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Wyświetlanie 1-3 z 3
Tytuł:
“Like being trapped in a drum”: The Poetics of Resonance in Frances Itani’s Deafening
Autorzy:
Šlapkauskaitė, Rūta
Powiązania:
https://bibliotekanauki.pl/articles/888638.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
post-memory
deafness
body memory
resonance
sensual recollection of the past
prosthetic memories
the Great War
Opis:
This paper considers how Frances Itani’s Deafening imaginatively rethinks our understanding of the Great War in the age of postmemory. Seeing as the novel is set in Canada and Europe during the First World War and takes as its protagonist a deaf woman, the poetic attention given to the senses as a horizon of phenomenological experience magnifies the moral bonds that the characters establish in defi ance of both deafness and death. Guided by the theoretical reasoning of Marianne Hirsch, Elaine Scarry, and Alison Landsberg as well as contemporary phenomenological thinking, most significantly that of Edward S. Casey, Steven Connor, Michel Serres, and Jean-Luc Nancy, this paper examines how the novel’s attentiveness to the materiality of the body in regard to the ethical collisions of sound and silence as well as life and death contributes to a poetics of resonance that generates prosthetic memories, turning the anonymous record of war into a private experience of moral endurance inscribed on the ear of historical legacy.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/3; 201-232
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Of Motion and Emotion: The Mechanics of Endurance in Peter Carey’s The Chemistry of Tears
Autorzy:
Šlapkauskaitė, Rūta
Powiązania:
https://bibliotekanauki.pl/articles/888945.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
archive
Carey, Peter
museology
memory
Derrida, Jacques
Opis:
Guided by Jacques Derrida’s observations about the aporetic logic of the archive, this reading of Peter Carey’s novel The Chemistry of Tears (2012) relies on contemporary philosophical discourse about the human-thing interface to examine the correlations between pra ctices of mourning, memory, and museology as unfolded in the narrative. The central image of an automaton operates as an extended metaphor both for the metafi ctional feat of the novel, and imagination in its broadest sense, wherein we are reminded of the ethical obligations that things, especially technology, call for. Above all, Carey reveals the porosity of the boundaries between organic and inorganic substance, tethering matter to metaphysics, desire to detritus, and the present to the past.
Źródło:
Anglica. An International Journal of English Studies; 2017, 26/1; 101-118
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The He(A)rt of the Witness: Remembering Australian Prisoners of War in Richard Flanagan’s The Narrow Road to the Deep North
Autorzy:
Šlapkauskaitė, Rūta
Powiązania:
https://bibliotekanauki.pl/articles/2049127.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Australia
Richard Flanagan
POWs
trauma
postmemory
haiku
affective remembering
Opis:
This paper engages Cathy Caruth’s thinking about trauma, Marianne Hirsch’s notion of postmemory, and Giorgio Agamben’s theorising of bearing witness to examine the affective performance of remembering in Richard Flanagan’s novel The Narrow Road to the Deep North. Reading the narrative as a postmemorial account of Japan’s internment of Australian POWs in Burma during the Second World War, I focus on the body as a site of both wounding and witnessing to show how the affective relays between pleasure and pain reanimate the epistemological drama of lived experience and highlight the ambivalence of passion as a trope for both suffering and love. Framed by its intertextual homage to Matsuo Bashō’s poetic masterpiece of the same name, the Australian narrative of survival is shown to emerge from the collapse of the referential certainties underlying the binaries of victim/ victimiser, witness/perpetrator, human/inhuman, and remembering/forgetting. In Flanagan’s ethical imagination, bearing witness calls for a visceral rethinking of historical subjectivity that binds the world to consciousness as a source of both brutality and beauty.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(3); 141-161
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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