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    Tytuł:
    Propozycje założeń do systemu służb konserwatorskich – stanowisko wojewódzkich konserwatorów zabytków
    Proposals of assumptions for the system of conservation services - the position of voivodeship conservators
    Autorzy:
    Bielinis-Kopeć, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/113821.pdf
    Data publikacji:
    2016
    Wydawca:
    Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
    Tematy:
    historic preservation policy
    model of local and central government historic preservation offices
    monument protection law
    social education
    care for historic monuments and sites
    polityka ochrony zabytków
    model lokalnych i centralnych biur ochrony zabytków
    prawo ochrony zabytków
    edukacja społeczna
    opieka nad zabytkami i miejscami
    Opis:
    Regional Historic Preservation Officers are of the opinion that monument protection system in Poland needs to be modified. According to them, however, these changes need to be preceded by in-depth analysis of the existing situation, e.g. the condition in which historic monuments and sites are preserved in Poland, the sources of financing works carried out to monuments and sites, the role that historic preservation offices play in administration combined with regional governors, and the current financial and HR situation in specific government bodies. Changes made to the monument protection system should result in improving the conservational state of historic monuments and sites as well as improving functioning of historic preservation service in competence-, organisation-, and finance-related aspects. Furthermore, as a consequence, local government bodies and the society should become more aware of their responsibilities pertaining to historic monuments and sites. The role of local government historic preservation service should be also taken into consideration. According to Regional Historic Preservation Officers, the changes should be aimed at the following: strengthening the office of General Historic Preservation Officer who will shape historic preservation policy in Poland and coordinate actions taken by state and local historic preservation service; subordinating Regional Historic Preservation Officers directly to the General Historic Preservation Officer (within structures of the Ministry of Culture and National Heritage); improve the organisational and financial situation in Regional Historic Preservation Offices and adapt it to their needs; developing a model of local government historic preservation service in terms of their competences, organisational structure, and subordinance (control- and meritrelated) to Regional Historic Preservation Officers. It is necessary to make legislative changes to the monument protection law not only by issuing clear, uniform, and adoptable regulations but also by correlating regulations pertaining to protection of historic monuments and sites with other existing acts of law. It is also essential to perform comprehensive analysis of the list of Polish monuments and sites (register and record of historic monuments and sites) as well as develop and implement a financial support system for taking care of historic monuments and sites and include properties owned by the state treasury into this system. It must be also emphasised that there is a strong need for increasing social importance of guardianship of monuments and sites and making the society aware of limitations and benefits pertaining to monument protection.
    Źródło:
    Ochrona Dziedzictwa Kulturowego; 2016, 1; 7-13
    2543-6422
    Pojawia się w:
    Ochrona Dziedzictwa Kulturowego
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    III LUBUSKIE SPOTKANIA ARCHITEKTÓW Z KONSERWATORAMI ZABYTKÓW
    THIRD LUBUSZ MEETINGS OF ARCHITECTS AND CONSERVATORS
    Autorzy:
    Bielinis-Kopeć, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/535147.pdf
    Data publikacji:
    2007
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    lubuskie spotkania architektów
    konserwator zabytków
    Stowarzyszenie Architektów Polskich
    Opis:
    For the third consecutive time the Lubusz Meetings of Architects and Conservators were held in Zielona Góra; upon this occasion the theme of the scientific session organised on 14 March 2008 was “New functions in old walls – adaptations of historical buildings”. The presented papers dealt with local historical monuments and architectural realisations conducted in other regions of Poland. The initiator of the meetings is the Lubusz Voivodeship Office for the Protection of Historical Monuments in Zielona Góra and the local branch of the Association of Polish Architects. The meetings constitute a forum for an exchange of experiences and views concerning the protection of the Polish heritage, and have become a permanent item on the agenda of important events held in the Voivodeship of Lubusz.
    Źródło:
    Ochrona Zabytków; 2007, 3; 15
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Drewniany kościół pw. Świętych Apostołów Szymona i Judy Tadeusza w Kosieczynie – badania i prace konserwatorskie jednej z najstarszych drewnianych świątyń w Polsce
    St. Apostles Simon and Jude Thaddeus wooden church in Kosieczyn – research and renovation of one of the oldest wooden churches in Poland
    Autorzy:
    Bielinis-Kopeć, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/537652.pdf
    Data publikacji:
    2012
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    drewniany kościół w Kosieczynie
    badania dendrochronologiczne
    zabytki architektury sakralnej
    najstarsze drewniane świątynie w Polsce
    późnogotyckie stropy z dekoracją patronową w kościołach drewnianych
    wzmocnienia konstrukcji świątyń zrębowych
    Opis:
    The village Kosieczyn near Zbąszynek (Lubusz voivodeship) features the Saint Apostles Simon and Jude Thaddeus wooden church that ranks among Poland’s oldest monuments of wooden sacred architecture. Dendrological analyses completed in 2006 enabled to certify that the church (preserved within its body, i.e. the body of nave and chancel) has a log structure based on pine beams, built in 1389; roof truss system over the nave and chancel made of timber cut sometime between 1407 and 1416, hence it is dated at 1417; the tower added in 1431. Research confirmed that the object was consecrated in 1408. In order to fully identify the initial period of the existence of the church, conservation efforts were launched to determine the scope and specific features of paintings discovered in its interiors. Traces of template ornaments originating from the late Middle Ages are preserved on the walls of chancel and nave (heavily damaged by the saturating of beams to improve the adherence of clay pugging, used to cover the walls from inside the church) and on boards from dismantled ceiling (again used in the church). These discoveries determined the continuation of renovation works in further years, performed simultaneously with operations aimed at improving the technical condition of the building. The past transformations of the building, among other the replacing of original ceilings above the chancel and nave with wooden pseudo-vault and newly structured windows larger than the original, located in the upper parts of walls also on the northern side, have destabilised the structure of the church and augmented the deviations of its walls from the perpendicular. The structural transformations and lack of current renovations are the causative factors of the serious weakening of the log structure. Extensive repairs and renovation operations were launched in 2006. Firstly, the structure of the building was stabilised using a system of supports consisting of steel cables suspended above the arched ceilings, to relieve the vertical pressure of the roof truss system on the walls. It enabled to remove the unaesthetic supports and safeguards (steel buttresses at southern side of church, placed in the 1950s). The virtue of the adopted solution rests in its technical efficiency, easy monitoring, full reversibility and absence of any direct modification of the historical substance of the church. In the next years the roof coverings were replaced with shingles, damaged structural elements were replaced as well, apart from filling and repairs. Also, external formworks were replaced with new, horizontally placed timber frames, reminiscent of the log structure of walls. Secondary wooden panellings, plasters and pugging were removed from the interiors, to expose the original wall structure with the relics of its painted ornaments (conservation works were carried out and the colour of interiors was unified). The floor level was lowered to its original usable level, finishing the floor in accordance with the design of discovered ceramic floor finish. Also, the original structure of windows and the entrance in the southern wall were restated. Non-original window openings on the northern side were closed, while on the southern side windows again appeared in their original spots. Additionally, the ceiling above the chancel was recreated together with the stenciled decoration, thus recreating the former appearance of church interiors. Works in the church were completed by renovating its movable elements, namely the main and side altars, pulpit, confessional, crucifix and statues of saints. The very early time of erecting, unique timber structure, as well as the preserved original body and architectural design, in addition to the decoration and fittings of the church, all determine its outstanding artistic, historical and scientific value. The works carried out in 2006-2012 restored the church to its almost completely original state. Also, its structure has been stabilised, in accordance with the original.
    Źródło:
    Ochrona Zabytków; 2012, 3-4; 5-25
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dawne sanatorium w Trzebiechowie. Dzieło Henry’ego van de Velde – z perspektywy dekady – odkryte na nowo
    Former sanatorium in Trzebiechów. The work of Henry van de Velde – from the perspective of the decade – discovered anew
    Autorzy:
    Bielinis-Kopeć, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/537783.pdf
    Data publikacji:
    2014
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Henry van de Velde
    Trzebiechów
    konserwacja wnętrz
    restauracja wnętrz, sanatorium
    wnętrza z początku XX wieku
    Opis:
    Ten years have already passed by since the discovery of the unknown work of Henry van de Velde – interior decor and furnishings of the former sanatorium in Trzebiechów – was announced, which took place in 2003. It was the grandson of the last head of the sanatorium before the outbreak of the WWII, who picked up the trail of the artist and followed information relating Henry van de Velde to the sanatorium in Trzebiechów, erected between 1902-1905 from the funds of the Ducal Family of von Reuss. As deep as in the Archives of the Prussian Cultural Heritage Foundation in Berlin, he discovered the lists of the artist to Duchess Marie Alexandrine von Reuss. This proved the authorship of the Belgian, additionally confirmed by the later stylistic and comparative analysis. The discovery complemented the catalogue of works of Henry van de Velde and had wide repercussions throughout Europe. Conservation research in the buildings of the former sanatorium has been commenced soon after, followed by renovation as well as conservation works in the years 2004-2012, resulting in revealing the interiors in original colouring from the dawn of the 20th century. The 150th anniversary of the Belgian artist birthday, celebrated in 2013 in many European countries, including Poland, was a great opportunity to remind of the only work of van de Velde at the territory of our country. Henry van de Velde was a versatile man of art. His works include such domains as painting, architecture, furniture and textile design, book covers, posters, ceramic, china and metalwork designs, ladies clothing. He was also the author of studies on the theory of art. Van de Velde had a great impact on development of the European art of the 20th century and is considered one of the most recognized representatives of the Modernism. In 1902, Henry van de Velde arrived to Weimar, to take the position of the counsellor for art, industrial design and craft at the court. The Weimar period is considered to be the one of the most significant in his career. His Weimar designs include, among others, redevelopment of the house of philosopher Friedrich Nietzsche into archive, the buildings of the School of Art and the Arts and Crafts School, as well as a house for his family, called Hohe Pappeln – a true manifesto of the New Style, by which the artist expressed drastically its clear departure from imitating the historical styles. The most significant works delivered during the Weimer period include construction of villa for the manufacturer H. Esche in Chemnitz, for Dr. W. Leuring in Scheveningen in Holland, for P. Schulenburg in Gera, redevelopment of villa for T. Koerner in Chemnitz and interiors in the sanatorium in Trzebiechów. Henry van de Velde’s output consists in more than 300 designs, including works of art and complex architectural structures. He designed 48 buildings along with their complete furnishings and interiors, following the idea with of combining different areas of artistic creation into a single work of art, in line with the vision behind the Gesamtkunstwerk. The list of his works depicts more than 100 interior designs, for the most from Belgium, Germany and Holland. The most outstanding are the interiors of the Folkwang Museum in Hagen, Nietzsche Archive in Weimar, H. Esche’s villa in Chemnitz, K.E. Osthaus’s villa (Hohenhof) in Hagen and sanatorium in Trzebiechów. Research performed in recent years revealed that the commission taken up by Henry van de Velde in Trzebiechów covered complex designs of vast majority of representative interiors, including colouring and decorative ornaments for staircases in two largest buildings of the complex, i.e. main building and the administrative and residential building called The Doctor’s House, accompanied by halls, social rooms for both ladies and gentlemen, billiards room and dining room situated in the main building. The artist designed also door and window woodframes, stairs, floors, floor finishing, panelling, etc. The designs covered many domains, from constructional solutions (structure of pseudo-ceiling in a dining room and side staircase in the main building) to minor details, such as ferrules or door and window handles. Both the scale and quality of the artistic output visible in the sanatorium in Trzebiechów and well-preserved original elements of the historical building make it one of the most distinguished works of Henry van de Velde. Regular research and conservation and reconstruction works performed in recent years brought to light and allowed to maintain the original elements of the historical building. That is why we may consider the former sanatorium in Trzebiechów, aspiring to the rank of the ‘monument of history’, as the work of art of the European scale.
    Źródło:
    Ochrona Zabytków; 2014, 2; 119-138
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    RATUSZ W ZIELONEJ GÓRZE
    THE TOWN HALL IN ZIELONA GÓRA
    Autorzy:
    Bielinis-Kopeć, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/537618.pdf
    Data publikacji:
    2007
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    TOWN HALL IN ZIELONA GÓRA
    dr Stanisław Kowalski
    ratusz w Zielonej Górze
    gotycki ratusz
    Opis:
    In 2004 heretofore-unknown cellars were discovered in the town hall in Zielona Góra; the interiors were not included in the inventory of the building carried out in 1958. This fact justified the necessity of embarking upon architectural studies whose purpose was to examine the form and successive phases of the transformation of the Gothic edifice. In 2006 a team headed by Dr. Czeslaw Lasota conducted architectural research, which coincided with the repair of the town hall northern wing, initiated in July of that year. Numerous layers of plaster revealed a brick wall of the Gothic town hall to which the repaired wing had been added in the course of the nineteenth century. In the interior of the northern wing staircase the conservation and restoration realised at the end of 2006 came across a Gothic gable with lavish blind arch windows, fragments of a panel below the gable, an outline of the northern gable, and a tower. Other discoveries included remnants of cloth hall stalls built at the same time as the town hall, and adjoining the latter to the east. At the same time, the conservators disclosed the original plaster of the blind windows and window openings, which at the beginning of 2007 were subjected to complex conservation-restoration. Particular importance was attached to the relics of the lime plaster, which are examples of the scarce original early medieval plaster preserved in secular buildings in the voivodeship of Lubusz.
    Źródło:
    Ochrona Zabytków; 2007, 1; 36-52
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    WYSTRÓJ WNĘTRZ DAWNEGO SANATORIUM W TRZEBIECHOWIE DZIEŁO HENRY’EGO VAN DE VELDE STAN BADAŃ I PRAC KONSERWATORSKICH W LATACH 2004-2005
    INTERIOR DECORATION IN THE FORMER SANATORIUM IN TRZEBIECHOW THE WORK OF HENRY VAN DE VELDE STATE OF RESEARCH AND CONSERVATION IN 2004-2005
    Autorzy:
    Bielinis-Kopeć, Barbara
    Markowski, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/538220.pdf
    Data publikacji:
    2006
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    SANATORIUM IN TRZEBIECHOW (ARCHITECTURE & CONSERVATION)
    VAN DE VELDE HENRY
    Opis:
    A physiotherapy-diet sanatorium founded by Prince Heinrich VII Reuss-Köstritz and his wife, Princess Marie Alexandrine, was opened in Trzebiechow in 1905. The author of the project was Max Schündler, an architect from Zwickau. The decorations and outfitting of the stately interiors were entrusted to the Belgian artist Henry van de Velde. Extant parts of the former sanatorium include the buildings of the complex and the park. The absence of significant repair during the inter-war period proved conducive for the preservation of numerous elements of the original outfitting and interior design. In 2004 the connection of the monument with the name of the celebrated Belgian artist proved decisive for the inauguration of studies, and a year later – for the first conservation-restoration undertakings aimed at recreating the original colours of the interiors, whose essential element consists of the perfectly preserved window and door joinery, the stair balustrades, the panelling and the benches. The conducted research disclosed the original intense colours either harmonising or contrasting with the walls and ceilings embellished with original ornamental motifs. The eight discovered decoration motifs of the interior constitute the most extensive set of the artist's preserved works in Europe; in 2005 they were subjected to conservation. Both the investigations and the conservation and restoration carried out in the Trzebiechow sanatorium have not been completed. Nonetheless, it may be said with full conviction that such a copious programme of interior design by Henry van de Velde has not been found elsewhere, a fact which enhances the rank of this particular complex among the cultural resources not only of Poland but also on a European scale.
    Źródło:
    Ochrona Zabytków; 2006, 3; 5-28
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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