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Tytuł:
Het filter van de vertaling: Over literair vertalen en de restricties ervan
The filter of translation: On literary translation and its constraints
Autorzy:
Naajkens, Ton
Powiązania:
https://bibliotekanauki.pl/articles/1806779.pdf
Data publikacji:
2019-10-24
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
tłumaczenie; literatura; widoczność; Kafka
translation; literature; visibility; Kafka
Opis:
Filtr tłumaczenia, czyli o tłumaczeniu literackim i jego ograniczeniach Punktem wyjścia niniejszego artykułu dotyczącego tłumaczenia literackiego i jego ograniczeń jest fakt, że tłumacz zawsze pozostawia ślady w swoim produkcie. Zaobserwowane zjawisko jest omawiane z różnych punktów widzenia: z pozycji deskryptywnych studiów tłumaczeniowych, z perspektywy kulturowo-literackiej oraz z punktu widzenia tłumacza-praktyka. Szczególną uwagę poświęca się adnotacjom i innym dodatkom w tłumaczeniu. Artykuł zamyka studium przypadku, w którym za materiał do analizy posłużył Proces Franza Kafki. Het filter van de vertaling: Over literair vertalen en de restricties ervan Het uitgangspunt van dit artikel over literaire vertaling en vertaalbeperkingen is dat een vertaler altijd sporen achterlaat in zijn product. Deze observatie wordt vanuit verschillende invalshoeken besproken: vanuit de positie van beschrijvende vertaalstudies, vanuit een cultureel-literair perspectief en vanuit het oogpunt van de beoefenaar. Speciale aandacht wordt besteed aan annotaties en andere toevoegingen. Het artikel eindigt met een case study over Kafka’s Der Process.
The basic assumption of this article on literary translation and translation constraints, is that a translator always leaves traces in his product. This observation is discussed from various angles: from the position of descriptive translation studies, from a cultural-literary perspective, and from the practitioner’s point of view. Special attention is devoted to annotation and other additions. The article ends with a case study on Kafka’s Der Process.
Źródło:
Roczniki Humanistyczne; 2018, 66, 5 Special Issue; 185-198
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teoría y práctica de la traducción en “Traducción: literatura y literalidad” de Octavio Paz
Theory and Practice of Translation in Octavio Paz’s “Translation: Literature and Letters”
Autorzy:
Pérez Bernardo, María Luisa
Castellano Martínez, José María
Nalewajko, Paulina
Powiązania:
https://bibliotekanauki.pl/chapters/1012653.pdf
Data publikacji:
2020-07-09
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
traducción
poesía
traducibilidad
recreación
intertextualidad
translation
poetry
translatability
re-creation
intertextuality
Opis:
En este artículo se analiza la importancia de la traducción en la obra del escritor mexicano, Octavio Paz, así como también la relevancia que tiene la teoría de esta ciencia en sus muchos ensayos. Para Paz, esta actividad no es solamente un reto intelectual, sino que también sirve para ampliar sus conocimientos literarios y culturales, y dialogar con escritores de diversos países. En concreto, se estudia aquí el artículo “Traducción: literatura y literalidad” en el que el escritor afirma que la traducción literaria es siempre una recreación, un juego en el que la invención se une con la fidelidad. Según el Premio Nobel, la traducción es un acto creativo, es decir, un proceso de transformación del texto original. Además, Paz cuestiona la noción de que las traducciones son inferiores a los textos fuentes, sino que al contrario, afirma que son incluso versiones mejores. El escritor llega a la conclusión de que se necesitaría que el traductor fuera a la vez un poeta capaz de recrear el texto original en la propia lengua, optando por las formas métricas más adecuadas para lograr un acercamiento más certero al texto fuente.
This essay analyzes the importance of translation in the work of the Mexican writer, Octavio Paz, as well as the relevance of the theory of translation in his many essays. For Paz, translation was not only an intellectual challenge, but it also served to broaden his literary and cultural knowledge, as well as his familiarity with authors from different countries. Specifically, in the essay “Translation: Literature and Letters”, Octavio Paz affirms that literary translation is always a recreation, a game in which invention unites with fidelity. For the Mexican Nobel Prize, translation is a creative act, this is to say, a process of transformation of the original text. Furthermore, Paz questions the notion that translations are inferior to source texts, but on the contrary, he affirms that they are even better versions. He concludes that it would be necessary for the translator to be a poet capable of recreating the original text, and opting for suitable metric forms to achieve the closest proximity to the original manuscript.
Źródło:
La traducción literaria en el contexto de las lenguas ibéricas; 13-26
9788323542841
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwoływanie wyobraźni
Calling in imagination
Autorzy:
Balcerzan, Edward
Powiązania:
https://bibliotekanauki.pl/articles/1389862.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
auto-communication
literary communication
authorial literature
translation literature
author’s imagination
translator’s imagination
Opis:
The term “imagination” has numerous meaning: colloquial, paraliterary, scientific. They all refer to auto-communication, which is a conversation of an individual with him or herself, when our mind faculties: memory, intuition, observation, intelligence, knowledge – and imagination, too – compete for dominance or strive for harmonious cooperation. Similarly to the generally understood imagination, its particular, important species (literary imagination) requires internal classification, because it is always an imagination of role: of the author, the reader, the expert, the performer, the censor, the distributor, or sometimes of the translator. The question of translator’s and author’s status provokes a comparison between author’s and translator’s imagination: they share some qualities, but also have decidedly different ones. The opposition between created nature and creating nature, which is a notion used by Józef Czechowicz, might be helpful in capturing the similarities and differences. But this opposition, too, demands a literary and historical context. The author created by the romantic myth seems someone gifted with imagination creating literary worlds, which are limitless, whereas the author of realist works, especially diaries, must give priority to observation, when a piece of external, empirical reality is described and recorded. Baroque, romanticism, realism, expressionism, avant-garde, postmodernism differ in their canons of imagination. The creative process by the author of an original work becomes a negotiation between innovations of authorial fantasy and recreation of the canon. The translator is under much stronger pressure from his or her times, because his or her objectives and tasks are different. Usually, knowledge is enough for a translator: linguistic, historical, literary, common, encyclopaedic, specialised. If knowledge fails, the translator reaches out to imagination as an instrument for interpretation of source text, but this happens only when the text is ambiguous and rich in images. Be it as it may, the quality and range of translator’s activity are determined by someone else’s imagination, accumulated in the translated work, and present in its rhetorics.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 13-25
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odnalezione w tłumaczeniu. Polska literatura oraz jej tłumacze w krajach Azji Wschodniej
Found in Translation. Polish Literature and Its Translation in East Asia
Autorzy:
Rasińska, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/2021280.pdf
Data publikacji:
2013-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Opis:
The article is an analysis of the presence of Polish literature in Asian countries, namely China, Japan, Vietnam and South Korea, as well as a presentation of Asian translators of Polish literature. The Book Institute is one of the most important cultural institutions whose aim is to promote Polish literature abroad. Every year, the Book Institute awards a translator who has had the greatest contribution in the field of translation of Polish novels or poems. Last year, the person recognized for her work was a Chinese translator, Yi Lijun. Polish literature is becoming more and more popular in Asia; however, it has not gained extreme popularity, yet. The greatest number of Asian translators come from China and Vietnam, the two countries bound with Poland with historical ties in the time of communism, when vivid students’ exchange programmes existed between Poland (and other partner countries) and the countries of the region. The factor in favour of making Polish literature more popular in Asia is the establishment of Polish Languages Departments at the universities of Beijing, Seoul, and Tokyo. The most distinguished translators of Polish literature include: Yuan Hanrong, Wu Lan, Zhang Zhenhui, Lin Hongliang from China; Mitsuyoshi Numano, Tokimasa Sekiguchi, Hikaru Ogara from Japan; Nguyen Van Thai, Nguyen Thi Thanh from Vietnam; and Lee Jiwone and Estera Choj from South Korea.
Źródło:
Azja-Pacyfik; 2013, XVI; 78-89
1643-692X
Pojawia się w:
Azja-Pacyfik
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekłady literatury serbskiej w Polsce w latach 2007—2013
Prevodi srpske književnosti u Poljskoj u razdoblju od 2007. do 2013.
Translation of Serbian literature in the period from 2007 to 2013
Autorzy:
Małczak, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/487141.pdf
Data publikacji:
2014-07-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
literatura tłumaczona
literatura serbska w Polsce
recepcja
prevodna književnost
srpska književnost
recepcija
translation literature
Serbian literature in Poland
reception
Opis:
U razdoblju od 2007. do 2013. godine prevedeno je tridesetak knjiga, većinom u pitanju su zbirke pjesama. Zabilježena je slaba emisija prevoda u časopisima. Broj prevoda knjiga je veliki ali recepcija srpske književnosti i kulture slaba. Put je srpske književnosti u Poljskoj otežan zbog ratova koji su pratili raspad druge Jugoslavije za vreme kojih je imidž Srbije stradao. Posle pada komunizma književne veze zavise od inicijative pojedinih osoba, nekadašnja državna institucija prevodne književnosti doživela je privatizaciju.
There were translated about thirty books of Serbian literature in the period from 2007 to 2013, most of them were books of poetry. There were little number of translations in the literary magazines and journals. The number of translations is quite big but the reception of Serbian literature and culture was weak. The wars which accompanied the decay of the Second Yugoslavia has had big negative influence on the reception of Serbian literature and culture. Nowadays, after the fall of communism, literary contacts depend on initiative of individuals, the institution of translation literature has gone through the process of privatization.
Źródło:
Przekłady Literatur Słowiańskich; 2014, 5, 2; 141-149
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prevod in svetovna književnost
Literatura światowa a przekład
Translation and World Literature
Autorzy:
Juvan, Marko
Powiązania:
https://bibliotekanauki.pl/articles/971857.pdf
Data publikacji:
2014-10-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
literarni prevod
svetovna književnost
literarni sistemi
primerjalna književnost
Goethe Johann W.
przekład literacki
literatura światowa
systemy literackie
literatura porównawcza
literary translation
world literature
literary systems
comparative literature
Opis:
Znotraj nacionalnih literarnih sistemov je bila prevodna literatura v primerjavi z izvirno ustvarjalnostjo tradicionalno dojeta kot drugorazredna, čeprav so prav prevodi v te sisteme vnašali najbolj reprezentativna dela svetovne književnosti (Eysteinsson). Ne glede na to, ali svetovno književnost razumemo kot vsoto literatur v jezikih sveta, kanon najboljših literarnih del človeštva ali globalni prostor medliterarnosti, je prevod zanjo konstitutiven. Domnevna univerzalnost svetovne književnosti se namreč v partikularne sisteme vpisuje variantno, predvsem prek perspektiv prevodov, ki so vodilna oblika medkulturnega obtoka literarnih del. Ker je z vidika kulturnega nacionalizma literatura v domačem knjižnem jeziku veljala za kronski dokaz narodne identitete in ustvarjalne samoniklosti, je bila vloga prevoda pogosto razvrednotena in zamejena v kulturno potrošnjo. V prvi polovici 19. stoletja sta kvaliteta in bogastvo prevodnega repertoarja vendarle postala tudi nekakšen mednarodni kriterij za vrednotenje dosežene kulturne ravni naroda in razvitosti njegovega knjižnega jezika. Že postpozitivistična komparativistika je prevod upoštevala kot pomembnega posrednika v mednarodnih literarnih stikih (npr. Ocvirk), a šele sodobna translatologija je refleksijo prevoda proti koncu 20. stoletja povzdignila v teorijo, s katero je utemeljila paradigmatske spremembe metod za obravnavo celotnega sklopa literature, tako v nacionalni kakor primerjalni literarni vedi (Bassnett, Even-Zohar). Na zvišanje vrednosti prevoda v literarni vedi na začetku 21. stoletja odločilno vpliva globalna renesansa Goethejeve Weltliteratur. Dobro desetletje za Ďurišinovo teorijo svetovnega literarnega sistema se z reinterpretacijami Goetheja razvija literarnovedna paradigma, ki skuša preseči nacionalne literarne zgodovine, primerjalno književnost in postkolonialno kritištvo (Lawall, Casanova, Moretti, Damrosch idr.). Toda prevod je bil ključna podlaga že za zgodovinsko genezo izvorne koncepcije Weltliteratur, s katero je Goethe hotel promovirati humanistični estetski kozmopolitizem, ustvarjalno revitalizirati nacionalne literature in uveljaviti nemško književnost kot novo žarišče mednarodnega literarnega življenja. Članek se posveča vprašanju, kako je bila izkušnja s prevodi vpletena v Goethejevi ideji obtoka in refleksije sebstva v drugem in kakšno reinterpretacijo so te koncepcije nedavno doživele pri Damroschu in Thomsenu. Goethe je z bralnim sopostavljanjem del iz evropskih in »orientalskih« književnosti, ki so mu bila dostopna v izvirnikih ali prevodih, motril svojo literarno-kulturno identiteto in odkrival nove plasti estetskega doživljanja. Prevod je nasploh vodilni modus transnacionalnega literarnega obtoka in medkulturnega dialoga, a tudi globalizacije zahodne geokulture in prevlade njenega estetskega diskurza. Prevod je namreč podvržen asimetrijam svetovnih sistemov ekonomije, jezikov, politike in literature. Dostop besedila do obtoka v svetovnem literarnem prostoru je odvisen tudi od tega, ali je bilo to delo ustvarjeno v katerem od »velikih« zahodnih jezikov oziroma ali je bilo v kak globalni jezik prevedeno.
Compared to the original production within national literary systems, literary translations are traditionally regarded of lesser importance, although it is through translating that the representative works of world literature have been introduced into these very systems (Eysteinsson). The translation is constitutive of world literature, be it understood either as an aggregate of literatures expressed in all the languages of the globe, the canon of “eternal” artworks of humankind, or as the global space of inter-literary relations. The presumed universality of world literature is always already inscribed in particular literary systems through different variants and perspectives articulated by translations, the latter representing the most prominent form of cross -cultural circulation of literature. Since cultural nationalism saw literature in the standard mother tongue as the pillar of national identity and the main evidence of the nation’s creative originality, literary translations were often discarded as mere derivatives restricted to the realm of cultural consumption. In the first half of the 19 th century, however, the quality and richness of the translation repertoire began to figure also as quasi-international standards for evaluating to what degree the particular “national” language and culture were developed. As early as post-positivist comparatistics, the translation was treated as an important factor of international literary mediation (e.g. Ocvirk), but it is only the late twentieth-century translation studies that raised the reflection on translation to the level of theory enabling to ground a paradigmatic shift of methods for the entire study of literature, in national and comparative literary studies alike (Bassnett, Even-Zohar). The valorization of translation that is going on since the beginning of the 21st century has been decisively influenced by the global renaissance of Goethe’s Weltliteratur. More than a decade after Ďurišin’s theory of the world literary system and based on the reinterpretations of Goethe’s notion of world literature, a new scholarly paradigm is in full swing that attempts to transcend national literary history, comparative literature, and postcolonialism (Lawall, Casanova, Moretti, Damrosch, etc.). However, the translation was of key importance already in the historical beginnings of the conception of Weltliteratur, with which Goethe aimed at promoting humanist aesthetic cosmopolitanism, creatively reviving national literature and establishing German literature as a new hub of international literary life. The present article focuses on how experiencing translations had formed Goethe’s ideas of circulation and the self-reflection through otherness and how these ideas were recently reinterpreted by Damrosch and Thomsen. Juxtaposing works of various European and “Oriental” literatures (either in the original or in translation), Goethe reflected on his literary and cultural identity and discovered new qualities of his aesthetic experience. Generally speaking, the translation — because of its position within the asymmetries of the world systems of economy, languages, and literatures — is not only the primary mode of transnational literary circulation and cross-cultural dialogism, but also the relay for the global spread of Western geo-culture and the hegemony of its aesthetic discourse. The possibility of a particular literary text to gain access to the global literary circulation depends, among other factors, on the fact whether the work in question has been produced in a “major” Western language or has been translated in a global language.
Źródło:
Przekłady Literatur Słowiańskich; 2014, 5, 1; 15-51
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The English interjection oh in specialist literature and translation
Autorzy:
Drzazga, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2054304.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
interjections
interjection oh
translation
translation strategies
Opis:
The following paper aims to analyse the functions of the interjection oh in the English corpus provided by Helen Fielding’s Bridget Jones’s Diary and its translation into Polish. Once the functions and patterns of the form are defined, the translation strategies employed are analysed. The study reveals which translational strategies proposed by Cuenca (2006) are employed in the translation of oh: literal translation, using an interjection with dissimilar form but having the same meaning, using a non‑interjective structure but with similar meaning, using an interjection with a different meaning, omission, or addition of usually a primary interjection. The analysis of the interjection oh is preceded by a very brief presentation of various approaches focusing on the problem of defining and classifying interjections, as well as the presentation of the research concerning the interjection oh and its description in the specialist literature.
Źródło:
Linguistica Silesiana; 2021, 42; 239-259
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tłumacz jako instytucja — przypadek PRL i drugiej Jugosławii
Prevoditelj kao institucija — slučaj Narodne Republike Poljske i druge Jugoslavije
The Translator as an institution — the case of The Polish People’s Republic and the second Yugoslavia
Autorzy:
Małczak, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/486842.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
institucije
prijevodna književnost
Narodna Republika Poljska
druga Jugoslavija
institutions
translation literature
The Polish People’s Republic
the second Yugoslavia
instytucje
literatura tłumaczona
PRL
druga Jugosławia
Opis:
Prevoditelji su dio institucionalizirane prijevodne književnosti zajedno s organizacijama prevoditelja, književnom kritikom, izdavačkim kućama i časopisima. Igrali su vrlo važnu ulogu u Narodnoj Republici Poljskoj. Komunistička ih je partija smatrala gnijezdom opozicije. Prva poljska organizacija prevoditelja osnovana je tek 1981., nakon više godina neuspjelih pokušaja, što nije slučajno, za vrijeme najveće popularnosti sindikata Solidarnost. Prijevodna je književnost bila dio kulturnih veza s inozemstvom koje su pak bile dio vanjske politike i međunarodnih odnosa i kao takve su se nalazile pod potpunom kontrolom države. Politička je ideologija faktor koji u najvećoj mjeri tječe na kulturnu politiku. Unatoč svim izvanknjiževnim ograničenjima, prijevodna je književnost, kao i kulturne veze s inozemstvom, imala veću slobodu nego druge kulturne institucije zato što je vlast htjela izgraditi pozitivnu sliku zemlje, pogotovu za stranog recepijenta. Položaj prevoditelja u Narodnoj Republici Poljskoj bio je blizak Horacijevu modelu prevođenja, akt pregovaranja u kojem sudjeluju patron (u ovome slučaju država), dva jezika i kulture.
Translators are a part of institutionalized translation literature together with organizations of translators, literary critics, publishing houses, and magazines. They played a very important role in The Polish People’s Republic. The Polish Communist Party treated them as nest of oppositionists. The first organization of translators, Association of Polish Translators and Interpreters, was established after years of failed attempts in 1981, not accidentally at the time of the biggest popularity of Solidarity. Translation literature was a part of cultural contacts with abroad which were a part of the foreign policy of the state. This particular sphere was under control of the state. Political ideology was the most important factor which influenced cultural policy. Despite those extratextual constraints translators and the sphere of cultural contacts with abroad had a little bit more freedom than other cultural institutions because the political authority wanted to create a positive picture of the country, especially for the foreign receiver. The position of the translator in The Polish People’s Republic was close to The Horace Model of translation. He had to negotiate between a patron (in our case state) and two languages and cultures.
Źródło:
Przekłady Literatur Słowiańskich; 2015, 6, 1; 281-289
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fantastic Literature in Translation and the Degrees of Fear
Autorzy:
Balatchi, Raluca Nicoleta
Powiązania:
https://bibliotekanauki.pl/articles/606271.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Emotionen
Angst
fantastische Literatur
Guy de Maupassant
Übersetzungsstrategien
emotion
fear
fantastic literature
translating strategies
émotion
peur
littérature fantastique
stratégies de traduction
Opis:
Der Artikel enthält das Abstract ausschließlich in englischer und französischer Sprache.
Our article is an analysis of the issue of translating emotions in literary texts on the basis of a corpus which consists of fragments from Maupassant’s fantastic tales translated into Romanian. By means of a comparison of the original with the translated published versions, where we apply methods specific to translation history and criticism, we follow and assess the implications of the translator’s different (subjective) strategies on the lexical and pragmatic level used in order to render the various degrees of fear in the target language. 
Notre article a pour objectif une discussion des particularités de la traduction des émotions dans les textes littéraires, par l’intermédiaire d’une analyse traductologique réalisée sur un corpus de fragments tirés des contes de Maupassant traduits en roumain. En appliquant la méthodologie spécifique à la critique et histoire des traductions, notre analyse comparative du texte original et des diverses traductions roumaines mettra en évidence la place de la subjectivité du traducteur dans l’application des différentes stratégies traductives, sur le plan lexical et pragmatique, pour rendre en langue cible les différents degrés de la peur.
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paul Maar’s Sams: a Revolutionary Bestseller in German Children’s Literature and its Polish Rendition
Autorzy:
Pieciul-Karmińska, Eliza
Powiązania:
https://bibliotekanauki.pl/articles/2031246.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
children’s literature translation studies
Paul Maar
intertextuality in translation
Opis:
Paul Maar (born in 1937) is one of the most important modern German writers for children and young people. He is widely known for his bestselling series of books about Sams (1973) – a strange creature – a mixture of a child, a monkey and a pig that can grant wishes. Sams is an incorporation of anarchy and playfulness and in this way resembles Astrid Lindgren’s Pippi Langstrumpf, but first of all it refers to E. T. A. Hoffmanns fantastic tale “The strange child” (1817). Hoffmann’s and Paul Maar’s stories reveal a lot of similarities and both are revolutionary as far as the methods of children’s education are concerned. Both underline the importance of play, creativity and freedom for children’s development. The first book about Sams was translated into Polish in 2009, more than 35 years after its German premiere. The Polish version was probably too late to be able to play a similarly revolutionary role. The connection to E. T. A. Hoffmann’s “The Strange Child” could also not be noticed as its Polish rendition was published even later – in 2014 (translated by the author of the paper). But the shape of Polish translation can also be one of the reasons why Sams did not gain a comparable popularity as the original story. Polish Sams – due to some modifications in the translation – is a much more well-behaved and disciplined creature than the anarchic and playful German Sams.
Źródło:
Filoteknos; 2020, 10; 427-437
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przegląd literatury ukraińskiej w przekładach na język polski po 1989 roku
A review of Ukrainian literature translated into Polish after 1989
Autorzy:
Czetyrba-Piszczako, Mirosława
Powiązania:
https://bibliotekanauki.pl/articles/480929.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Polish translation
Polish publishing
Ukrainian literature in translation
Opis:
The article aims at presenting an outline of the Ukrainian literature that has been popularised on the Polish publishing market after 1989. The transformation taking place in Ukraine encouraged Poles’ interest in their south-eastern neighbour. This popularity is not yet reflected in their acquaintance with Ukrainian literature published in Poland. This shows that Ukraine is still perceived through a political rather than literary or cultural perspective. The undertaken analysis revealed that the range of Ukrainian literature in translation offered by Polish publishing houses is not, however, as modest as it might be expected judging by its little popularity.
Źródło:
Acta Polono-Ruthenica; 2017, 2, XXII; 103-116
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating Korean Nature. Translation Strategies in Lithuanian and English Literary Translation
Autorzy:
Tamošiūnienė, Lora
Powiązania:
https://bibliotekanauki.pl/articles/1368400.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literature in translation
nature in literature
Shin Kyung-Sook
Opis:
World literatures today often impose a separation of narratives from their geographic and linguistic origins. Translated versions of literary texts that were created and received within local cultural contexts, when translated, enter new, foreign contexts. When translations into many other languages appear, a writer may expect many diverse valuations of one`s work. Literary texts in translation, in fact, are an inseparable from literary experiences for many readers and the study of translated texts has a long-standing tradition. The future of such texts may also lie in the emerging future reading - “distant reading” to quote Walkowitz` use of Moretti`s term. Among the strongest arguments in support of such reading is the possibility, through translated texts, to establish a more aesthetic distance towards the object of a fictional text in translation. Translation gives us as readers a new and different approach towards objects we fail to notice because of their familiarity. Nature scenes and objects may be included among such features of the narrative that could be more aesthetically appreciated in the translated versions. The paper compares translations of nature scenes and objects of Shin Kyung-Sook`s novel into English Please Look After Mom (2011) and into Lithuanian Prašau, pasirūpink mama (2019). The paper reveals the scope of translation strategies of domestication and foreignization through comparison of translation of nature scenes and items into Lithuanian and English.
Źródło:
Research in Language; 2020, 18, 2; 205-217
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Schwarze Katze – podwójna biografia Karin Wolff w świetle badań nad tłumaczką
Schwarze Katze – the double biography of Karin Wolff on the basis of studies on the translator
Autorzy:
Kamińska, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/26731335.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:
Karin Wolff
biografia
przekład literatury polskiej
biography
translation of Polish literature
Opis:
The aim of the above article is to reconstruct the biography of Karin Wolff, a distinguished translator of Polish literature in Germany (more than 90 translations), who was active in the opposition in the GDR and the Polish People’s Republic. The author presents Wolff’s activities to popularize Polish culture (including the organization of a Polish literate salon in Frankfurt/Oder), her contacts with Polish poets (e.g. Jan Twardowski, Jerzy Ficowski) and her numerous publishing initiatives.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2022, 22; 332-339
2081-1853
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
IMAGOLOGIA A PRZEKŁAD – NA PRZYKŁADZIE POLSKICH PRZEKŁADÓW LITERATURY CZESKIEJ
IMAGOLOGY AND TRANSLATION – ON THE EXAMPLE OF POLISH TRANSLATION OF CZECH LITERATURE
Autorzy:
Németh Vítová, Lenka
Powiązania:
https://bibliotekanauki.pl/articles/911729.pdf
Data publikacji:
2019-03-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
imagology
translation
Polish stereotype of Czech
imagologia
przekład
polski stereotyp Czecha
Opis:
Autorka, stawiajac pytanie o związki, jakie zachodzą pomiędzy imagologią a przekładem, poszukuje odpowiedzi na przykładzie polskich przekładów dzieł literatury czeskiej (Hašek, Hrabal, Havel). Związki te widzieć należy tak w procesie przekładu (wybór konkretnego dzieła i tłumacza, działania wydawnictwa i promocja, inne czynniki warunkujące itd.), jak i w dziele przetłumaczonym (aspekty tekstowe, edytorskie i ikonograficzne), a również w procesie odbioru i recepcji tłumaczenia (recenzje i opracowania, adaptacje, „kanonizowanie się” i związana z tym rola w procesie edukacyjnym itp.). Bliskie związki przekładu i imagologii, wynikające w znacznym stopniu z przyjętej w naszych kulturach „niewidzialności tłumacza” (Venuti 1995), powinny więc stanowić jeden z obszarów badań posthumanistyki.
The author, asking about relations between imagology and translation, is looking for an answer on the example of Polish translations of Czech literature (Hašek, Hrabal, Havel). These relations should be found in the process of translation (selection of a specific work and translator, publication and promotion, other conditioning factors, etc.), as well as in the translated text (its textual, editorial and iconographic aspects), and also in the reception process of the translated text (reviews and studies, adaptations, „canonization” and its role in the educational process, etc.). Close relation between translation and imagology, resulting largely from the „invisibility of the translator” adopted in our cultures (Venuti 1995), should therefore be one of the areas of posthuman research.
Źródło:
Porównania; 2018, 22, 1; 55-65
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czuła narracja: nowe oblicze literatury polskiej w oczach Chińczyków
Tender Narration: the New Face of Polish Literature in the Eyes of the Chinese
Autorzy:
Yinan, Li
Powiązania:
https://bibliotekanauki.pl/articles/1533297.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reception of Polish literature
Polish literature in China
translation of Polish literature
Chinese translators
Opis:
The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 21-51
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 320

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