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Wyświetlanie 1-15 z 110
Tytuł:
Iwaszkiewicz’s Venice
Autorzy:
Pietrych, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/1032290.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Venice
Iwaszkiewicz
aesthetics
poetry
modernism
Opis:
The article offers an overview of Iwaszkiewicz’s Venice works, starting with his early poems from his first visit in the city on a lagoon, and all the way to a work in his final poetry collection. This overview helps one realise that the writer’s autobiography is the key to all of them. Both poems and prose works followed the writer’s rhythm of existence. The presented images not so much extract the features of the city but rather refer to the author’s age, mood, and mental disposition. Another major factor that shaped the image of Venice in Iwaszkiewicz’s works were the conventional topoi consolidated in culture which build the artistic means of symbolising actual spaces. Iwaszkiewicz’s text, which developed for nearly sixty years is a praise of art understood, per modernist principles, in an absolutist manner.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 155-177
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Merchant in Venice: Shylock’s „Unheimlich” Return
Autorzy:
Henderson, Diana E.
Powiązania:
https://bibliotekanauki.pl/articles/648058.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
site-specific performance
Jewish Ghetto
Venice
Karin Coonrod
commemoration
The Merchant of Venice online
Opis:
The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. The Merchant in Venice, a site-specific theatrical production realized during the 500th anniversary year of the “original” Jewish Ghetto, was not only a highlight among the many special events commemorating the 400th anniversary of Shakespeare’s death in 2016, but also a more creative and complex response to historicism. With her nontraditional casting of five Shylocks (developed through collaborations with scholars and students as well as her international, multilingual company), director Karin Coonrod made visible the acts of cultural projection and fracturing that Shakespeare’s play both epitomizes and has subsequently prompted. This article, written by a participant-observer commissioned to capture on video the making and performance of Compagnia de’ Colombari’s six-night run in the Campo del Ghetto Nuovo, explores the way this place is-and indeed, the category of place itself is always - a dynamic temporal construct, defying more complacent attempts at simple return (to home, to the text, to the past). Such a recognition allows nuanced, hybrid forms of multicultural theater and Shakespeare scholarship to emerge, and to collaborate more fruitfully.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 15, 30; 161-176
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Venice According to Odyniec (and Mickiewicz?) in Romantic Contexts
Autorzy:
Kurska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1032284.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Adam Mickiewicz
Antoni Edward Odyniec
Venice
Romanticism
journey
Opis:
This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the image of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, however, I am interested in the traces present in Listy z podróży which enable one to uncover Mickiewicz’s influence on how Odyniec shaped the image of Venice.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 65-100
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Venice in Films. "Wenecja" by Jan Jakub Kolski (2010)
Autorzy:
Grodź, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/1032277.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
city and film
Venice
Jan Jakub Kolski
Opis:
The topic of the article is the image of Venice in Wenecja, a Polish feature film directed by Jan Jakub Kolski from 2010. The imaginary image of this city was inspired by “Sezon w Wenecji” (from the volume titled Jedźmy, wracajmy..., Krakow 1993 or Jedźmy, wracajmy i inne opowiadania, Warsaw 2000), a literary text by Włodzimierz Odojewski (1930–2016).  The article undertakes to analyse the image of Venice in the film by the author of Historia kina w Popielawach as a testimony of understanding its role in a particular historical space and time, of both the plot of the film and the projected reception.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 201-214
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Venice in Poetry and Prose: Adam Wiedemann’s Visit to the City
Autorzy:
Czyżak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1032275.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Venice
city
spectre
palimpsest
Adam Wiedemann
Opis:
The main aim of the article is to identify key interpretation issues in two texts by Adam Wiedemann. Both texts feature contemporary literary pictures of visits to Venice – the Polish author wrote a short story (Sens życia. Opowiadanie śródziemnomorskie, 1998) and a poem (Tramwaj na Lido, 2015) about his journeys to Italy. Those textual visions of the urban space of Venice show that Wiedemann is fully aware of many similar attempts made earlier yet still strives to stress his distinctness, creating a record of meetings of the contemporary visitor with the unique phenomenon of the unusual urban phenomenon.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 215-226
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Venezia nella poesia di Jarosław Iwaszkiewicz
Venice in the poetry of Jarosław Iwaszkiewicz
Autorzy:
Prola, Dario
Powiązania:
https://bibliotekanauki.pl/articles/1929894.pdf
Data publikacji:
2021-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Venice
Iwaszkiewicz
Keats
Blok
Salome
Venezia
Salomè
Opis:
The article explores the problem of the representation of Venice in Jarosław Iwaszkiewicz’s poetry, starting from the short series “Tram Tickets,” from the mid-1920s, to the masterful “Ode on the Destruction of Venice,” a true farewell and poetic testament of the writer. This study seeks to define the characteristics of the city’s genius loci, tracing the relationships between romantic historicism, perceptual poetics, and the decadent aestheticism of Iwaszkiewicz. For the poet, Venice constituted a complex palimpsest where every added word necessarily had to be negotiated with a complex and cumbersome tradition of texts and images; every attempt to define the nature of the city implied a Sisyphean effort to find a pure and non-conditioned look. For this reason, he was convinced that Venice could be described only indirectly, through the rhetorical tools—similes, synaesthesia, metaphors —offered by poetic language. Iwaszkiewicz’s representation of Venice appears to be rooted in particular in the modernist tradition and in its complex network of cultural and symbolic references. The essay highlights the influence of John Keats and Aleksandr Blok, as well as the specific interpretation of the figures of Endymion and Salome, symbols of eternal youth and beauty, the myths on which the poetics of the Polish writer was based. Among all the cities that are reflected in Iwaszkiewicz’s works, Venice is the one that best expresses his conception of the crisis of European civilisation, awareness of the end of a historical period, and hope of a future palingenesis.
L’articolo affronta il problema della rappresentazione di Venezia nella produzione lirica di Jarosław Iwaszkiewicz a partire dalle brevi poesie del ciclo “Biglietti del tram”, della metà degli anni Venti, sino all’Ode sulla distruzione di Venezia, scritta alla fine della sua vita, vero e proprio commiato e testamento poetico dello scrittore. Nello studio si cerca di definire le caratteristiche del genius loci della città, tracciando i rapporti tra lo storicismo romantico, la poetica percettiva e l’estetismo decadente dello scrittore. Per Iwaszkiewicz, Venezia si poneva come un complesso palinsesto dove ogni parola aggiunta doveva necessariamente venire negoziata con una complessa e ingombrante tradizione di testi e di immagini, ogni tentativo di definizione implicava la fatica sisifea di ritrovare uno sguardo puro, originario, non condizionato. Per questa ragione era convinto che Dario Prola 196 Venezia potesse venire descritta al meglio solo in modo indiretto, attraverso gli strumenti retorici - similitudini, sinestesie, metafore - offerte dal linguaggio poetico. La rappresentazione di Venezia di Iwaszkiewicz appare radicata in particolare nella tradizione modernista e nella sua complessa rete di riferimenti culturali e simbolici. Nel saggio si mette in evidenza l’influenza di John Keats e di Aleksandr Blok, la specifica interpretazione delle figure di Endimione e di Salomè, simboli dell’eterna giovinezza e della bellezza, i miti su cui si fondava la poetica dello scrittore polacco. Tra tutte le città che trovano espressione nella sua letteratura, Venezia è quella che meglio esprime la sua concezione della crisi della civiltà europea, la consapevolezza della fine di una fase storica, la speranza di una prossima palingenesi.
Źródło:
Italica Wratislaviensia; 2021, 12.1; 177-196
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Taste of Diplomacy: Food Gifts for the Muscovite Embassy in Venice (1582)
Autorzy:
Mesotten, Laura
Powiązania:
https://bibliotekanauki.pl/articles/695681.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Venice
hospitality
gift-giving
food gifts
diplomatic expenditure
Opis:
A vital factor governing early modern diplomatic relations was the practice of hospitality. To assure that the embassy began amicably, ambassadors had to be received with generosity. The nature and extent of diplomatic hospitality differed according to the host state, but it often included the offer of housing and victuals. This critical edition of a primary source aims to shed new light on the characteristics of diplomatic hospitality by carefully examining a list of expenses drafted by the Venetian office of the Rason Vecchie. This archival document provides a detailed account of all the food that was supplied to host a Muscovite delegation that visited Venice in 1582. In the first place, the article unravels the qualities and dynamics of Venetian food gifts by contextualising and comparing the source with additional Venetian records. Furthermore, it argues that the type of foodstuffs offered, the amount of money spent on them, and the splendour of festive banquets all communicated strong symbolic and political messages. By focusing the analysis on lists of expenses, the relevance of these documents for the study of diplomatic practices is illustrated. Overviews of financial transactions might seem static and dry accounts at first sight, however, when analysed closely, they reveal a great deal about the day-to-day operation of early modern diplomacy.
Źródło:
Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2017, 1
2545-1685
2545-1693
Pojawia się w:
Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drukarstwo renesansowe w „sławnym mieście weneckim”
CYRILLIC/SLAVONIC RENAISSANCE BOOK PRINTING IN „FAMOUS VENICE TOWN”
Autorzy:
Naumow, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/705172.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Slavs in Venice
editors
renaissance
Opis:
The study presents editorial activity of Orthodox and Catholic Slavs in Venice in XVI and XVII century. Special consideration was given to Bozidar and Vicenzo Vuković works as well as Franciscan and other editors initiatives. The cultural situation in renaissance Venic e and political context of Balcan territories, from where editors came, were discussed.
Źródło:
Pamiętnik Słowiański; 2011, 61, 2; 3-24
0078-866X
Pojawia się w:
Pamiętnik Słowiański
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Most Konstytucji nad Canal Grande w Wenecji
Constitution Bridge over the Grand Canal in Venice
Autorzy:
Stańczyk, A.
Powiązania:
https://bibliotekanauki.pl/articles/144824.pdf
Data publikacji:
2018
Wydawca:
Stowarzyszenie Inżynierów i Techników Komunikacji Rzeczpospolitej Polskiej
Tematy:
most
Wenecja
Calatrava
bridges
Venice
Opis:
Koncepcja i problemy budowy nowoczesnego mostu nad Canal Grande w Wenecji.
Concept and problems of building a modern bridge over Canal Grande in Venice.
Źródło:
Drogownictwo; 2018, 11; 360-362
0012-6357
Pojawia się w:
Drogownictwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Class Oppression and Commodification in Shakespeare’s Hamlet and Merchant of Venice
Autorzy:
Royanian, Shamsoddin
Omrani, Elham
Powiązania:
https://bibliotekanauki.pl/articles/1192038.pdf
Data publikacji:
2016
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Class Oppression
Commodification
Hamlet
Marxism
Merchant of Venice
Opis:
Karl Heinrich Marx tended to focus on considering how class struggle, oppressive ideologies, and social inequality are portrayed in literary texts throughout history in order to find a definite structural cause behind the modern exploitative capitalist system. One of these historical literary texts that attracted Marx’s attention was William Shakespeare’s to which he referred a lot. This paper intends to analyze Shakespeare’s Hamlet and Merchant of Venice in the light of Marxism to expose the upper classes’ oppressive behavior, their unethical victimization, exploitation, and commodification of the lower classes. Consequently, through a Marxist reading of Shakespeare’s plays, one can perceive that there are vivid links between Marxist and Shakespearean thinking, especially the similarities of thought held by each on the subjects of class oppression and commodification. Shakespeare portrayed the bitter social facts which Marxist thought tends to agree with.
Źródło:
World Scientific News; 2016, 50; 186-196
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Overtourism vs. Sustainable Development of Tourism. Attempts to Handle Overtourism Following the Example of Venice
Autorzy:
Kryczka, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1391023.pdf
Data publikacji:
2019
Wydawca:
Wyższa Szkoła Bankowa w Poznaniu
Tematy:
overtourism
sustainable development of tourism
tourism destination management
Venice
Opis:
In this day and age, overtourism has become a burning issue and a considerable challenge to tackle. It will remain on the rise as long as the tourism industry continues to grow. It appears impossible to stop or eliminate. Therefore, it only seems reasonable to adopt proper management strategies. Since no comprehensive solution has been elaborated as of yet, tourist destinations have started to take their own measures in order to handle the issue. The objective of the article is to identify the underlying characteristics of overtourism with regard to the strongly promoted concept of sustainable development of tourism, and to analyze the methods of handling overtourism, following the example of Venice. The issue of excessive tourist traffic in the center of Venice is very well-known. The problem is serious enough to serve as a case study in the context of tourist destination management.
Źródło:
Studia Periegetica; 2019, 26(2); 43-61
1897-9262
2658-1736
Pojawia się w:
Studia Periegetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On Mellowing "The Merchant of Venice"
Autorzy:
Kachuck, Rhoda S
Powiązania:
https://bibliotekanauki.pl/articles/648066.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2004, 1
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On Several Polish Poems From 1829–1870 with Venice in the Background
Autorzy:
Berkan-Jabłońska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1032282.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Venice
Polish and Italian affinities
19th century poetry
Bridge of Sighs
political camouflage
Opis:
The subject of the article is a review of images of Venice recorded in Polish poetry between the years 1829–1870. The paper deliberately stops in the 1870s in the selection of the literary material to be analysed, focusing on the Romantic and post-Romantic tradition. Due to the different artistic value of the works, the author adopted the formula of a historical and literary “catalogue” ordered chronologically and partly problematicised according to the functions which Venetian scenery or culture perform in them. Attention is drawn to the fact that Venetian motifs present in the poetry of Polish artists tend to be related to particular phenomena and topics, such as Byronism, Gothicism, political and national camouflage, love and existential masks, conflict between people and power. The authors referred to in the paper include, among others, Adam Mickiewicz, Józef Ignacy Kraszewski, Zygmunt Krasiński, Edward Dembowski, Edmund Chojecki, Karol Baliński, Mieczysław Gwalbert Pawlikowski, Teofil Lenartowicz, Feliks Wicherski, Teofil Nowosielski, Aleksander Michaux and Wiktor Gomulicki.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2020, 9; 101-137
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Visconti w Wenecji
Visconti in Venice
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1392116.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film
literatura
interpretacja
Opis:
Luchino Visconti’s masterpiece “Death in Venice” (“La morte in Venezia”) has the reputation of being a quintessential work of European art film, the epitome of 1970s auteur cinema, one of the most impressive film poems ever made. Based on famous novel written by Thomas Mann in 1911 (after Gustav Mahler’s death), it is a profound and intriguing artwork concerned at its depth to communicate the most important human meanings like the essence of death or powerfully symbolic depiction of 19th Europe ideas and values in a fascinating filmic imagery. The 1971 film adaptation is not only a lament for a lost nobility and a swan song for human sublime forms of life created by the noble class, but also an epic panorama of the old Europe that evokes the cultural upheaval brought on by the collapse of ‘la belle époque’. In his comparative study Marek Hendrykowski explores central motifs of the literary and film versions of “Death in Venice” and expands on this contention, pinpointing the various sources of the film’s uniquely impressive effect. Hendrykowski’s contextual analysis and interpretation, written in a lively and accessible style, traces the complex motifs that run through “Death in Venice” and discovers step by step the elements (Mahler’s music, the use of authentic locations, high culture vs mass culture conflict, biographical background, etc.) evoked and appealed in Visconti’s film.
Źródło:
Przestrzenie Teorii; 2012, 18; 155-172
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Role and Functions of the Mechanisms of Soft Law in International Public Law Discourse. Remarks against the Background of the Opinions of the Venice Commission
Autorzy:
Popławski, Karol
Powiązania:
https://bibliotekanauki.pl/articles/1966016.pdf
Data publikacji:
2019
Wydawca:
Akademia Leona Koźmińskiego w Warszawie
Tematy:
Venice Commission
soft law
legal recommendations
Opis:
The aim of the paper is to create an updated typology of soft law. It places soft law among mechanisms of a rather moral, sociological and political origin. This does not mean that it is completely irrelevant in legal terms, but the inclusion of the regulations of soft law in the framework of a “normative system” does not deserve to be taken into account i.a. due to the character of soft law (i.a. formulating the regulations in a general, imprecise manner, the uncertainty of introduced instruments, the lack of an obligatory force to implement them). This paper indicates the roles played by soft law in the international public law discourse. It also presents differences in their consideration on the grounds of the international law (including the Community law) as well as the internal law. Out of the whole catalogue of individual functions and tasks of soft law, special heed should be taken of the co-ordinating role of the mechanisms of soft law. Against this background, the paper makes a categorisation of the opinions of the Venice Commission in the framework of soft law. This is because they show the typical features of the mechanisms of that law: they play a binding role, relatively clarifying the international law, they are based on the undisputed authority of the creating entity. However, they are not subject to the forced implementation of them. In the conclusions of the paper, a chance, but also a fundamental threat related to the conduct of the international legal discourse on the basis of the mechanisms of soft law were indicated.
Źródło:
Krytyka Prawa. Niezależne Studia nad Prawem; 2019, 11, 3; 74-90
2080-1084
2450-7938
Pojawia się w:
Krytyka Prawa. Niezależne Studia nad Prawem
Dostawca treści:
Biblioteka Nauki
Artykuł
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