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Wyświetlanie 1-2 z 2
Tytuł:
Styl kompozycji krajobrazowej
Style of Landscape Composition
Autorzy:
Chmielewski, T. J.
Śliwczyńska, E.
Powiązania:
https://bibliotekanauki.pl/articles/1188476.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
kompozycja
styl
krajobraz
style
landscape
composition
Opis:
Currently the notion of style is more and more often criticized. Nevertheless, it still remains one of the key notions in the theory of art as well as architecture and landscape architecture. We can talk about style in literature, visual arts, music, architecture, gardening, about artistic style of certain regions or epochs. We should also be able to talk about styles of certain landscapes co-created by men, criteria of their identification, needs of protection and principles of shaping. This article explores the essence and attributes of landscape style and its regional diversification. It also demonstrates threats for identity of regions and localities coming from current processes of landscape transformation. The authors of the article notice that style is a reflection of canons of beauty and attractiveness (public demand) pervading in a given epoch. In landscape it is additionally a reflection of local, natural, cultural, economic and technological conditions. Cultural landscapes - despite many common distinguishing features - exhibit considerable regional diversity, which is sometimes so significant, that we can talk about specific styles of particular regions. Shaping of the particular land - scape style needs a long-term vision of region development, respect for its natural and cultural heritage, regularity and determination of local people. Landscape diversity is as strongly threatened as biological diversity and that is why it is crucial to draw much more attention to the issue of landscape style protection and shaping. The current scale of threats to the quality of landscape causes that local landscape studies should have a more significant rank in research, didactic and project works than they used to have.
Źródło:
Architektura Krajobrazu; 2012, 4; 11-23
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wpływ malarstwa XVIII i XIX w. na styl ogrodów krajobrazowych i ich współczesne odniesienia
The Influence of the 18th and 19th Century Painting on the Style of the Landscape Gardens and Their Contemporary References
Autorzy:
Śliwczyńska, E.
Chmielewski, T. J.
Powiązania:
https://bibliotekanauki.pl/articles/1188066.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
ogród
krajobraz
sztuka
malarstwo
garden
landscape
painting
art
Opis:
The European theory of art in the 18th century was inspired by the Far Eastern art, ancient Arcadian topos and archeological and sightseeing travels. English theoreticians, like Hume, Denis, Walpole, Addison, Pope, Price, Gilpin, influenced by Neo-Platonism, regarded Nature as the source of the absolute perfection and beauty. They formulated two key categories for the new aesthetics: sublimity and picturesqueness. The inspirations drawn from the Chinese art caused changes in the structure of gardens. In England it was visible in the rejection of leading the viewer's eye through paths and compositional lines in favour of the system of observation points and views. The natural landscape again began to be imitated. Garden designers were particularly inspired by the Italian landscapes (observed during the Grand Tour) and the paintings of Salvatore Rosa, Nicolas Poussin and Claude Lorrain. Inspiration came also from landscape paintings of such artists as Constable, Turner and Crome with his "school of Norwich", created according to the new aesthetic conception. New rules in the garden design were firstly put into practice by William Kent. His apprentice, Lancelot Brown, designed rural parks, that were meant to imperceptibly merge with the landscape. The critics of Brown, influenced by the new aesthetic conceptions, wanted gardens to be picturesque and wild, diversified by the ruins of castles or abbeys. The new style called Romanticism spread over the Europe in the 19th century, as a reaction against the industrial revolution. For the sake of growing urban population numerous public gardens and promenades were founded with their individual formal features. Under the influence of H. Repton and J. Thouin the English-Chinese gardens evolved into typical landscape parks. After 1850 garden designers made an attempt to connect landscape and geometric systems with the eclectic features. The availability of the new exotic plants stimulated deliberations on the problem of colour in the garden which simultaneously appeared in painting. Such tendencies at the end of the century gave birth to the Impressionism, which was the ultimate breaking with the academic tradition. Meanwhile, the art of garden design since the turn of the 19th and 20th centuries has been inspired mainly by the achievements of the contemporary science, and lost its ability to inspire new artistic trends. To revive it is a great challenge to the contemporary garden designers.
Źródło:
Architektura Krajobrazu; 2011, 1; 4-14
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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