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Wyszukujesz frazę "Andoková, Marcela" wg kryterium: Autor


Wyświetlanie 1-2 z 2
Tytuł:
The Chronology of Augustine’s "Tractatus in Iohannis Evangelium" 1–16 and "Enarrationes in Psalmos" 119–133 Revisited
Autorzy:
Andokova, Marcela
Horka, Robert
Powiązania:
https://bibliotekanauki.pl/articles/947694.pdf
Data publikacji:
2019
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Augustine
liturgical time
liturgy
dies sanguinis
chronology
Tractatus in Iohannis Evangelium
Enarrationes in Psalmos
Augustyn
czas liturgiczny
liturgia
dzieła Augustyna
chronologia
Opis:
In the year 2002 Milewski published an article devoted to the current state of research concerning Augustine’s Commentary on the Gospel of John where, among other topics, he reports on the state of research in the chronology of this work by Augustine, and after a brief summary of the latest solutions proposed by prominent Augustinian scholars he concludes that the history of the Tractates’ composition calls for a careful appreciation of their development and appearance over the course of Augustine’s busy episcopate and in relation to his other pastoral endeavours. This study therefore serves as the point of departure for our present article in which we would like to contribute to the recently proposed solution to certain questions related to the chronology of the two series of Augustine’s homilies, i.e. Tractatus in Iohannis Evangelium 1-16 and Enarrationes in Psalmos 119-133, especially in those points where the present solutions appear to be rather vague. Hence, our analysis concerns primarily the division of Tractates 1-12 and 13-16 made by Le Landais, and consequently accepted by all later scholars. Moreover, it focuses on some key points of the chronology: the dating of Tractate 7 at a pagan festival, the so-called dies sanguinis, proposed by La Bonnardière, then the synchronization of Tractates 1-16 with the parallel series of Enarrationes in Psalmos 119-133, and, finally, the re-evaluation of the year of the delivery of both series of homilies, dated between the years 406/407 or 407/408. Our argumentation is based, first and foremost, on the principle similar topic means similar liturgical time thanks to which we can place Tractates 10-12 of the Commentary on John’s Gospel right before the beginning of the Lenten season. Consequently, it enables us to include Tractates 13-16 in Augustine’s preaching activity during the Lenten season until as late as the beginning of the Easter Octave. In addition, if we admit that Tractate 7 was not delivered on the so-called dies sanguinis feast related to the rites of Cybele and Attis but on the occassion of another unknown local festival of an aitiological myth in Hippo Regius, we do not need to place it on the 24th of March as La Bonnardière did. Finally, these findings help us outline the new synchronized chronology of the two series of Augustine’s exegetical homilies for both the years 406/407 and 407/408.
Źródło:
Vox Patrum; 2019, 72; 149-170
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Persuasive Function of Sound Figures in Augustine’s Homilies on the Psalms of Ascents and Their Translation into Modern Languages
Autorzy:
Andoková, Marcela
Horka, Róbert
Powiązania:
https://bibliotekanauki.pl/articles/43539524.pdf
Data publikacji:
2023
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Augustine of Hippo
preaching activity
Enarrationes in Psalmos
sound figures
delectation
persuasive function
Opis:
Augustine’s sermons and exegetical homilies have been recently studied by modern scholars not only from the point of view of their contents but also their rhetorical form. This is true especially in those cases where we deal with authentic speeches reflecting the language culture of his audience. One of the most characteristic features of Augustine’s homiletic style is antithetic parallelism which occurs frequently in his homilies on Psalms and results from the author’s own way of thinking. Here we do not deal that much with the biblical parallelism of thought, present in the Hebrew poetry, particularly in Psalms, prophetic speeches, etc., but rather with that which was introduced in Greek by Gorgias, i.e., parallelism of words and sentence structure (parallelismus membrorum). Antithetic parallelism is often accompanied by rhyme (Gr. homoioteleuton) or by assonance. This phenomenon might be observed already in Indo-European poetics but in the rhetorical context of Augustine’s anti-Donatist preaching it serves quite different purposes. By using these and other sound figures (like alliteration, repetition, anaphora, epiphora, etc.) the bishop of Hippo wants not only to please his audience but also to instruct them and, first and foremost, persuade them to return to the Catholic church. Does he use these figures spontaneously imitating the folk culture of his audience, or is he constantly aware of their persuasive force? These and other related questions have already captured attention of several Augustinian scholars of the last decades, so in the present paper we would like to contribute to this foregoing discussion focusing mostly on the persuasive aspect of selected sound figures occurring in Augustine’s Enarrationes in Psalmos 119-133. Moreover, our aim is to show to which extent they were a part of bishop’s thoroughly considered plan of his homilies, and finally we would like to point out the importance of preserving at least some of these figures in modern translations of Augustine’s homilies.
Źródło:
Vox Patrum; 2023, 85; 149-166
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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