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    Wyświetlanie 1-3 z 3
    Tytuł:
    “At the Bescribbled Rock”: Tadeusz Micińskis ‘Blood-red Snow’ as a ‘poème à clef’
    „Przy Skale Pisanej”. „Krwawy śnieg” Tadeusza Micińskiego jako poemat z kluczem
    Autorzy:
    Czabanowska-Wróbel, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2087797.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature in the early 20th century
    the avant-garde
    artists' biographies
    suicide in literature
    Jadwiga Janczewska (1889–1914)
    Stanisław Ignacy Witkiewicz (1885– 1939)
    Karol Szymanowski (1882–1937)
    Tadeusz Miciński (1873–1918)
    poème à clef
    poezja Tadeusza Micińskiego
    biografie artystów
    samobójstwo w literaturze
    Jadwiga Janczewska
    Tadeusz Miciński
    Stanisław Ignacy Witkiewicz
    Karol Szymanowski
    Tatry
    Zakopane
    Opis:
    This article is an attempt to re-read Tadeusz Miciński's poem ‘Blood-red Snow’ (‘Krwawy śnieg’, 1914) in the context of a tragedy that took place in February 1914 at Zakopane, or more precisely, in Kościeliska Valley in the Tatras. It was there that Jadwiga Janczewska, Stanisław Ignacy Witkiewicz's fiancée, took her life by shooting himself in the head. Her suicide prompted Miciński, a close friend of Witkiewicz, to write the ‘Blood-red Snow’, a poetic reportage infused with ambiguity, which presents a highly subjective vision of the tragic event and its circumstances. Read out of context, the poem seems be just another product of the poet's fascination with the philosophy of the occult (Luciferianism). However, when its real-life context is restored, the heady symbolism turns out to be a camouflage of a poème à clef, a genre which ‘Blood-red Snow’ actually exemplifies. The poem is an instant reaction to a dramatic event. To make sense of it one does not need to be familiar with the whole story of the relations between Miciński and Witkiewicz. What is perhaps worth noting is that their relationship soured after Jadwiga Janczewska's suicide, which triggered an unending blame game on all sides. While the public held Witkiewicz responsible for the young woman's death, he himself put the blame on Miciński and, first and foremost, on Karol Szymanowski. These controversies are, however, beyond the scope of the 'Blood-red Snow'.
    Źródło:
    Ruch Literacki; 2020, 3; 247-264
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Les tourments de l’absence dans Gazole de Bertrand Gervais
    The torments of absence in Bertrand Gervais’s Gazole
    Autorzy:
    Kapołka, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/483659.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    Quebec literature
    suicide
    death
    absence
    identity
    Opis:
    In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lanelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
    In his novel entitled Gazole (2001), Bertrand Gervais, a Quebec writer, takes up the issue of suicide and its psychological and social impact. The main character, Lancelot Tremblay, whose job is to write lyrics for a rock band Le Livre des Morts (Eng. The Book of the Dead), hangs himself in his apartment. His naked body with an erect penis is discovered by the other members of the band Gazole and Pyramide. Their reactions to this deadly act are, however, different. Submerging himself in mourning, Pyramide withdraws emotionally from his relationship with his girlfriend Gazole, who, deeply touched by her partner’s newly developed indifference to her, delves into an investigation into the causes of Lancelot’s suicide. Being increasingly fascinated by the figure of Lancelot, Gazole reconstructs a new picture of him. Pieces of memories conjured up by those who knew Lancelot, like incomplete pieces of a puzzle, make Gazole form a romantic image of his absence. The mysterious and tragic figure of the young poet who chose to extinguish himself fires the woman’s imagination, who fantasizes about a sentimental and erotic relationship with him. An emptiness created by the suicide forces the woman to ponder over the nature of death, an eternal absence. Obsessed with this imaginary presence of Lancelot, Gazole has to set herself free from its influence, which causes her to flirt with a razorblade in a bathtub. The foray into Lancelot’s suicide gives Gazole an insight into her own true identity. Gazole discovers her internal feminine strength and frees herself from the shackles of Lancelot’s mental and sexual hold.
    Źródło:
    Quêtes littéraires; 2012, 2; 152-161
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Samobójca. Powieść karpacka" Władysława Sabowskiego: popularna powieść regionalna
    Władysław Sabowski’s "Suicide. Carpathian novel": popular regio
    Autorzy:
    Narolska, Aneta
    Powiązania:
    https://bibliotekanauki.pl/articles/648966.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    powieść sensacyjno-etnograficzna
    regionalizm
    góry w literaturze
    suspense-ethnographic novel
    regionalism
    mountains in literature
    Opis:
    Suicide. Carpathian novel by Władysław Sabowski is considered to be the first modern Polish crime fiction. It focuses on crime, but there is no riddle or a way leading to the solution of the mystery. The suspense intertwines with the author’s ethnographic ambitions. The motif of mountains is used not only to present the murder, and “Carpathianity”, as suggested by the subtitle, is realised on a few levels: space, material culture, the bandit myth and allusions to the literature on mountains. Suicide may be considered to be a popular regional novel.
    Samobójca. Powieść karpacka Władysława Sabowskiego uznana została za pierwszą nowoczesną polską powieść kryminalną. Centralnym zagadnieniem jest w niej zbrodnia, brak tu jednak zagadki i drogi wiodącej do jej rozwiązania. Wątek sensacyjny łączy się w utworze ambicjami etnograficznymi. Motyw gór nie służy jedynie realizacji tematu zabójstwa, zaś wskazana w podtytule powieści kategoria „karpackości” realizowana jest na kilku poziomach: przestrzeni, kultury materialnej, mitu zbójnickiego oraz nawiązań do górskiej literatury. Opisy etnograficzne są tu włączone w sensacyjną fabułę, stąd Samobójcę można uznać za popularną powieść sensacyjno-etnograficzną, z akcją osadzoną w realiach regionu Podhala.
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 50, 4; 29-48
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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