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Wyświetlanie 1-10 z 103
Tytuł:
Galatians 6:17 and its Reception History: Assessing the Echoes
Autorzy:
Muir, Steven
Powiązania:
https://bibliotekanauki.pl/articles/43576582.pdf
Data publikacji:
2024
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Echo
Commentary
Scripture
Reception History
Opis:
This preface engages with the concept of echo as a creative way of generating ideas on how to assess issues in the reception history of a scripture text - here, Galatians 6:17.
Źródło:
Vox Patrum; 2024, 90; 29-34
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dan Batovici - Kristin De Troyer (eds.), Authoritative Texts and Reception History. Aspects and Approaches (Biblical Interpretation Series 151; Leiden – Boston: Brill 2017)
Autorzy:
Oracz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1178969.pdf
Data publikacji:
2019-05-22
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Opis:
Book Review: Authoritative Texts and Reception History: Aspects and Approaches (ed. Dan Batovici - Kristin De Troyer) (Biblical Interpretation Series 151; Leiden – Boston: Brill 2017) (Anna Oracz)
Źródło:
The Biblical Annals; 2019, 9, 3; 597-600
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieści Stanisława Brzozowskiego w Polsce Ludowej. Zarys dziejów recepcji
Stanisław Brzozowski’s Novels in the Polish People’s Republic: The Outline of Reception History
Autorzy:
Rams, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1507063.pdf
Data publikacji:
2019-07-01
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Polish novel
reception
literary criticism
cultural policy
Polish People’s Republic
Opis:
This paper is an analysis of the discourse emerging around the novels by Stanisław Brzozowski in Poland between 1945 and 1989. The publishing timeline sets the background for the more important focus on the reception of his work. Three distinct periods are discussed – 1945–1956, when his novels were regarded as an aftermath of the interwar period, and thus banned under the Stalinist regime; 1956–1974, when his work wasfrequently reprinted and became a subject of historical and literary research; finally, 1974–1989, when Brzozowski’s novels came under proper academic scrutiny.
Źródło:
Białostockie Studia Literaturoznawcze; 2019, 14; 65-82
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kieślowski in Spain: History, Reception and Inspiration
Autorzy:
Bardzińska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/923209.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Krzysztof Kieślowski
Spain
San Sebastián
Valladolid
festival
DVD
Blu-ray
Three Colours
Decalogue
Opis:
The films of Krzysztof Kieślowski arrived in Spain comparatively late, and when they did so this was mainly due to the Film Festivals at San Sebastián and Valladolid, as well the efforts of independent producers like the brothers José María and Miguel Morales of Wanda Films. In 1988, A Short Film About Love was presented at the San Sebastián Festival, where it won the Special Prize and the FIPRESCI Prize, and caught the attention of Spanish critics. To this day, Kieślowski remains the Polish director best-known to the Spanish – as was made clear in 2016, by the numerous events and screenings marking the 20th anniversary of his death. There can be no doubt that, in the homeland of Buñuel, no other Polish director evokes as much enthusiasm. Considering the Spanish reaction to the maker of the Three Colours, this article focuses on the distribution of Kieślowski’s works in Spain, as well as the director’s presence at the Spanish Festivals. Further subjects of analysis are reviews by Spanish critics and the state of research into Kieslowski’s creative output in the Spanish language, as well as the release of his films on DVD and Blu-Ray. The above focus on festivals, the attitudes of critics, and the popularity among the Spanish viewing public is supplemented by a study of the impact of Kieślowski’s output on the work of Spanish directors, as well as efforts to discern the direct influence of the former’s films in offering the latter inspiration.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 117-127
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What’s past is prologue: the Age of Caliban
Autorzy:
Kowalcze-Pawlik, Anna
Powiązania:
https://bibliotekanauki.pl/articles/638715.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Shakespeare, Caliban, Prospero, monstrosity, bestial man, reception history, postcolonial studies, cultural studies, Renaissance literature, English drama
Opis:
The article provides a brief comparative study of the reception history of Shakespeare’s Caliban in the early modern period and in the contemporary literary criticism. The analysis aims to delineate a fundamental difference in the reception of the character of Caliban throughout the ages which I attribute to a historical shift in the understanding of the notions of humanity and monstrosity. The first part of the article concentrates on the description of the historical and social circumstances of the Elizabethan discourse of monstrosity and draws a link between them and the literary and political context of the time, while engaging into a close reading of The Tempest that brings to the fore the origin and nature of the “servant-monster”. The second part of the paper focuses on the gradual change in the interpretations of Caliban who ceased to be seen as a monstrosity and with time acquired undeniably human characteristics. That shift has been observable since the 19th century and has found its culmination in the postcolonial strain of Caliban’s contemporary interpretations, in which Prospero’s slave becomes a native trying to find a language for himself in a colonial regime his body and mind are subjugated to. The postcolonial project of the unfinished monstrous humanity of Sycorax’s son is congruous with the postmodern condition that can be dubbed, to use Harold Bloom’s phrase, “the Age of Caliban”. It is exactly that liminal and paradoxical notion of monstrous humanity that resides at the core of the contemporary fascination with “Monsieur Monster”.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From the Satyr’s Skin to the Stuffed Barbarian Versions of the Marsyas‑Myth in Hungarian Literature
Od „Skóry Satyra” do „Barbarzyńcy wypchanego”. Wersje mitu Marsjasza w literaturze węgierskiej.
Autorzy:
Darab, Ágnes
Powiązania:
https://bibliotekanauki.pl/articles/1596934.pdf
Data publikacji:
2017-03-31
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
Marsjasz
historia recepcji
inność
odmienność
ciało
narracja korporalna
Marsyas
reception history
otherness
difference
corpus
corporeal narratology
Opis:
The tragic myth of Marsyas challenging Apollo was eternalized in Ovid’s wonderful works (Fasti, Metamorphoses). To this day, the ar chetypical Ovidian story has attracted the attention of Hungarian literature. The essay proceeds from the interpretation of the original narrative, which has become an unavoidable point of reference for contemporary Hungarian works. These texts enter into intertextual dialogue with each other not only because of the similar topic. It is the meaningfulness of the body, the body as a textual representational strategy that becomes the common point which joins these texts into the discourse about the body. This approach from the side of corpore al narratology invites a reading of Gergely Péterfy’s The Stuffed Bar‑ barian, which can be interpreted as the most special rewriting of the Marsyas narrative.
Tragiczna historia pojedynku Marsjasza z Apollinem uwieczniona została przez Owidiusza w jego arcydziełach: Kalendarzu poetyckim i Metamorfozach. Utrwalony przez poetę mityczny archetyp cieszy się po dziś zainteresowaniem literatury węgierskiej, niespotykanie silnym zwłaszcza po II wojnie. W niniejszym szkicu wskazano drogę od in terpretacji pierwotnego mitu jako nieuniknionego punktu odniesienia dla omawianych współczesnych tekstów literatury węgierskiej – ku in tertekstualnemu dialogowi, w jaki wchodzą one pomiędzy sobą, nie tylko ze względu na wspólny temat, ale także włączenie ich w dys kurs o ciele. Proponowane przez Autorkę spojrzenie od strony narracji korporalnej pozwala odczytywać Barbarzyńcę wypchanego (Kitömött barbár / Stuffed barbarian) Gergely’a Péterfy’ego jako najbardziej swoistą wersję opowieści o Marsjaszu.
Źródło:
Perspektywy Kultury; 2017, 16, 1; 121-134
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poczet królów polskich i bajka lafontenowska w moralizatorskim dziele osiemnastowiecznej literatury szwedzkiej
Poland’s List of Monarchs and the la Fontaine Table in a Moralizing Work of Swedish Eighteenth-Century Literature
Autorzy:
Zillén, Eriik
Powiązania:
https://bibliotekanauki.pl/articles/690350.pdf
Data publikacji:
2014
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
poczet królów polskich
wczesnonowożytna literatura szwedzka
etyka cnót
historia recepcji
bajki La Fontaine’a
list of Polish monarchs
early modern Swedish literature
virtue ethics
reception history
fables of La Fontaine
Opis:
The paper elucidates a work of Early Modern Swedish literature, entitled Polska Kongars Saga och Skald [Saga and Song of Polish Kings] and published anonymously at the royal printing house in Stockholm in 1736. This book is remarkable in several respects. In 51 chapters it portrays the rulers of Poland, from the legendary founder of the nation, Lech I, up to Stanisław Leszczyński, still in power in early 1736. The chapters are composed in a similar way, each of them containing an engraving of the monarch, a historical sketch in prose, and a concluding comment in verse. The paper starts off by discussing the attribution of Polska Kongars Saga och Skald, an issue on which Swedish and Polish scholars have held divergent views. The dispute is settled here by identifying the author as the Stockholm clergyman and occasional poet Johan Göstaf Hallman (1701–1757). The main focus of the paper, however, is an investigation of the work’s verse comments. It is argued that the delineation of Poland’s sovereigns is used primarily as a stock of exempla, being explained in terms of virtues and vices in the poems closing the individual chapters. In particular, the chapters on the medieval rulers Bolesław V (Bolesław Wstydliwy) and Ludwik I (Ludwik Węgierski) are scrutinized. As moralizing comments on the historical events, these chapters employ verse fables by Jean de La Fontaine, rendered in Swedish. With his faithful verse translations of “Le Loup & l’Agneau” and “L’oeil du Maître”, Hallman enriches the initial phase of La Fontaine reception in Sweden, which took place, it is shown, several decades after the earliest reception of Fables choisies, mises en vers in Polish. Of even greater significance, though, is the fact that the two French fables, both of them highly aestheticized according to the taste of Classicism, in the context of Poland’s history are given a clearly moral-didactic function by the Swedish clergyman. Hallman thereby inverts the most groundbreaking contribution of La Fontaine to European fable history.
Źródło:
Prace Polonistyczne; 2014, 69; 131-143
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Portrait of Isaac in Genesis 27: Between Synchronic and Diachronic Readings of Patriarch’s Character
Autorzy:
Rozonoer, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2088013.pdf
Data publikacji:
2022-06-10
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
biblical interpretation
patriarchal narratives
history of reception
Isaac
Opis:
Modern critical reception characterizes patriarch Isaac as a particular character type: the schlemiel. This article provides a tour through the cumulative evidence for this comedic read, focusing on Genesis 27, the blessing of Jacob. It provides a revised narratological and literary context, arguing that Isaac’s fivefold questioning demonstrates not confusion, but awareness: he knows exactly which son is in front of him. The paper presents an alternative narratological and literary context for Isaac, framing his questions in terms of the editing process: a synchronic reading of Isaac’s acumen is corroborated by evidence from diachronic reading. The redaction history of the Isaac material in chapter 26 yields a number of points suggesting the dependence of the Abraham material on the Isaac narrative. A number of features indicate a stronger, less subordinate Isaac figure based on the earlier tradition revealed by a complex transmission history than the image arising from the mainstream synchronic reading of chapter 27 seems to depict.
Źródło:
Verbum Vitae; 2022, 40, 2; 375-385
1644-8561
2451-280X
Pojawia się w:
Verbum Vitae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Augustus Polonus. The Image of the Emperor in Polish Historiography in Inter-War Period. Preliminary Remarks
Autorzy:
Gillmeister, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/682451.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Augustus’ anniversary
Polish historiography
reception of ancient history
Polish scholars of antiquity
Opis:
The figure of the first Roman emperor in many ways had an impact on the Polish culture, especially in historiography and literature. In my paper I focus on some issues connected with the subject. I discuss the ideas presented by Tadeusz Zieliński, one of the most eminent researchers of the ancient world in Europe in the first part of 20th century. He devoted a significant part of his opus to present his own vision of Augustus seen as a reformer of the Roman state religion. Zieliński built the emperor’s image as the saviour of the Roman world in the face of „the end of times”. This term played significant role in Zieliński’s thinking about Roman history at the end of the Republic. For the Polish scholar celebration of the secular game in 17 BC was the final task done by Augustus. This task Zieliński defined as the sacred mission and connected with the figure of Sibyl and the impact of the Etruscan theory of saeculum. For Zieliński, Augustus belonged to the most important men of providence in Roman history. In the same way I discuss the ideas presented by Ludwik Piotrowicz and Mieczysław St. Popławski. Both scholars analised the question of imperial cult in depth. Popławski expressed original view on Augustus apotheosis seen as the development of imperial cult in transcendental perspective. Piotrowicz instead saw this problem as a purely political phenomenon. Last part of my paper is devoted to short resentation of the echos of Augustus’ bimillenium in Polish scholar activity.
Źródło:
Studia Ceranea; 2016, 6; 257-270
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
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