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Wyszukujesz frazę "religious genres" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-8 z 8
    Tytuł:
    Ku modelowi konfrontatywnego badania języka prawosławia i katolicyzmu
    Towards a model of confrontative study of the language of Orthodoxy and Catholicism
    Autorzy:
    Madjieva, Viara
    Powiązania:
    https://bibliotekanauki.pl/articles/1203020.pdf
    Data publikacji:
    2020-12-18
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    religious language
    controntative study
    Otthodoxy
    Catholicism
    genres
    confrontative study
    Orthodoxy
    Opis:
    The work presents a preliminary proposal for a model of confrontative study of the language of Orthodoxy and Catholicism. A confrontative study refers to a type of comparison in which the objects being compared are equal, that is, the description of none of them is initial. Equality of the studied objects is achieved with the help of tertium comparationis, understood as an intermediary language, consisting of units of meaning and relations between them (compatibility rules). When comparing language denomination codes, the intermediary language is built at the level of the text – its units are genres that appear in religious texts. At the first stage of comparison, directed from meaning to form, a list of genres in the field of two types of texts is determined: analytically-systematizing and empirical. This division is basic from the point of view of semantics and language form, and thus from the point of view of observation and analysis methods. At this stage, several genres are examined and compared in terms of the concepts and their content that are  fundamental to the texts of a given genre, as well as from the point of view of intertextuality essential for religious discourse: references to the Holy Scriptures, Traditions (for example Church Fathers) and dogma. Also at this stage, the processes occurring in the field of the list of genres are investigated: the emergence of new genres and modification of the existing ones. At the second stage, the object of comparison, directed from form to meaning, is the linguistic characteristic of genres in two aspects: the presence and intensity offeature of the biblical language in lexis, morphology, syntax in a given genre, and its own feature of lexis, morphology, and syntax of individual genres. At this stage, processes in the field of form are also taken into account and relate to the linguistic differentiation of the sacred and secular in Orthodoxy and Catholicism.
    Źródło:
    Stylistyka; 2020, 29; 25-40
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Maria Wojtak, Do Boga…, o Bogu…, przed Bogiem… gatunki przekazu religijnego w analizie filologicznej, Tarnów: Wydawnictwo Biblos, 2019, 379 s.
    Maria Wojtak, To God…, About God…, Before God… Genres of Religious Message in Philological Analysis
    Autorzy:
    Malinowska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/1920473.pdf
    Data publikacji:
    2020-12-20
    Wydawca:
    Uniwersytet Opolski
    Źródło:
    Stylistyka; 2020, 29; 463-467
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O statusie genologicznym wybranych komunikatów przekazu religijnego
    About the genological status of selected communiques of the religious message
    Autorzy:
    Wojtak, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/1203019.pdf
    Data publikacji:
    2020-12-18
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    genology
    genre of utterance
    genre model
    religious discourse
    religious genres
    Opis:
    Talking about religious genres, the author means exclusively utterances connected with the existence of communicative community of the Catholic Church in Poland. She places her considerations within the framework of genology conceived as a cognitive space spanning many disciplines. For the use of the article, she combines the research instrumentary of genology called linguistic, thus philological, with frameworks typical of theological studies. She assumes that a philologist is not capable of presenting aspects which are connected with opening of the religious genres onto the transcendent sphere. The author makes references to her own concepts of the genre model, paying attention to the fact that with reference to the religious genres these models are of the established character. They are formed as a result of establishments of relevant subjects having an influence on the shape of religious discourse. Detailed comments are related to the service as a genre-generating form (ritualized, scenarioed and composed of many genre forms which form collections and possess a complex genre identity), and also the rosary as: rosary service and rosary prayer.
    Źródło:
    Stylistyka; 2020, 29; 41-53
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The religious genres of collective memory – an attempt at typology
    Autorzy:
    Wójcicka, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1203023.pdf
    Data publikacji:
    2020-12-18
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    memory (communicative, cultural, intercultural)
    memory genre
    prayer (liturgical, established, common)
    parish announcement
    examination of conscience
    pastoral letter
    Opis:
    The memory genre as a model of text serves to memorize (shape) and remember (pass on) images of the past, which reproduces the picture of the past. The article is an attempt at providing typology of religious memory genres. In the first part of the article, the concept of the memory genre is presented and an attempt is made at typology of religious memory genres, making use of the conceptions of Jan Assmann who distinguished communicative and cultural kinds within collective memory. According to the author, the religious genres of cultural memory include the liturgical prayer and the fixed prayer. On the other hand, instances of the religious genres of communicative memory are the universal prayer and parish announcements. Beside these two types, the author indicates also religious genres of inter-cultural memory, which constitute a connection of different types of memory: communicative and cultural or cultural and individual. Examples of this genre are the examination of conscience and a pastoral letter. Certain genres (e.g. the liturgical prayer) are stored in collective memory in full and should be tied to, primarily, remembering – one of the four phases of memory. Then they make genres of cultural memory. Others are connected with recalling (examination of conscience, a pastoral letter, parish announcement) and are genres of communicative or inter-cultural memory.
    Źródło:
    Stylistyka; 2020, 29; 79-92
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Система жанров религиозного стиля
    The genre system of the religious style
    Sistema žanrov religioznogo stilâ
    Autorzy:
    Ицкович, Татьяна В.
    Powiązania:
    https://bibliotekanauki.pl/articles/1203024.pdf
    Data publikacji:
    2020-12-18
    Wydawca:
    Uniwersytet Opolski
    Tematy:
    religious functional style
    constructive principle of prototextuality
    protogenres
    genres
    prayer
    sermon
    hagiography
    subgenres
    core
    periphery
    Opis:
    The constructive principle of prototextuality implies an obligatory indestructible connection of all modern genotypes with text prototype: it ensures the continuity and preservation of the canonical worldview constructs contained in a concentrated form in the prototext. The genre samples that the aggregate prototext contains are called proto-genres. There are three of them: prayer, preaching and hagiography. In the modern genre system each proto-genre is the substantive and structural basis of a group of genres derived from it, i.e. modern genre types. Each genre type on a generic basis is divided into genres and subgenres. The genre type of modern functional religious style can be represented as a conceptual field. The core of each genre subsystem is made up of genres used in the liturgical sphere; they are as close as possible to the proto-genre in a formal-substantive sense. The periphery of the genre subsystem is made up of genres that function in the non-public sphere; they are distinguished by a certain author’s freedom and at the same time retain their connection with the canonical prototext. The genre subsystems, genetically going back to the proto-genres of prayer, sermon and hagiography, have a common communicative framework (subjects of religious communication belong to different worlds; communication is characterized by reverent tonality in relation to God and other representatives of the sacred world), however, they differ in the direction of communication and the way of textual processing content. Thus, all the three subsystems of the religious style went through the development process, each on its own prototext basis. Prayer, preaching and hagiography continue their active existence in the form of genre groups of the modern religious style. The named genre types maintain a central location in the genre system of religious functional style. Along with it, the periphery of the style is being actively created, formed by genres that do not perform the liturgical functions themselves and are at the intersection with other functional styles. The periphery is constituted by texts with a degree of freedom acceptable for religious Orthodox consciousness that relate to various types of religious activity and ensure the existence of the Church as a social institution of a society. Nevertheless, reliance on prototext is also a characteristic feature of peripheral texts. Peripheral genres arise at the intersection of a religious functional style with other styles. Hybrid genres are especially active in the mass media and on the Internet, where the religious functional style interacts with journalistic and conversational styles. Currently, the sphere of religious confessional journalism and religious Internet communication has taken shape.
    Źródło:
    Stylistyka; 2020, 29; 55-77
    1230-2287
    2545-1669
    Pojawia się w:
    Stylistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Tibullus’s Palette of Literary Genres. Prayer and Religious Hymn as Exponents of the Poetic Program of the Elegiac Poet
    Autorzy:
    Arndt, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1046015.pdf
    Data publikacji:
    2017-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Tibullus
    love elegy
    prayer
    religious hymn
    Opis:
    The article presents the analysis of hymns and prayers in the love elegies of Tibullus.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 237-247
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gatunek codzienności
    The genre of everyday life
    Autorzy:
    Todorov, Tzvetan
    Powiązania:
    https://bibliotekanauki.pl/articles/1534335.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    seventeenth century Dutch painting
    genre painting
    religious painting
    academic hierarchy of genres
    everyday life
    Opis:
    The present essay shows the new genres of the seventeenth century Dutch painting (portrait, landscape and genre painting), viewed as painting of everyday life, as an alternative proposition to the historical painting then dominant in the academic categorization. What used to be marginal, peripheral and of secondary importance became the main motif in the majority of Dutch painting. Minor genres came to prominence and acquired autonomous status. The interest in the elements of everyday life could be traced in European art earlier but it was the seventeenth century Dutch artists that ultimately led “low” and realistic subject themes to come into their own commercially and artistically. Occasionally, even religious themes were presented as genre scenes, thus introducing to the presented images an air of ambivalence. In the works of Dutch painters, the uniqueness of high subject themes was opposed by pictures of everyday life and the repetitiveness of everyday domestic activities, not shunning, however, the allegorical potential contained in some of the depictions.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 159-170
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Vision and Performance. The Sociolinguistic Analysis of Genres and Its Application to Focussed Ethnographic Data
    Autorzy:
    Schnettler, Bernt
    Powiązania:
    https://bibliotekanauki.pl/articles/2138571.pdf
    Data publikacji:
    2008-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Video-data
    Genre-analysis
    Ethnography
    Religious experiences
    New religious movements
    Opis:
    The use of audiovisual recording devices is changing the practice of qualitative research. Extensive corpus of data can be generated in (shortterm) focussed fieldwork. Nevertheless, methods to analyse video data are still in an experimental stage. This article explores the benefits and limitations of applying sociolinguistic genre analysis to audio-visual data. This is illustrated with a case study, based on the videotaped »deep-trance vision« of a New Religious Movement’s spiritual leader, which is one the most famous contemporary religious visionaries in Germany. The analysis aims to reconstruct the construction of this religious experience of transcendence from the perspective of its followers. We will examine three different levels of communication (a) the inner context, exploring the textual, gestural, mimical and prosodic aspects, (b) the intermediate level where the focus lies on the setting and decorum, and finally (c) the outer context, focussing on the social embedding of this form of »transcendent« communication and its filmic presentation. The article closes with a reflection on the need to combine hermeneutic analysis of case studies based on textual analysis with ethnographic field data and observation to contextualise its interpretation.
    Źródło:
    Qualitative Sociology Review; 2008, 4, 3; 59-83
    1733-8077
    Pojawia się w:
    Qualitative Sociology Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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