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Wyświetlanie 1-15 z 318
Tytuł:
Християнський кордоцентризм Тараса Шевченка
Taras Shevchenko’s Сhristian cordocentrism
Autorzy:
Bigun, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1374318.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
cordocentrism
Christian tradition
apophaticism
Taras Shevchenko
Opis:
The article deals with adoption of Christian tradition in poetry of Taras Shevchenko. Theoretical basis includes methodological principles of hermeneutics, the philosophicoaesthetic approach to art, cross-cultural methods. On the one hand, the sources of the creative components by Shevchenko’s ethics and aesthetics are related in Christian tradition. On the other hand, as a result of cordocentrist intention of the Ukrainian ethnos, Christian canon was deprived of the big part of rigorism in Old-Kyiv period. Shevchenko’s aesthetic theology is insufficiently investigated but it characterizes the absence of stark categories, dogmas and rituals. It gives an opportunity to speak about the apophatic approach in Shevchenko’s dialectic of God-seeking which appears in the apophatic approach of individual style which also you can find in Old Kyivan authors’ works. The outcome of our investigation proves that the Shevchenko’s adoption of Christian tradition shows the priority of aesthetic and cultural landmarks of Kyiv Christianity.
Źródło:
Przegląd Wschodnioeuropejski; 2020, XI, 1; 241-250
2081-1128
Pojawia się w:
Przegląd Wschodnioeuropejski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
History as Trauma: Death, Violence, and Loss in the Poetry of Taras Mel’nychuk
Autorzy:
Borysiuk, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/2031028.pdf
Data publikacji:
2020-05-01
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Taras Melnychuk
contemporary Ukrainian poetry
trauma
violence
language
Taras Melnyczuk
współczesna poezja ukraińska
przemoc
język
Opis:
The paper examines the liaison of key motifs and ways represented in the poetry of Taras Melnychuk through the concepts of trauma and violence. Body, home, and language are the main constituent elements of the indigenous space, and their dramatic destruction is a crucial motif in Melnychuk’s poetry. On the one hand, the poet appeals to the holistic, consistent, formulaic language of folklore and mythology as to a mirror of an idyllic and non-fragmented world. On the other hand, dismemberment and fragmentation conceptualized as an act of violence committed against holistic language become the only way of describing the perverse and violent world in circumstances with no language for its expression at all.
Źródło:
Tematy i Konteksty; 2019, 14, 9; 391-405
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polonia paragwajska
Autorzy:
Taras, Piotr
Brączek, Antoni
Powiązania:
https://bibliotekanauki.pl/articles/1991601.pdf
Data publikacji:
1976
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
Powiedzenie, iż „nie ma na świecie kraju, gdzie nie byłoby Polaków”, nie jest dalekie od prawdy. Różnorakie przyczyny sprawiły, iż nasi rodacy są na wszystkich kontynentach i we wszystkich zakątkach świata. Jednym emigracja przyniosła względnie szybki awans ekonomiczny i społeczny, dla innych stanowiła twardą drogę życia. Rację, jakie skłaniają nas do szukania łączności z wielkimi skupiskami polonijnymi, nie dają podstaw do zapominania o innych — małych — polskich społecznościach. Takim niewielkim skupiskiem, żyjącym w trudnych Warunkach, jest Polonia paragwajska.
Źródło:
Studia Polonijne; 1976, 1; 243-254
0137-5210
Pojawia się w:
Studia Polonijne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dlaczego Schulz?
Why Schulz?
Autorzy:
Wozniak, Taras
Powiązania:
https://bibliotekanauki.pl/articles/645875.pdf
Data publikacji:
2019-12-16
Wydawca:
Fundacja Terytoria Książki
Opis:
The essay presents a personal approach to Bruno Schulz not only as an outstanding writer and artist, but above all as a figure of imagination that connects the worlds and cultures of Poles, Ukrainians, and Jews. The author defines this function as “worldbuilding” and places it in a process of reconstructing the semantic landscape of Galicia, devastated by World War II and mass deportations, which turned the postwar generations into semantic orphans. This reconstruction does not consist in the impossible return of Poles, Jews, and Ukrainians to Drogobych or Lviv, but in acknowledging the complex past of the region which is our home. Its picture stems from the text of the architectural heritage as well as written texts. Such a text or archetypal metatext has been the work of Bruno Schulz and many others, born in the same area: Joseph Roth, Leopold Sacher-Masoch, Paul Celan, Stanisław Lem, Zbigniew Herbert, Rosa Ausländer, Gregor von Rezzori, Manès Sperber, Georg Drozdowski or Bogdan-Igor Antonych. The task of reconstructing the Regions of Great Heresy has been performed not just in Drogobych, but all over our part of the world – in Lviv, Vilnius, Gdańsk, Wrocław, and Tschernivtsi. We have been trying to heal the wounds inflicted by World War II, which will take long, is by no means simple, and meets much resistance. Like in Schulz’s stories, we have embarked on a long but interesting journey and much is still to be discovered.
Źródło:
Schulz/Forum; 2019, 14
2300-5823
Pojawia się w:
Schulz/Forum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Symbolic and Allegorical Parallel “Kiev – Jerusalem” in Taras Shevchenko’s Writing
Autorzy:
Bigun, Ol′ga
Powiązania:
https://bibliotekanauki.pl/articles/440942.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
mythology
the Bible
Jerusalem
Kiev
Taras Shevchenko
Opis:
This article is a part of the bigger work entitled The Ambivalence of Byzantism in Taras Shevchenko’s Writings. The aim of the article is studying the problem of perception and interpretation of the mytheme of Jerusalem in the works by Taras Shevchenko. The crosscultural, semiotic, hermeneutic and comparative analyses allow for discovering deep semantic levels of the “Jerusalem” loci in the works by T. Shevchenko, for clearing out its subtexts and for defining its poetic structure and the levels of the artistic interpretation. In the result of the analyses it has been found that the association “Kiev–Jerusalem” in the works by Shevchenko has its loci of various meanings, which have been formed in the course of a long trajectory within the historic space. The mytheme “Jerusalem” is realized primarily in its Biblical and genetic aspect. The contents of the “Jerusalem idea” proves Shevchenko’s solid knowledge of the Old Testament dogmas in the field of the Judaic history and culture. The resemblance of/between Kiev and Jerusalem is formed on the basis of [the] allegories, the poetical means aiming at the context reading with regard to the urgent social and historic reality. Introducing the mytheme “Jerusalem” into a discourse of fiction, T. Shevchenko accounts for actualization/transposition of its Biblical semantic field/range unto the social, political, cultural and spiritual needs of the epoch. The image of Kiev in Shevchenko’s works has strong sacred characteristics/connotations which indirectly correlate with Christian viewpoints. The importance of Kiev as the spiritual habitable globe is underlined by frequent recollections about numeruous temples, monasteries, saints, monks, icons, pilgrimage traditions, etc. The results of the research can be used for courses in the Ukrainian History of Literature and Theory, for text-books and training aids, for further comparative studies of Shevchenko’s works. The results of the study are addressed to philologists and researchers of the Ukrainian literature. The academic novelty of this article lies in the fact that the mytheme “Jerusalem” in Shevchenko’s works has for the first time become the object of individual research and that theoretic aspects and comparative typological levels of this problem have been elaborated.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 2(2); 85-96
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wprowadzenie
Autorzy:
Komierzyńska-Orlińska, Eliza
Ostrowska, Anna
Taras, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/609246.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Opis:
-
Źródło:
Annales Universitatis Mariae Curie-Skłodowska, sectio G (Ius); 2017, 64, 1
0458-4317
Pojawia się w:
Annales Universitatis Mariae Curie-Skłodowska, sectio G (Ius)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ukrainian model of thinking in Taras Shevchenko’s story “Naimychka”
Autorzy:
Fan, Rui
Powiązania:
https://bibliotekanauki.pl/articles/2157671.pdf
Data publikacji:
2022-07-28
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Taras Shevchenko
Russian-language works
story
“Naimychka”
model of thinking
travel notes
Opis:
The article is devoted to the analysis of the thinking model in the story “Naimyсhka”. It is emphasized on the strong Ukrainian national features of this model and their representation in the ideological and thematic spectrum, the system of images, numerous Ukrainianisms in the Russian language of the work, the description of folk customs, traditions, rites, travel notes introduced into the text. Each factor is analyzed in this paper. It is highlighted the Ukrainian perception of life by the heroes of the story, their expressed national mentality.
Źródło:
Studia Polsko-Ukraińskie; 2022, 9; 79-87
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Taras Stanisław Włodzimierz Bohdan (31 III 1919), major
Autorzy:
Polak, Bogusław.
Łukomski, Grzegorz.
Powiązania:
Kawalerowie Virtuti Militari 1792-1945. T. 4, (1939-1945). Cz 1 / Grzegorz Łukomski [i in.] Koszalin S. 116-117
Współwytwórcy:
Polak, Bogusław. Redakcja
Tematy:
Taras Stanisław Włodzimierz Bohdan.
10 Brygada Kawalerii Zmotoryzowana
Armia "Kraków"
Opis:
Dca plutonu w 10 BK Zmot. (Armia "Kraków").
Dostawca treści:
Bibliografia CBW
Artykuł
Tytuł:
Materiały do nauczania folkloru i literatury Huculszczyzny
Autorzy:
Paska, Taras
Powiązania:
https://bibliotekanauki.pl/articles/1789181.pdf
Data publikacji:
2021-09-17
Wydawca:
Polskie Towarzystwo Ludoznawcze
Opis:
Recenzja książek: Igor Pelypeyko, Play. Knyha dlya chytannya pro Hutsul’shchynu, Hutsul’s’ka shkola, Yavoriv 1996, pp. 416. Igor Pelypeyko, Floyara. Khrestomatiya z hutsul’s’koho fol’kloru, Pysanyy Kamin’, Kosiv 1999, pp. 226.
Review of books: Igor Pelypeyko, Play. Knyha dlya chytannya pro Hutsul’shchynu, Hutsul’s’ka shkola, Yavoriv 1996, pp. 416. Igor Pelypeyko, Floyara. Khrestomatiya z hutsul’s’koho fol’kloru, Pysanyy Kamin’, Kosiv 1999, pp. 226.
Źródło:
Literatura Ludowa; 2021, 64, 6; 67-74
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Пустовіт Тарас Павлович
Pustovit Taras Pavlovych
Autorzy:
Федорова, Марина
Powiązania:
https://bibliotekanauki.pl/articles/1196174.pdf
Data publikacji:
2019
Wydawca:
National Academy of Sciences of Ukraine. Institute of Encyclopedic Research
Tematy:
Тарас Павлович Пустовіт
Полтавщина
краєзнавство
енциклопедистика
архівна справа
Taras Pustovit
Poltava region
local history
encyclopedia publishing
archival studies
Opis:
The article is dedicated to Taras Pustovit who is an encyclopedia scholar, archivist, local historian, public figure. This year, Taras Pustovit is celebrating his 60th anniversary. The main ways of his life are considered, achievements in local history, archival affairs, encyclopaedia publishing, public activity are showed.
Статтю присвячено енциклопедисту, архівісту, краєзнавцю, громадському діячеві Тарасу Павловичу Пустовіту, який у цьому році відзначає 60-річний ювілей. Розглянуто основні віхи його життя, висвітлено здобутки у краєзнавстві, архівній справі, енциклопедистиці, громадській діяльності.
Źródło:
Енциклопедичний вісник України; 2019, 11
2706-9990
2707-000X
Pojawia się w:
Енциклопедичний вісник України
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transcending Linguistic and Cultural Boundaries: A Story of Friendship Between Ira Aldridge (1807–1867) and Taras Shevchenko (1814–1861)
Autorzy:
Kujawińska-Courtney, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/888677.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Ira Aldridge
Taras Shevchenko
friendship
Opis:
The text presents the unique friendship between Ira Aldridge (1807–1867), the first Africa–American tragedian and Taras Shevchenko (1814–1861), Ukrainian artist, poet and painter. They met for a short time in 1858, when Aldridge came to St Petersburg to play Shakespeare with a German troupe. Since their lives’ experiences were similar – Aldridge suffered from racial discrimination, while Shevchenko was born as a serf – their friendship was instantaneous. Shevchenko appreciated Aldridge’s theatrical skills and Aldridge highly valued Shevchenko’s art. Aldridge’s portrait painted by Shevchenko is a memento of their meetings and friendship and is exhibited in the Moscow Tretiakov Gallery.
Źródło:
Anglica. An International Journal of English Studies; 2015, 24/1; 7-18
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem kulturowej tożsamości
The Problem of Cultural Identity
Autorzy:
Taras, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1985368.pdf
Data publikacji:
1984
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The problem of cultural identity of ethnic communities has been recently rising up on all continents. It has been noticed in the United States that there is a group of uprooted people having neither cultural heritage nor cultural identity. What does cultural identity of an ethnic group or community consist in? Culture constitutes the quality of human needs (both intellectual and material), the ways of satisfying them, behavioral patterns, systems of social activities, and the supply of goods and inherited values (both acquired and created) in the situation of social perception. Moreover, culture is of social character and never constitutes a monolith. It consists of a number of elements which are either common or else characteristic of a given ethnic community designating its identity. Identity can be viewed upon either as an action or as a state. While considered as the action, identity consists in acquiring the goods and values, making use of them and co-creating them. Therefore, T. Parsons treats identity as the main mechanism of socialization and internalization of culture. While considered as the state, identity consists in sharing the same features, goods and values or belonging to the same system of social action. It is defined then by the social status of an individual in a given community (society). From the structural and subjective point of view there are four groups of factors which designate identity and identify all members of a given nation (ethnic community): 1) background, common history;2) tradition, customs, behavioral patterns;3) common social activities, organizations, institutions, ideology;4) symbols, language, art, literature. An individual identifies himself with his society as long as he is able to satisfy his needs. The greater the common good is, the more he is connected and satisfied with his society. Cultural identity depends on quality and quantity of identifying designates. If the designates are important identification is strong, and conversly, if the designates are unimportant (eg. some customs or a hobby easy to give up) identification is weak. Besides, an individual may belong to many social groups and participate in the life of many communities. Thus, his identification may have a number of stages though sometimes with slight differences between them. All the designates of cultural identity may differ only slightly and are typical only of a given community. They lie in the consciousness of its members and help them identify themselves as „we”. It is principal for the problem of socio-cultural identity of ethnic groups to accept the theory of gradation and minimal differences between designates. Similarly, personal identity consists of minimal physiological and psychic differences which help to distinguish different persons. Analogically, socio-cultural identity is based on some even minimal features which make a group of people feel identity and create their own culture through their way of living, behavioral patterns, created goods and values.
Źródło:
Studia Polonijne; 1984, 8; 21-32
0137-5210
Pojawia się w:
Studia Polonijne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 318

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