia 1942 roku stanowią ważny temat utworów prozatorskich Aleksandra Tišmy (Księga Blama), Ericha Koša (Rzeź nowosadzka) oraz Danila Kiša (Psalm 44, Klepsydra). Pisarze serbscy narodowości żydowskiej nie pozostali obojętni wobec faktu zagłady swych współplemieńców oraz śmierci ich słowiańskich sąsiadów. Wspomniane utwory współtworzą korpus serbskich powieści o tematyce holocaustowej, które zaświadczają o zbrodni i nadają sens jednostkowej śmierci. Powieści o masakrze nowosadzkiej ujawniają motywację psychologiczną zleceniodawców i bezpośrednich wykonawców zbrodni, ukazują logistykę oraz sposoby zadawania śmierci, stanowią zapis reakcji skazańców w sytuacji bezpośredniego zagrożenia życia oraz świat koszmarów psychicznych osób ocalałych. Ponadto, co niezwykle istotne, są artystycznym hołdem złożonym zidentyfikowanym oraz anonimowym ofiarom węgierskiej akcji represyjno-likwidacyjnej.Do zbadania zasygnalizowanych powyżej zagadnień wykorzystano w niniejszym artykule pojęcia i narzędzia badawcze z zakresu psychopatologii, psychologii indywidualnej, psychiatrii humanistycznej, tanatologii, suicydologii, wiktymologii oraz antropologii kulturowej.
    Źródło:
    Slavia Meridionalis; 2018, 18
    1233-6173
    2392-2400
    Pojawia się w:
    Slavia Meridionalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W krainie światła, w krainie Cienia. Nad prozą autobiograficzną Faruka Šehicia
    The Land of Light, the Land of Shadow. About the Autobiographic Prose of Faruk Šehić
    Autorzy:
    Bukwalt, Miłosz
    Powiązania:
    https://bibliotekanauki.pl/articles/635708.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    trauma
    hypnosis
    memory
    childhood
    rivers
    ichthiofauna
    fishing
    family home
    war
    death
    Shadow
    Opis:
    This article is the first attempt in Poland to examine the following issues in The Book of Una, the novel by Faruk Šehić: the problems of autobiographic memory, war trauma, going through the trauma situation in a creation process (autobiography as a symbol of individual identity and an attempt to overcome the stressor). The analysis drew attention to the category of a journey into the depths of one’s self within the so-called past life regression present in the work by this Bosnian author. In the course of the examination, it was revealed that the intimate contact established by and between the protagonist with the important figures from his childhood, sentimental objects, the aquatic element, plant world and places of playing, adventure and shelter has a therapeutic dimension.The aforementioned issues were studied with the use of a set of scientific tools in the area of anthropology of culture (abjective experiences and objects, symbolism of blood, category of childhood), theory of trauma, hypnology and hyperesthesia, polemology, humanistic psychiatry, Bachelard’s theory of poetic image, topoanalysis and poetics of the elements. The process of interpretation also included the Jungian concept of structure of personality known as the Shadow archetype.
    The aforementioned issues were studied with the use of a set of scientific tools in the area of anthropology of culture (abjective experiences and objects, symbolism of blood, category of childhood), theory of trauma, hypnology and hyperesthesia, polemology, humanistic psychiatry, Bachelard’s theory of poetic image, topoanalysis and poetics of the elements. The process of interpretation also included the Jungian concept of structure of personality known as the Shadow archetype.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 16; 69-87
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Poczciwy rydel!.. Służy mi godnie, kopie tu żwirek i kopie…” Figura grabarza w wybranych utworach literatury światowej
    The figure of a gravedigger in selected works of world literature
    Autorzy:
    Bukwalt, Miłosz
    Powiązania:
    https://bibliotekanauki.pl/articles/52926482.pdf
    Data publikacji:
    2021-09-02
    Wydawca:
    Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    gravedigger
    shovel
    grave pit
    earth
    corpse
    death
    defilement
    alienation
    exclusion
    wicked profession
    scapegoat
    epidemic
    stigma
    mercy
    wisdom
    grabarz
    łopata
    dół mogilny
    ziemia
    trup
    śmierć
    skalanie
    obcość
    ekskluzja
    nikczemny zawód
    kozioł ofiarny
    epidemia
    piętno
    miłosierdzie
    mądrość
    Opis:
    The figure of a gravedigger, rich in cultural meanings, has become a source of many literary inspirations. The most important works dealing with the theme of a gravedigger and gravedigging include William Shakespeare’s tragedy Hamlet (the so-called graveyard scene), Rainer Maria Rilke’s short story The Gravedigger, Isaac Bashevis Singer’s novel Mendel the Gravedigger, and the novels: The Gravedigger’s Daughter by Joyce Carol Oates, The Gravedigger by Peter Grandbois and Rozmowy na trzech grabarzy i jedną śmierć[Conversations for Three Gravediggers and One Death] by Tomasz Kowalski. The subject of the present study is the variety of creations of the gravedigger shown on the pages of selected works (their selection is the result of a deliberate decision of the author). Thus, the author’s interest focused on artistic representations of the digger as: a sage who possesses knowledge on the passing of time, inevitability of death and the process of thanatomorphose, a home-grown pathomorphologist and anatomist, a mocker and ironist who looks at death with a distance characteristic to himself, or even disregard, as well as an intermediary between the ordered world of the human ecumene and the undifferentiated area of the afterlife (the one who talks to the spirits of the dead and to Death itself). In the analysed works, as it has been shown in the course of the analysis, the “spade virtuoso” also appears as a man of the road, a visitor from nowhere, a scapegoat, a bearer of the plague, in one word, a demonic and alien being, subject to social exclusion and stigmatisation. Among the numerous creations of the performers of the “wicked profession”, the author distinguished also the figure of a merciful gravedigger who, in accordance with the principles of the Jewish religion, prepares the dead for burial, accompanies them on their last journey and places their bodies in graves. The article uses the conceptual apparatus from the area of anthropotanatology, suicidology, cultural anthropology, cultural sexology, nozology and sociology.
    Źródło:
    Orbis Linguarum; 2021, 55; 301-320
    1426-7241
    2657-4845
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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