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Wyszukujesz frazę "valuation of collection" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-3 z 3
    Tytuł:
    Funkcjonowanie Muzeum Narodowego w Warszawie - wysokie dotacje i niedostateczny nadzór
    Functioning of the National Museum in Warsaw – High Subsidies and Low Supervision
    Autorzy:
    Róg, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/49370675.pdf
    Data publikacji:
    2024-08-31
    Wydawca:
    Najwyższa Izba Kontroli
    Tematy:
    Muzeum Narodowe w Warszawie
    kolegia doradcze muzeum
    przechowywanie
    zbiorów
    ochrona zabytków w sytuacjach kryzysowych
    wycena zbiorów
    National Museum in Warsaw
    advisory boards of the Museum
    storage of exhibits
    protection of works of art in crisis situations
    valuation of collection
    Opis:
    Najwyższa Izba Kontroli przeprowadziła badanie dotyczące działalności Muzeum Narodowego (Muzeum) w Warszawie. Objęto nim Ministerstwo Kultury i Dziedzictwa Narodowego (Ministerstwo) oraz Muzeum z czterema oddziałami: Muzeum Rzeźby im. X. Dunikowskiego w Królikarni, Muzeum Plakatu w Wilanowie, Muzeum Wnętrz w Otwocku Wielkim oraz Muzeum w Nieborowie i Arkadii. Oceniono realizację zadań merytorycznych, prowadzenie gospodarki finansowej, wydatkowanie środków publicznych, a także nadzór Ministra Kultury i Dziedzictwa Narodowego nad działalnością Muzeum. Kontrola wykazała nieprawidłowości zarówno w funkcjonowaniu Muzeum, jak i nadzorze nad nim.
    Functioning of the National Museum in Warsaw – High Subsidies and Low Supervision The National Museum in Warsaw was established in 1862 as the Museum of Fine Arts. Its operations are based on the decree of the 7th of May 1945 about the Museum’s nationalisation. Its main task, since it is the central museum institution of the Polish state, is to study, illustrate and popularise Polish and foreign artistic culture. In 2023, the Supreme Audit Office conducted the planned audit entitled “Functioning of the National Museum in Warsaw”, which covered the years 2019–2023 (until the end of the audit). The audit was conducted at the Ministry of Culture and National Heritage and at the Museum, including its four branches: the X. Dunikowski Museum of Sculpture in Królikarnia, the Museum of Poster in Wilanów, the Museum of Interiors in Otwock Wielki, and the Museum in Nieborów and Arkadia. The scope of the audit included: the performance of content related tasks by the Museum, its financial management, public funds spending, as well as the supervision of the Minister of the Museum’s activities. Irregularities were found both in the operations of the Museum and in supervision. The article presents a selection of findings.
    Źródło:
    Kontrola Państwowa; 2024, 69, 4 (417); 73-85
    0452-5027
    Pojawia się w:
    Kontrola Państwowa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Synoptic View Of The Issue Of The Valuation Of Modern Art. With Reference To The Collection Of The Muzeum Sztuki (Museum Of Art) In Lodz
    Autorzy:
    Kiliszek, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/424506.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Opis:
    A SYNOPTIC VIEW OF THE ISSUE OF THE VALUATION OF MODERN ART. WITH REFERENCE TO THE COLLECTION OF THE MUSEUM OF ART IN ŁÓDŹ This text analyses three unprecedented and complex groups of ‘artistic collections’ of the collection of the Museum of Art in Łódź. There are: the unique International Collection of the group "revolutionary artists" (the ‘a.r. group’), which was displayed in the Museum in Łódź in 1931 and then took the form of the well-known ‘Neoplastic Room’, a gallery specially created in 1948 to house the International Collection. The second major group of works is the gift of over 800 works by Joseph Beuys, called ‘Polentransport 1981’. The third group of items discussed here is a collection of interdisciplinary works and installations by Tadeusz Kantor - partly in the collection of the museum, and partly in private ownership. They may serve as model collections for understanding the identity of this Museum. They clearly show the artistic values of the collection, chronological changes, differences in the motives behind their creation, and the context in which they were collected. Superimposed on the variety of material, ideological and artistic factors that influence our assessment of the works, there is another dimension - the relativity of assessments and methods of their evaluation, which result from the natural process of emerging new trends in art. These reflections revolve around a series of questions. What values in heritage protection are important for us today and for the future? What processes in museum practice, both curatorial and conservative, influence the formation of these values? What is the reason for the need to constantly update the evaluation of individual works and the artistic, historical and social dimension of creativity within contemporary art? This process develops due to the constant need to update views on the latest visual arts and the forms of their protection, and involving the active participation of artists, consumers, conservators, curators but also takes into account the analysis of the changes within art and its forms. The final question therefore concerns how this process will affect the reading of the present for our times and for the future. The main result of the investigation and interpretation of the history of artistic preservation of the collection at the Museum of Art in Łódź presented above is the discovery of how the values of these collections influenced the changing views on the duties of the conservator and the curator. On the one hand this concerns the protection of the material values of the avant-garde heritage by preserving it as a 'product' (documentation-maintenance-restoration) that is presented to the public. On the other hand it involves, preservation as a ‘process’ implied in the transformation of these collections into works in their own right. Resulting from this is the need to show both the material and non-material values based on artistic and historical context. These activities are supported by the institution's awareness of the importance of the necessity to preserve the artistic integrity of the work and also the artistic collection as a work. These activities of the museum are part of a broad range of conservation procedures to preserve cultural property and are of immense importance for exhibition, educational and promotional practice. As a result, the museum has acquired notable holdings of works and collections, which are its showpiece and which are of great importance to constituting its attractiveness to visitors.
    Źródło:
    Sztuka i Dokumentacja; 2017, 17; 97-123
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wycena czcionkarskich matryc i punc znajdujących się w zbiorach Muzeum Książki Artystycznej w Łodzi
    Pricing of type moulds and counter-dies in collection of Art Book Museum in Łódź
    Autorzy:
    Ciurapski, Ryszard
    Powiązania:
    https://bibliotekanauki.pl/articles/128597.pdf
    Data publikacji:
    2019
    Wydawca:
    Centralny Ośrodek Badawczo-Rozwojowy Przemysłu Poligraficznego
    Tematy:
    matryce
    punce czcionkarskie
    eksponaty muzealne
    metodyka wyceny
    rzeczoznawstwo urządzeń poligraficznych
    antique mould
    counter-dies
    museum exhibits
    valuation methodologies
    Opis:
    The article describes a pricing method for the antique moulds and counter-dies used in type foundries. The collection is kept by an Art Book Museum in Łódź. This pricing, to be presented to Ministry of Culture and National Heritage, has been prepared by the author - a certified appraiser of graphic arts equipment.
    Źródło:
    Acta Poligraphica; 2019, 14; 29-40
    2299-9981
    Pojawia się w:
    Acta Poligraphica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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