Autor: Bogumił, Izabela - Katalog OPAC zbiorów

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Tytuł:: Aeneis Jana Lucienbergiusa. Wizja typograficzna i teatralna
„Aeneis” by Johann Lucienberger(gius): Theatrical and Typographic Vision
Autorzy:: Bogumił, Izabela
Powiązania:: https://bibliotekanauki.pl/articles/1046682.pdf
Data publikacji:: 2015-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: tragicomedy
Neo-Latin poetry
epic motifs
typographic solutions
Opis:: This paper deals with the dramatization of Virgil’s Aeneid created in Frankfurt am Meinz in the second half of the 16th century by Ioannes Lucienbergius. It discusses the text as a scenic adaptation of Roman epic and as typographic work.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 91-107
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Metamorfozy motywów laudacyjnych w epitalamiach. Od greckiego Teokryta do gdańskiego Mollera
Epitalamic laudatory motives in transformation. From Greek Theocritus to Henry Moller, a Neo-Latin poet from Gdańsk
Autorzy:: Bogumił, Izabela
Powiązania:: https://bibliotekanauki.pl/articles/2012479.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: epitalamium
motywy laudacyjne
panegiryk
poezja nowołacińska
epithalamion
laudatory motives
panegyric
Neo-Latin poetry
Opis:: The paper is concerned with the transformation of laudatory motives in the epithalamia, from the earliest extant Greek texts, through the nuptial poetic pieces by Catullus, Statius and Claudianus, down to the wedding poetry from the 16th century. Both, the ancient Greek poets, and Catullus as well, used to introduce the motive of praise with a dose of restraint. In other words, the early Greek and Roman poets were focused on the newly married couple. On the contrary, since the Roman Imperial period, it was intended to make the poetic praise more universal and so the poets used to extend the passages with laudatory motives. Therefore, other topics were added, such as the origin of the spouse and the bridegroom. Henry Moller as a poet was quite excessive in the matter of praise. Frankly speaking, his poetry praises everyone and everything: for instance, family members, both those who died not long ago, and those who are alive (epithalamium for Casper Nefelius and Sophia, Nicolaus Richavius’s daughter); the duchy of Baden and the city of Gdańsk (Gratulatio Musarum Gedanensium for Swedish princess Cecilia Vasa and prince Christopher II of Baden); even Jagiellonian king Sigismund II Augustus once became the object of praise, because he was a brother of the female addressee of the poem entitled Auleum Gratiarum (besides, Moller interlaced some political suggestions to the Jagiellonian ruler with the verses). It seems typical to Neo-Latin poets to insert the words of praise in the mouth of fictional characters. However, it is evident that the poetic self-esteem was not an unimportant factor. Over time, the authors of Neo-Latin poetry got used to speaking directly to the reader. Some of them were evident and eager flatterers. In general, we can observe that the epithalamic laudatory motives are in constant transformation. Every epoch, or even culture, has its own inventory of laudatory topics and objects.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 117-142
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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