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    Wyświetlanie 1-6 z 6
    Tytuł:
    Na pograniczu snu i marzenia – między onirycznym lotem a teofanią w języku poetyckim Tadeusza Gajcego
    On the borderline of sleep and dream – between a dream-like poetic flight and teophany in the poetic language of Tadeusz Gajcy
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/496945.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
    Tematy:
    język snu i marzenia
    lot oniryczny
    teofania w poezji
    Language of sleep and dream
    dreamlike poetic flight
    theophany in poetry
    Opis:
    The speech of sleep can be experienced both in the world of private symbols as well as symbolic situations. Sleep marries in itself the rational with the supernatural. And so allows us to contact the divine (sacred). In his poetry Tadeusz Gajcy treats sleep as the meeting place, of the invisible (as it is obscured by the senses) with the visible (as it refers to real events). Similarly, dreams are not something trivial, frivolous, the poet assigns them a metaphysical value, and therefore seems to be saying: cast a spell, believe in the power of creative imagination, give it a name to transform the time. In this way, it seems to invite the reader to embark on a joint flight to the place of intangible fulfilments, to hope itself. On the borderline of sleep and dream in the language of poetry by Tadeusz Gajcy there appear angels. Their voice strengthens identity, does not allow personality to lose itself in the dream-like visions, in obscurity (as the only way of liberation from suffering); the voice of theophany that appears in the poetic language of Tadeusz Gajcy reveals the greatest mystery of love as projected through the prism of martyrdom, especially in the filial attachment to the land (mother-country).
    Źródło:
    Język. Religia. Tożsamość; 2016, 2(14); 5-21
    2083-8964
    2544-1701
    Pojawia się w:
    Język. Religia. Tożsamość
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    WOKÓŁ ESCHATOLOGICZNEGO NIEPOKOJU WYRAŻONEGO JĘZYKIEM POETYKI MARZENIA W PIEŚNI NOSTALGICZNEJ TADEUSZA GAJCEGO
    THOUGHTS ON ESCHATOLOGICAL CONCERNS EXPRESSED IN THE LANGUAGE OF DREAMS POETICS OF PIEŚŃ NOSTALGICZNA (THE NOSTALGIC SONG) BY TADEUSZ GAJCY
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/512375.pdf
    Data publikacji:
    2016
    Wydawca:
    Wydawnictwo Diecezjalne Adalbertinum
    Tematy:
    eschatological anxiety
    dreams poetics
    Tadeusz Gajcy
    Opis:
    In Pieśń nostalgiczna brightness emerges as an admirable, esoteric es-sence, filled with cosmic forces. Determined by the lyrical subject with the significant epithets of “strong” and “foreign”, it exerts a strong influence on the world of his spiritual experiences, trying to acquaint him with the final issues. Is brightness that appears over the poetʼs head his “alter ego”, a creation of a dream dramatically highlighting the internal tension caused by the premoni-tion of his impending death? Or, on the contrary, it is quite a distinct, authentic personal being, able to meet the poet within the area delineated by the limits of his own language, and therefore specifically materialize – following Gilbert Durand – as a visible sign in the imagination sphere. Certainly, we cannot an-swer these questions in the context of purely literary research, and, indeed, we do not even need to, encouraging readers to commune with the mystery which surrounds the emergence of the literary work.
    Źródło:
    Studia Ełckie; 2016, 18, 3; 235 - 254
    1896-6896
    2353-1274
    Pojawia się w:
    Studia Ełckie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O roli wyobraźni i wpływie poetyk II awangardy na kształt języka poetyckiej wypowiedzi Tadeusza Gajcego
    About the role of imagination and the impact poetyk II avant-garde on the shape of the language of poetic expression of Tadeusz Gajcego
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/943062.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
    Tematy:
    wyobraźnia twórcza
    wzorzec etyczny
    liryka wizjonerska
    the imagination of creative
    ethical pattern
    poetry a visionary
    Opis:
    Tadeusz Gajcy – like enjoying today a world acclaimed Artur Rimbuad – belongs to the Group of poets of the symbol and the imagination. The author of the child his creative practice was so thinking the image, metaphor. When applying on the basis of articles literary and creative practice of the author to the child, you can be tempted to declare that the poet has set the imagination a specific role in the formation of aesthetic sensitivity and moral. Concepts such as love, patriotism, friendship, birth-place, a sense of community the fate bestowed the deep personal dimension. In addition, drawing inspiration and continuing to some extent political program II avant-garde, creative practice finally managed to break the well-established by the circle of these poets Convention. Happening the crash, destroyed world around him trying to defy a timeless harmony (and ethical). Created the master poet soldier calculates the direction of the shots of human suffering, love and death, by reference to the symbolism associated with the concept of the cross and martyrdom of the dependence of the current in the video poem Spectrum katastrofizmem, focused on shaping the ethical standard, which was to meet the challenges of the time, specify your relationship to the occupation of reality.
    Źródło:
    Język. Religia. Tożsamość; 2017, 2(16); 79-96
    2083-8964
    2544-1701
    Pojawia się w:
    Język. Religia. Tożsamość
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gajcy, Bachelard – idea domu onirycznego na przykładzie Poematu letargicznego i innych wierszy
    Gajcy, Bachelard – the idea of the oneiric home illustrated by Poemat letargiczny and other poems
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/512365.pdf
    Data publikacji:
    2018
    Wydawca:
    Wydawnictwo Diecezjalne Adalbertinum
    Tematy:
    Gajcy
    dreamy house
    the idea of eternity
    Opis:
    The purpose of this article is to try to answer the question of how the idea of a dreamy house came to its creative realization in the poetry of Tadeusz Gajcy. According to Gaston Bachelardʼs philosophical conception, the initial memory of family home, the nostalgic returns to the lost childhood land, is just a threshold leading to the identification of deeper meanings. The house of our longings transformed by the dreamdestroys the feeling of passing, and thus represents the specific embodiment of the idea of eternity. The French anthropologist introduced the notion of a dreamy house for the purposes of literary research, which evokes in the space of literary images the archetypal image of pra-haven hidden in the depths of existence. Discovered by the poet as the seat of the inner indwelling, it is often referred to by reality as a backdrop for dreams of infinity. What is worth emphasizing, in Gajcyʼs poetry the poetic imagery of the dreamy house as an absolute value, shaping and saving humanity is built upon the foundations of personal relationships.
    Źródło:
    Studia Ełckie; 2018, 20, 1; 51-67
    1896-6896
    2353-1274
    Pojawia się w:
    Studia Ełckie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gajcy, Bachelard – Kościół w „pamięci marzącej”. Status ontyczny rzeczy jako epifanii osobistych obrazów i wyobrażeń
    Gajcy, Bachelard – the Church in a “dreaming memory”. The ontic status of things as epiphanies of personal images and imaginations
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/512498.pdf
    Data publikacji:
    2018
    Wydawca:
    Wydawnictwo Diecezjalne Adalbertinum
    Tematy:
    Gajcy
    Bachelard
    “dreaming memory”
    Opis:
    In childhood, Tadeusz Gajcy was an altar boy. Every morning, he must have listened to fragments of liturgical texts. Stories full of extraordinary events and miracles – undoubtedly affecting the childʼs imagination – come alive in his poetry at the level of naive consciousness. Poetic dreams seem to be stretched between the family room and everyday life woven into the rhythm of church life. The memory of the time spent serving at the altar allows the poet to treat the temple as a home, archetypical symbol of the inner refuge against sinister forces. Thus, hidden in the depths of the subconscious, the archetype is the foundation for the most powerful, cosmic dreams of happiness, the center from which the imagined contents of internal life soaked in richness flow from. In this article, using the Bachelardʼs categories of “oniric home” and “dreaming memory”, I ponder how the childhood archetype revived by memories evokes happy dreams. I come to the conclusion that the factor motivating their emergence are religious experiences marked by visionary eschatology. I explore relationships between the experience of the liturgical activities derived from childhood and the work of creative imagination. Simultaneously, I reflect on the essence and symbolic value of things transposed to the world of creative ideas.
    Źródło:
    Studia Ełckie; 2018, 20, 3; 329-349
    1896-6896
    2353-1274
    Pojawia się w:
    Studia Ełckie
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MIĘDZY UPŁYWAJĄCYM CZASEM A WIECZNOŚCIĄ. MIŁOŚĆ BEZ JUTRA TADEUSZA GAJCEGO W ŚWIETLE ANTROPOLOGII GILBERTA DURANDA
    BETWEEN PASSING TIME AND ETERNITY: TADEUSZ GAJCY’S MIŁOŚĆ BEZ JUTRA (LOVE WITHOUT TOMORROW) IN THE CONTEXT OF GILBERT DURAND’S ANTHROPOLOGY OF THE IMAGINARY
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/690286.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Tadeusz gajcy; sacralization of time; mythical figures; epiphany of eternity
    Tadeusz Gajcy; sakralizacja czasu; figury mityczne; epifania wieczności
    Opis:
    Drawing inspiration from Gilbert Durand’s anthropology of the imaginary, the article offers an interpretation of Tadeusz Gajcy’s poem entitled Miłość bez jutra (Love without Tomorrow). It examines the paradigms of mythical time processed by imagination and the revival of images that have their roots in biblical cosmogony. Using the research method proposed by Durand, the author argues that the imaginary metaphorically transforms symbolic signs that are deeply rooted in history and culture, adjusting them to the personal situation of the dreaming speaker. In Miłość bez jutra the dream of carnal and spiritual fulfillment makes one experience time in relation to certain mythical objects, such as a plant, a book, or a chalice. The return to the mythical beginning, perceived as a refuge that guarantees spiritual revival, is associated with coming to terms with the inevitability of death. In this way, the palingenesis of eternal return (or, in other words, cosmic annihilation and rebirth) that is present in the Gajcy’s poem shapes the way of experiencing time. The author argues that the transformation and sacralization of mythical time in the poem are achieved through the image of a book (cloud) and a plant. Moreover, he shows that Gajcy’s allusions to the Genesis are intertwined with an apocalyptic vision in which various elements of the world are burnt, while the epiphanies of love and death are presented as a return to the state of original innocence and purity, experienced in symbolic projections.
    Źródło:
    Prace Polonistyczne; 2019, 74; 71-92
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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