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    Wyświetlanie 1-4 z 4
    Tytuł:
    Inspiracje hermeneutyczne w polskiej historii sztuki po trzydziestu latach
    Hermeneutic Inspirations in Polish Art History
    Autorzy:
    Bryl, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/23338000.pdf
    Data publikacji:
    2023
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    art history
    hermeneutics
    methodology
    reception
    historia sztuki
    hermeneutyka
    metodologia
    recepcja
    Opis:
    Tekst dotyczy procesu recepcji niemieckiej hermeneutyki historii sztuki na terenie polskiej historii sztuki w ostatnich trzech dekadach. Ponieważ autor sam był czynnym uczestnikiem tego procesu, przyjął narracyjną strategię sprawozdawcy, który nie ocenia, nie wchodzi w polemiki, ale porządkuje i problematyzuje, dążąc do tego, by zarysowywany obraz recepcji był możliwie spójny i czytelny. Jest to pierwsza tego rodzaju próba w dotychczasowej literaturze przedmiotu. Opisywana recepcja zaowocowała dużą liczbą publikacji egzegetycznych, które wraz z intensywną działalnością przekładową stworzyły podstawowy korpus tekstów, co w powiązaniu z ciągłością procesu inspiracji/recepcji skutkowało utrwaleniem wśród polskich historyków sztuki świadomości istnienia i znaczenia nurtu hermeneutycznego. Najbardziej spektakularnym wydarzeniem procesu recepcji była kilkuletnia polemika dotycząca fundamentalnych kwestii metodycznych naszej dyscypliny.
    The text concerns the process of reception of German hermeneutics of art history in Polish art history over the last three decades. As the author was himself an active participant in this process, he adopted the narrative strategy of a reporter, who does not judge and does not enter into polemics, but organizes and problematizes issues, striving to make the outlined picture of their reception as coherent and legible as possible. This is the first attempt of its kind in specialist literature to date. The reception described herein has resulted in a large number of exegetical publications, which, together with an intense translation activity, have created a basic corpus of texts; this, in connection with the continuity of the inspiration/reception process, has had the effect of consolidating the awareness of the existence and importance of the hermeneutic current among Polish art historians. The most impressive event of the reception process was a polemic that lasted several years and concerned fundamental methodological issues of our discipline.
    Źródło:
    Biuletyn Historii Sztuki; 2023, 85, 4; 5-30
    0006-3967
    2719-4612
    Pojawia się w:
    Biuletyn Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jan Bołoz Antoniewicz (1858–1922)
    Autorzy:
    Bryl, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/707027.pdf
    Data publikacji:
    2011
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    POLAND
    ART HISTORY
    BOŁOZ ANTONIEWICZ
    Opis:
    This article aims at portraying the figure of Jan Boloz Antoniewicz (1858–1922), Professor of Art History at the University of Lviv, and one of the founding fathers of Polish art history. The paper focuses on two periods of his life: Boloz’s ‘birth’ as an art historian and the ‘decline’ of his career. Regarding the former, a historical and artistic ‘first text’ by Boloz was subjected to analysis (The medieval sources for the sculptures found on the ivory casket in the treasury of the Cathedral on Wawel Hill, 1885). Regarding the second period, his ‘final text’ (Opatowski Lament and its creator, 1922). In the text, emphasis is placed on characterizing Boloz’s attitude which resulted from his general outlook on life, and belongs to the realm of psychology of academic scholarship, rather than methodology of research. Boloz as a scholar–creator was fully formed, and it is from this that other separate scholarly personalities were born, sometimes in keeping with his research interests and his intuitive approach to art, with direct experience of the work of art at its core, and sometimes quite the opposite – relating to other areas and research approaches. Nevertheless, Boloz’s ‘methodology’ can be contained within well–known categories: form–genesis–source–influence–development–originality–genius–masterpiece. It fits well within its time, when the old tradition of great scholars who were culturally and historically oriented was being dismantled in favour of the new trend, fitting for researchers of his generation, which aimed at developing one’s own paradigm of an increasingly autonomous discipline, emancipated from history, philology and aesthetics.
    Źródło:
    Rocznik Historii Sztuki; 2011, 36; 7-20
    0080-3472
    Pojawia się w:
    Rocznik Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz Artura Grottgera „Modlitwa konfederatów barskich przed bitwą” (pod Lanckoroną?): historia, literatura, ogląd
    Grottger’s Painting “The Bar Confederates Pray Before the Battle“ (of Lanckorona?): History, Literature, Vision
    Autorzy:
    Bryl, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/909559.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the Bar Confederation
    Artur Grottger
    historical/literary references
    autonomy/heteronomy relationship
    art historical hermeneutics
    Opis:
    The subject of the paper is a painting by Artur Grottger, which has not yet been the subject of  close art historical analysis, hindered by the complicated history of the painting as a material object: from its creation (1861–63) and being exhibited in Vienesse Kunstverein in 1864 (titled Das Gebet vor der Schlacht. Episode aus der vergangenen Zeit in Polen), via its appearances and disappearances in the arena of history, till its present status of an object in a private collection, whichlimits its accessibility. The reconstruction of the process of constituting its present title (The Bar Confederates Pray Before the Battle of Lanckorona), reveals the problematic status of the reference to the specific battle fought during the Bar Confederation (1768–1772). The confrontation of the pictorial presentation with a real course of the battle of Lanckorona (23 May 1771) proves that it was not Grottger’s imperative to reconstruct in a probabilistic manner neither the place nor the course of the specific historical event. The analysis of the common for the artist and its public cultural competence, whose basis during  that epoch was literature, does not yield an unequivocal identification of specific historical figures or literary motifs as references for the painting. This probabilism of heteronomous, historical and literary references, increases the autonomy of Grottger’s painting as a visual medium. Following the tenet of art historical hermeneutics that it is not contextual references but the pictorial potential activated by the artist that defines the actual status of the represented event, the subject of the next part of the text is the vision-oriented logic of the painting. The main reference is Michael Brötje’s theory, according to which the surface of the painting (not the material, covered with paint, picture plane – die Flache – but immaterial, invisible instance – die Ebene) constitutes the ultimate instance for both represented reality, which it transcends and whose boundaries it establishes, and for the spectator, who confronts this reality in the process of viewing with the pictorial surface and its boundaries. In the process of viewing, which consists in the interaction between structural properties of the painting and the postulated by the viewer relating to the surface, the spectator experiences, as his or her own, the truth about the confederates’ origin, their connection with nature, their religiosity, rootedness in the motherland, death as their destiny, and their devotion to the ultimate absolute instance. The very experience, residing in the medium, ultimately determines the status of the heteronomous in relation to the painting, historical and literary references.
    Źródło:
    Artium Quaestiones; 2020, 31; 369-400
    0239-202X
    Pojawia się w:
    Artium Quaestiones
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Assessment of nutritional status of patients with cancer who are qualified for home enteral nutrition – a retrospective analysis
    Autorzy:
    Kaźmierczak-Siedlecka, Karolina
    Folwarski, Marcin
    Jankowska, Barbara
    Spychalski, Piotr
    Szafrański, Waldemar
    Baran, Mariusz
    Makarewicz, Wojciech
    Bryl, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/895799.pdf
    Data publikacji:
    2020-05-29
    Wydawca:
    Gdański Uniwersytet Medyczny
    Tematy:
    cancer
    nutritional status
    malnutrition
    home enteral nutrition
    Opis:
    Background: Patients with cancer are at risk of malnutrition. The aim of this study is to assess the nutritional status of patients with cancer who are qualified for home enteral nutrition. Secondary aim is to compare the nutritional status of patients with gastric cancer and with esophageal cancer. Material and methods: Retrospective analysis of medical documentation of 84 participants with cancer who were qualified for home enteral nutrition in Nutritional Counselling Center Copernicus in Gdansk in 2009-2015 was performed. Assessment of nutritional status included body mass index, the level of total protein and albumin in blood serum, total lymphocyte count, and Nutritional Risk Score 2002 method. Results: Patients with gastric cancer most often presented albumin deficiency in comparison with patients with esophageal cancer (p=0.02). The low level of total lymphocyte count in 1mm3 of peripheral blood was observed in 47.6% participants. All the patients qualified for home enteral nutrition received at least 3 points in NRS 2002 method and most often 5 points (40.4%). Conclusions: All patients required nutritional treatment. Notwithstanding, the nutritional status of patients varied. Hypoalbuminemia was observed more often in patients with gastric cancer in comparison with patients with esophageal cancer.
    Źródło:
    European Journal of Translational and Clinical Medicine; 2020, 3, 1; 16-23
    2657-3148
    2657-3156
    Pojawia się w:
    European Journal of Translational and Clinical Medicine
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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