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Tytuł:: "Id", "ego" i deficyt superego w obrazie psychologicznym bohaterów powieści "Zazdrość i medycyna" Michała Choromańskiego
Id, ego and superego deficit in the psychological image of the protagonists of the novel Zazdrość i medycyna by Michał Choromański
Autorzy:: Setlak, Wiesław
Powiązania:: https://bibliotekanauki.pl/articles/520947.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: Michał Choromański
powieść psychologiczna
psychoanaliza
freudyzm
psychokrytyka
Charles Mauron
zazdrość
obsesja
psychological novel
psychoanalysis
freudism
psychocriticism
jealousy
obsession
Opis:: Opublikowana w roku 1933 powieść Zazdrość i medycyna Michała Choromańskiego wyłamuje się zdecydowanie z dominującej w prozie dwudziestolecia międzywojennego konwencji realizmu psychologicznego wykorzystującego zdobycze psychologii behawioralnej. Dzieło Choromańskiego to nowatorski eksperyment kompozycyjny i myślowy; świat przedstawiony w Zazdrości i medycynie przypomina psychotyczną malignę czy oniryczną wizję. Całość powieści skłania do badań interdyscyplinarnych z wykorzystaniem np. psychoanalizy Sigmunda Freuda, metody psychokrytycznej Charles’a Maurona, współczesnej psychologii procesu twórczego i tych metodologii badań psychologicznych, które akceptuje i niekiedy wykorzystuje współczesne literaturoznawstwo. Powieść Choromańskiego uchodzi za najbardziej wnikliwe, merytoryczne studium zazdrości w literaturze międzywojnia.
Id, ego and superego deficit in a psychological image of the protagonists of ″Jealousy and Medicine″ by Michał Choromański Jealousy and Medicine – a novel by Michał Choromański, published in 1933, evidently breaks out of the convention of psychological realism thriving on the achievements of behavioural psychology, dominant in the interwar period. Choromański’s work is an innovatory experiment on composition and thought; the world shown in the novel resembles a psychotic maligna or oneiric vision. The whole novel prompts interdisciplinary research using psychoanalysis of Sigismund Freud, Charles Mauron’s psychocritical method, being a transformation of classical Freudian psychoanalysis (with Otto Rank’s modifications), contemporary psychology of a creative process and the methodologies of psychological research which are accepted and occasionally used by contemporary literary studies. Choromański’s novel is deemed the most discerning studium of jealousy in interwar literature.
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2018, 10, 2; 133-148
2083-7275
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:: Biblioteka Nauki

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Tytuł:: ‘THE RULE OF THREE’ IN THE GROWTH STORIES – GANGBAIK LEE’S DRAMA “LIKE LOOKING AT THE FLOWER IN THE MIDWINTER”
성장담 속의 ‘3 의 법칙’ – 이강백의 희곡 <동지섣달 꽃 본 듯이>
Zasada trzech’ w nowelach – utwór Gangbaik Lee “Gdyby patrzeć na kwiaty w środku zimy”
Autorzy:: KIM, Mansu
Powiązania:: https://bibliotekanauki.pl/articles/1040330.pdf
Data publikacji:: 2016-11-04
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: growth story
Rule of the Three
nature/culture
superego/id
rags to Riches
the self as a whole
Opis:: This paper focused on the structure of the growth stories, especially in surveying Gangbaek Lee’s (이강백) drama “Like Looking at the Flower in the Mid-winter (동지섣달 꽃 본 듯이)”. It is structured by ‘rule of the three’. In this text, three sons go to seek their mother, they experience the tests three times. Third son wins the game because he succeeds to find his true and alternative mother. It is similar to the story of English fairy tale “Three Little Pigs”. In Freudian terms, the characters of the both texts are superego, ego and id. The core of the growth story is that third son (id) wins the first son (superego) and the second son (ego) by using his own energy (meaningful labor). In Levi Strauss’ terms, the contrast between the third and the others can be schemed the contrast between culture and nature. Lee’s drama presents the third son as the real hero who overcomes two elder brothers. The first is so conservative (oversleep), the second is so selfish (overeat). Two brothers were too political or too ideal to become a true, humanistic and warm-minded adult. In his view, ‘drama’ related to the third son is the most humanistic and warm-minded action in the world. These both stories are based on the plot ‘rags to riches’ which contains the success of the poor and powerless. In other words, the poor and weak child can grow to the true hero, and reach the final destination, according to the Gustav Jung’s expression, ‘the Self as a Whole’.
본고는 이강백의 희곡 <동지섣달 꽃 본 듯이>을 성장담의 관점에서 읽고자 했다. 이 작품은 ‘3 의 법칙’에 입각하여 세 명의 인물이 세 개의 시련을 거쳐 자신의 최종 목적지인 ‘어머니 찾기’의 과제에 도달하는 구조를 가지고 있다. 이는 아직 미성숙의 단계에 머물러 있는 셋째 아이가 첫째, 둘째를 극복하고 훌륭한 영웅으로 성장하는 성장담에 속하는 것이며, 이는 영국 민담 <아기 돼지 삼형제>의 구조와 비슷하다. 프로이트의 용어를 빌면, 이강백의 희곡과 <아기 돼지 삼형제>에서 첫째는 초자아, 둘째는 자아, 셋째는 이드에 해당한다. 이들 성장담의 공통점은 이드에 불과했던 셋째가 의미있는 노동을 통해 자연을 극복하고 문명에 달한다는 이야기이며, 이는 레비 스트로스가 설정한 ‘문명:자연’의 구조와도 일치한다. 이강백의 희곡은 의미 있는 노동의 자리에 ‘연극’을 삽입함으로써, 첫째가 보이는 정치 지향성, 둘째가 보이는 관념 지향성을 극복하는 셋째의 인간적인 모습을 제시한다. 지나친 정치 지향, 지나친 관념 지향을 극복하는 셋째의 연극 행위는 지나친 잠 (첫째), 지나친 폭식 (둘째) 를 극복하는 셋째 돼지의 이야기와 중복되면서, 미약한 존재가 위대한 영웅으로 재탄생하는 ‘거지에서 부자로’의 플롯을 재현한다. 이제 미약한 존재는 구스타프 융의 개념을 빌면, ‘전체로서의 자기’에 도달한 셈이다.
Źródło:: International Journal of Korean Humanities and Social Sciences; 2015, 1; 11-22
2449-7444
Pojawia się w:: International Journal of Korean Humanities and Social Sciences
Dostawca treści:: Biblioteka Nauki

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