Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Bogumił, Zuzanna" wg kryterium: Autor


Wyświetlanie 1-5 z 5
Tytuł:
Pamięć religijna społeczności lokalnych — przykład Jedwabnego
The Religious Memory of Local Communities: The Example of Jedwabne
Autorzy:
Bogumił, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1373018.pdf
Data publikacji:
2017-07-10
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Jedwabne
social memory
religious memory
local community
parish community
Holocaust
deportees to Siberia
pamięć społeczna
pamięć religijna
wspólnota lokalna
wspólnota parafialna
Sybiracy
Opis:
This article looks on Jedwabne and the debate on Polish involvement in the Holocaust from the perspective of the Jedwabians. The author shows that until the erection of the national monument to the murdered Jews in Jedwabne in 2001, the Jedwabians’ memory of their Jewish neighbours was a part of local memory. Jedwabians commemorated the Jews in accordance with their frames of memory. The point is that the people in Jedwabne are first of all a members of parish community, so their memory is religious in nature. This has a profound effect on their relationship to the past and their perception of the role of monuments and memorials. By reconstructing the history of the erection of selected monuments in Jedwabne, the author shows which events of the past Jedwabians want to commemorate and what social function is played by memory of the commemorated events. She also considers to what degree memory of the group’s past lies at the base of the Jedwabians’ contemporary identity.
Źródło:
Kultura i Społeczeństwo; 2017, 61, 3; 161-184
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chłopska pamięć wojny na przykładzie fotografii Feliksa Łukowskiego
Peasant Memory of the War and the Photography of Feliks Łukowski
Autorzy:
Bogumił, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1373393.pdf
Data publikacji:
2016-03-21
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Feliks Łukowski
photography
visual sociology
peasant memory
Zamość region
Holocaust
fotografia
socjologia wizualna
pamięć chłopska
Zamojszczyzna
Zagłada
Opis:
The author considers selected photography of the amateur photographer Feliks Łukowski, from the period of the Second World War. The photos were taken in Łukowski’s native village and in nearby localities during the German occupation. They are presented with the results of field research conducted in July 2015 in the Zamojść area in order to show how what is remembered by witnesses departs from what was captured in the photos. The author attempts to explain the source of that divergence and also to show how useful a sociological analysis of photography can be in determining the meanings produced by the images it preserves. The aim of these reflections is to emphasize the characteristic traits and functioning of peasant memory.
Źródło:
Kultura i Społeczeństwo; 2016, 60, 1; 171-195
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miejsce pamięci versus symulacja przeszłości - druga wojna światowa na wystawach historycznych
Memorial versus Simulation of the Past — World War II in Historical Exhibitions
Autorzy:
Bogumił, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1373648.pdf
Data publikacji:
2011-11-22
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
memory
museum
authenticity
museum artefacts
space
Holocaust
Warsaw Uprising
Warsaw Ghetto
occupation of Krakow
pamięć
muzeum
autentyczność
przedmioty muzealne
przestrzeń
Zagłada
powstanie warszawskie
getto warszawskie
okupacja Krakowa
Opis:
The Author examines the presentation of the German occupation at the Warsaw Rising Museum and in Oskar Schindler’s Enamel Factory in Krakow. Initially, she studies the space of these exhibitions and demonstrates that the Warsaw Rising Museum has some characteristics of reflective space, while the exhibition at the Schindler’s Factory is primarily a projective one. Then, she points out that both museums treat artefacts as illustrations of their stories, as a consequence of which they are simulations of the past rather than material testimonies of what had happened. Finally, the Author argues that the Warsaw Rising Museum primarily tells the story of glory of the Polish nation, while the Schindler Factory focuses on the social history. In conclusion the Author points out that none of the exhibitions breaks the existing taboos or offers a new approach to the past. Both museum stories perfectly reflect the shape of the Polish social memory of World War II. Differences in the way they present the past are a result of rooting each of the stories in different public debates that were conducted in Poland after 1989.
Źródło:
Kultura i Społeczeństwo; 2011, 55, 4; 149-170
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stone, Cross and Mask: Searching for Language of Commemoration of the Gulag in the Russian Federation
Autorzy:
Bogumił, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1929928.pdf
Data publikacji:
2012-03-21
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
memory
Gulag
monument
the Russian Orthodox Church
the Solovetsky Islands
spontaneous shrine
Memorial Society
Opis:
This article examines the commemoration practices of the Gulag in the Russian Federation. On the basis of qualitative data collected during a field research carried out in a few former lager districts (the Solovetsky Islands, Komi Republic, Perm region and Kolyma), I reconstruct a way the history of Soviet repressions was uncovered from oblivion and the process of Gulag commemoration began. Starting from the assumption that the Gulag memory was not started to working through in Russia till the end of 1980s, and that the last stage of Perestroika had a crucial influence on a way the repression past is nowadays commemorated in the country, I examine several memory projects erected in that time and show how the process of reworking the Gulag experience and presenting it in a narrative form occurred. On a base of the first exhibition dedicated to the Gulag past, SLON-Solovetsky Lager Osobogo Naznachenya, (the Solovetsky Special Purpose Camp) I reconstruct a process of rewriting history and describe how the repressive past was perceived at the end of the 1980s. In turn, analyses of meaning and social function of the monuments commemorating Gulag show that at the beginning there was a diversity of the past interpretations and that the processes of the transformation of the soft into the hard memory proceed quite quickly. However, since the mid-1990 a comeback to the traditional, well recognizable model of culture is visible. Thus, the memory of Gulag supported by the Russian Orthodox Church slowly dominates the social perception of the repressive past.
Źródło:
Polish Sociological Review; 2012, 177, 1; 71-90
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies