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    Wyświetlanie 1-4 z 4
    Tytuł:
    Poemat Maryjny Michała Antoniego Hackiego
    The Marian Poem of Michał Antoni Hacki
    Autorzy:
    Łukaszewicz-Chantry, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1045862.pdf
    Data publikacji:
    2019-03-21
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Michał Antoni Hacki
    Mary
    the Immaculate Conception
    biblical metaphors
    cultus hyperduliae
    the Council of Trent
    Opis:
    The poem of the Abbot of Oliwa Michał Hacki can be considered as a poetic Mariological treatise which emphasises the privilege of the Immaculate Conception, questioned by the Reformation. Hacki gives numerous metaphors and titles of Mary, systematises them, classifies them into thematic groups and explains their meaning. By doing so, he preserves the hierarchy of theological truths and Christocentrism.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2018, 28, 2; 127-137
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wanda – sarmacka amazonka w poezji łacińskiej w Polsce Od Jana z Wiślicy do Jana Kochanowskiego
    Autorzy:
    Łukaszewicz-Chantry, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/636384.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    królewna Wanda, Amazonka, virago, elegia ajtiologiczna, epyllion, epitalamium królewskie, samobójstwo, metamorfoza, aemulatio
    Opis:
    Wanda – a Sarmatian Amazon in Latin poetry in Poland. From Jan of Wiślica to Jan KochanowskiThe aim of this paper is to show how Polish Renaissance poets reinterpreted the legend of Wanda and modelled the character of the princess depending on the chosen genre and the target readers. The author analyses the following source texts: Jan of Wiślica, Bellum Prutenum; Klemens Janicki, Vitae Regum Polonorum; Georgius Sabinus, De nuptiis Sigismundi Augusti et Elissae; Petrus Roysius, Hedvigis and Ad Proceres Polonos de matrimonio regio carmen; Joachim Bielski, Istulae convivium. In nuptiis Stephani Primi Regis Poloniae et Principis Annae; Jan Kochanowski, Elegiarum libri IV. In the canon of ancient rulers of Poland there is a woman called Wanda, daughter of Krak. This gallant virgin-king (in Poland a king could be male or female) who can be found in the oldest chronicles is also a character in Neo-Latin poetry. Jan of Wiślica in his epic poem Bellum Prutenum and Klemens Janicki in his cycle of historical epigrams Vitae Polonorum principium praise Wanda as a brave woman who equals Camilla, Semiramis and Tomyris in valour. In these two works the poets place the emphasis on Wanda’s heroic qualities as an excellent ruler and leader. On the other hand, Petrus Roysius looks disparagingly upon Wanda. In his poem Ad Proceres Polonos… he criticises her suicide as a sign of recklessness and concentration on her private life, which resulted in her shirking responsibility for the state she was entrusted with. Wanda’s story is a persuasive exemplum that was supposed to induce Sigismund August to consider a new matrimony that was crucial for reasons of state. In another poem, Hedvigis, Roysius reproaches Wanda for her exaggerated bashfulness, which drove her to such a desperate act. Wanda is also a character in royal epithalamia. Georgius Sabinus in his De nuptiis… presents Wanda as a beautiful, gallant and pure woman who lived the life of an Amazon. Her beauty attracted the attention of Istul, the god and king of Vistula. He kidnapped Wanda into the current of the river and made her his wife. In Istulae convicium… Joachim Bielski also depicted her as the unusually charming and refined spouse of the king of rivers. In both of these epithalamia Wanda does not commit suicide, but instead enters into matrimony. This is an innovation that departs from the canonical version of the legend. Jan Kochanowski dedicated one of his most beautiful elegies to Wanda, in which the Cracow Amazon becomes a responsible ruler and leader who acts according to the ethos of chivalry. The elegy is an aitiological epyllion that explains the origins of the name Mogiła upon Vistula. It is also in artistic rivalry with Propertius (IV 4). Here the brave Wanda becomes the opposite of the traitor Tarpei. For Renaissance authors the legend of Wanda is an opportunity to cleverly combine the ancient history of Poland with the tradition of ancient heroes, or a native legend with the legacy of Roman poetry, and thus to undertake emulation of the ancient poets.
    Źródło:
    Terminus; 2014, 16, 1(30)
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les petites filles dans la poésie latine de la Renaissance italienne inspirée de la tradition antique
    Autorzy:
    Łukaszewicz-Chantry, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/52238157.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Italian Renaissance
    Latin poetry
    Opis:
    L’articolo presenta una serie di ritratti di fanciulle creati da umanisti italiani quali Giovanni Pontano (Massila, Tranquilla, Penthesilea, Rosa) e analizza in che modo i poeti rinascimentali si riferivano alla letteratura antica, ad esempio sfruttando il motivo del fiore, simbolo di bellezza, ma anche della brevità della vita.
    Źródło:
    Collectanea Philologica; 2012, 15; 51-64
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Only a Poet Never Lies… Maciej Kazimierz Sarbiewski’s Thoughts on the Privilege of Poets
    Autorzy:
    Łukaszewicz-Chantry, Maria
    Bednarek, Stefan
    Rabiej, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/chapters/1012744.pdf
    Data publikacji:
    2020-04-10
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    probability
    poetic art
    fiction
    allegoresis
    Mimesis
    Opis:
    In his treatise De perfecta poesi, sive Vergilius et Homerus, Maciej Kazimierz Sarbiewski presents his reflections on poetic art and states that poets never lie. This privilege results from the conviction that a poet creates in the same way as God, bringing his characters to life. That is why “he can speak about what is not, as if it really existed.” Poetic fictions are also often a veil behind which a precious truth is hidden. This truth can be reached by using an appropriate allegorical interpretation.
    Źródło:
    Truth and Falsehood in Science and the Arts; 62-68
    9788323542209
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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