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Wyświetlanie 1-15 z 22
Tytuł:
La quête identitaire dans l’œuvre romanesque d’Ananda Devi
Autorzy:
Szkonter-Bochniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/701282.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
This article examines three novels by Ananda Devi, a well‑known francophone novelist from Mauritius, the author of many novels, short stories and poetry books. In her novels, theauthor portrays the lives of women, the roles and norms that have been imposed on them, as well as their place in the conservative and patriarchal society in Mauritius and in India. The protagonists of Pagli, Le Voile de Draupadi and Indian tango, whilst searching for their identity, rebel against the society, their families and religion which marginalise them and deny their right to make decisions about their own lives. The protagonists of Devi’s novels by objecting to such a lifestyle, by violating the social norms and breaching bans, discover their identity. Pagli symbolically rediscovers her true name, Anjali freedom and Subhadra her body/sexuality. Key words: Ananda Devi, francophone novel, woman, identity, freedom, violation of social, religious and moral norms
Źródło:
Romanica Silesiana; 2015, 10
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’Atlantide ou la quête de l’absence D’un pays sans amour de Gilles Rozier
Autorzy:
Żurawska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/701252.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Opis:
The novel D’un pays sans amour (2011) by Gilles Rozier features two narrators who try to recapture the past and to reconstruct with letters the Yiddishland annihilated after World War II. This vanished state, with its cultural capital situated in Warsaw, is called Atlantis in the novel and presented as a paradise in the yiddish literature and language. The choice of this metaphor encourages the reflection on the ambivalence between reality and fiction, as well as on the oppositions between presence and absence or memory and oblivion. What is more, this metaphor refers to the categories of time and space. The aim of this article is to examine the function of the Atlantis metaphor on which the novel is based and to analyze the mechanisms of narrative as memorial (on the basis of Paul Ricœur’s concept) which allow the narrator to rebuild the annihilated world of the mythical island and to bring the non‑existent back into existence. Key words: Atlantis, mythical island, the yiddish literature and language, presence / absence, memory / oblivion, time and space
Źródło:
Romanica Silesiana; 2015, 10
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Quête de soi, quête du sens : alchimie et roman comique à la première personne dans Le Page disgracié et L’Autre Monde
Quest for Self, Quest for Meaning: Alchemy and First Person Novel in Le Page disgracié and L’Autre Monde
Autorzy:
Gauthier, Patricia
Powiązania:
https://bibliotekanauki.pl/articles/2020939.pdf
Data publikacji:
2020
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Tristan
Cyrano
alchemy
illusion
sense
libertinism
Opis:
The Other World and Le Page disgracié (The Disgraced Page) occupy a singular place in the luxuriant seventeenth-century novel landscape on account of their first-person writing. In a process quite akin to the formative novel, the experiences of the “I” are stages in the construction of a meaning that is elaborated in the course of adventures rather than set as a goal to be reached. Meaning remains elusive, never predetermined, ravelled and unravelled as it is along with the episodes experienced by the narrator, regardless of whether those episodes are conveyed by the imagination of Cyrano or by the memory of Tristan’s experiences. No matter whether we are dealing with the most unbridled fantasies or autobiographical narrative, the route followed by the “I” is not oriented towards a goal that would make sense. Both texts call for alchemy, but the narrators do not make the quest for the philosopher’s stone the guiding thread of their narrative. Alchemy, described as a deception in Tristan and as an approach among others to the mysteries of the world in Cyrano, is presented as the touchstone of a possible decoding of the world, as the reign of illusion and, therefore, of the impossibility even to fix meaning. A pie-in-the-sky quest for meaning leading to a goal that does not exist (the two texts are abruptly interrupted), the formative novel finds a possible hermeneutic opening in the form of libertinism that forces one to play with meaning. Both works put sensual pleasure at the heart of the adventures lived by the characters and this rehabilitation of sensuality could offer itself as the key to a libertine strategy.
Źródło:
Academic Journal of Modern Philology; 2020, 9; 255-263
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
En quête des odeurs du passé : de la mémoire involontaire dans l’oeuvre proustienne
Autorzy:
Ledwina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/638659.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
affective memory, time, sensation, personal experience, recollection
Opis:
Searching for the Smells of the Past – Affective Memory in Novels by Marcel Proust Marcel Proust’s epic work In Search of Lost Time (Remembrance of Thing Past) shows an innovative way of practicing literature as the artist’s struggle with time. This series of works, earning the author a place in the literary pantheon, depicts the writer’s desire to rediscover intensity with which he used to experience sensory stimuli and his wish to return to the happy times of his childhood and youth. This explains the special role of emotional memory that characterises Proust’s monumental work. The complex perceptual and cognitive mechanism of the narrator becomes the keynote of the work, which is saturated with smells of the past, with a clear dominance of subjective perception and description of the remembered events.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2013, 8, 2
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eugène Savitzkaya: une quête formelle pour savourer la vie
Eugène Svitzkaya: formal experiments in an effort to make the most of life
Autorzy:
Teklik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1051166.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Belgium
contemporary novel
Savitzkaya
formal experiments
Opis:
Savitzkaya, hardly known to French public, delights contemporary readers with his style, displaying both peculiar and variegated characteristics. Although he dispenses with the matters of genre, his latest texts (Célébration d’un mariage improbable et illimité, 2002, Exquise Louise, 2003, Fou trop poli, 2005) are still thought to represent the novel. His peculiarity lies in that he contrasts a daily routine with brilliantly worked form, nevertheless well suited to depict it. His predilection for language is pervasive in his style, showing strong preference for details (still, it stands in a stark contrast to the practice of the Nouveaux Romanciers of the 20th century). Savitzkaya asserts himself with the aid of conciseness, draws to a large extent upon surprising stylistic devices, juggles with words, even if paying careful attention to their precision. Finally, he acts as a genuine poet, reviving fragrances and colors of childhood. All in all, the whole of his work is designed to bring his readers to take pleasure in living.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 4; 67-75
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La quête du sacré dans les romans de Chantal Deltenre
In Search of Sacrum in Novels of Belgian Writer Chantal Deltenre
Autorzy:
Zbierska-Mościcka, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/483612.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
identity
postmodern religiosity
space
place
Chantal Deltenre
Opis:
La plus que mère, La Cérémonie des poupées and La Maison de l’âme, the trilogy of the Belgian writer and ethnologist Chantal Deltenre – published in the first decade of the 21st century, illustrates post-modern religiosity, the main characteristics of which are diversity, syncretism and relativism. The search for sacrum is supposed to be a kind of initiation journey undertaken mostly by lost and uprooted individuals. It is a search for a safe and meaningful space (place), which is not just the opposite of the shapeless and meaningless world of profanum, but also one that allows to build one’s own identity.
Źródło:
Quêtes littéraires; 2013, 3; 167-173
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La déformation du réel chez Jules Supervielle ou la quête poétique du corps
The deformation of the real in Jules Supervielle or the poetical quest of the body
Autorzy:
Simonin, Marion
Powiązania:
https://bibliotekanauki.pl/articles/1627823.pdf
Data publikacji:
2013-06-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Metamorphosis is an essential way of being in poetry for Supervielle : transform himself in objects, animals or fictive persons, it is exploring the real in its infinite forms, creating a world funded on imagination rather than on a false unic knowledge of the truth, and having the fabulous possibility to find himself transported in the invisible place of the dead. Deform the real, it is convocating the power of images, which reinforce the forbidden access to the Real : sexual metaphors, horrible visions of organs and sudden appearance of things from a silent and obscure atmosphere contribute to a representation of the invisible Real. Supervielle is drived from the desire to connect the living and the dead ; therefore he uses hypotyposis and prosopopeia and maintain the memory of the disappeared, even though he finally accepts to let them quiet by writing just the print of their passage.
Źródło:
Cahiers ERTA; 2013, 3; 115-126
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La double eschatologie de Maurice Bandaman ou la métaphorisation d’une ardente quête de justice sociale
The two eschatologies of Maurice Bandaman or the metaphorization of a burning search of social justice
Autorzy:
Kobenan, Kouakou Léon
Powiązania:
https://bibliotekanauki.pl/articles/1627837.pdf
Data publikacji:
2013-09-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Le fils de la femme-mâle and La bible et le fusil of Maurice Bandaman, an Ivoirian novelist evoke two diegetic universes, the State of N’Kplimiti and the Republic of Ikse. These countries are respectively governed by Aganimo and Le Plus-que-patriarche, two pitiless potentates. Many sociohistorical indices show that the two degenerated societies painted in the novels are the caricature of the Côte d'Ivoire under Houphouët-Boigny’s authority at the end of the Twenti eth century. In these novels, the intrigues based on the features of the eschatological scenario of the Bible reveal, not only the author’s aversion for that dictatorial regime, his thirst for social justice, but also his faith in the future advent of a right and happy world.
Źródło:
Cahiers ERTA; 2013, 4; 125-138
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chevreuse de Patrick Modiano, ou la quête mémorielle d’un passé insaisissable
Chevreuse by Patrick Modiano, or the memorial quest for elusive past
Autorzy:
Vergnol, Marie
Powiązania:
https://bibliotekanauki.pl/articles/24201238.pdf
Data publikacji:
2022-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Patrick Modiano
mémoire
introspection
mise en abyme
écriture
memory
writing
Opis:
C’est un topique des écrits de Patrick Modiano que de partir sur les traces d’existences disparues. Mettant en scène un personnage qui tente de se ressaisir de son propre passé menacé par l’oubli, Chevreuse se comprend comme une variation sur thème. Il est toutefois singulier que la modalité de cette quête mémorielle soit introspective. Aussi s’agit-il d’explorer la manière dont la narration élabore une tension entre l’apparente lâcheté de l’intrigue qui se fait mimétique de l’expérience même de remémoration, et la tentative d’élaborer par l’écriture un réseau permettant aux souvenirs de faire sens les uns par rapport aux autres. Dans cette perspective, nous étudierons les deux valences de l’écriture qui embrasse les circonvolutions d’une mémoire lacunaire autant qu’elle se mue en instrument herméneutique ; puis nous montrerons qu’en dernière instance, cet ars memoriae se dote d’une poétique du rêve et de l’imagination afin de dépasser cette ambivalence et de procéder à la recréation mentale d’un monde disparu.
Following in the footsteps of vanished existences is one of the motifs of Patrick Modiano’s writings. Chevreuse is a variation on this theme, featuring a character who tries to recover his past threatened by oblivion. It is, however, singular that the modality of this memorial quest is introspective. This article will explore how the narrative navigates the tension between the apparent looseness of the plot, which becomes mimetic of the experience of remembering itself, and the attempt to create, by means of writing, a network allowing the memories to make sense of one another. From this perspective, we will study the two valences of the writing which embrace the convolutions of a lacunar memory on its becoming a hermeneutic instrument; then we will demonstrate that this ars memoriae endows itself with a poetics of dream and imagination to overcome this ambivalence and to proceed to the mental recreation of a disappeared world.
Źródło:
Quêtes littéraires; 2022, 12; 234-245
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Au nom du Père, contre lui et au -delà de lui Père inconnu de Pabé Mongo ou l’odyssée d’une bâtarde en quête d’affection paternelle
Autorzy:
Eyenga Onana, Pierre Suzanne
Powiązania:
https://bibliotekanauki.pl/articles/700517.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Explicit
implicit
father
quest
paternal responsability
new world
social justice
Opis:
Using the explicit‑implicit socio‑critical approach systematized by Pierre Barberis, I will endeavour to trace the heuristic itinerary of a pugnacious illegitimate child in quest of her fugitive father. I will focus on textual clues and hermeneutical levers in order to reveal damages resulted in the absence of the father in the conjugal apparatus. In the first part, I will intend to prove that any paternal irresponsibility affects the vital equilibrium which is necessary to development within family and society. The second part, in turn, puts an emphasis on how psychological damages due to failed family life may result in reifying of minorities through the violation of women and children’s rights. Finally, I will endeavour to show that through the inter‑subjective gender approach one may see the project of a new world which fosters social justice for all sexes.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La nature et l’écriture chez George Sand : l’histoire d’un bonheur qui ne trahit jamais
Nature and Writing in George Sand: the Story of Happiness That Never Betrays
Autorzy:
Rebai, Elyssa
Powiązania:
https://bibliotekanauki.pl/articles/2034888.pdf
Data publikacji:
2021-12-20
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
quest
George Sand
happiness
writing
nature
quête
bonheur
écriture
Opis:
L'originalité de George Sand naît de cette volonté de ne pas être dévastée par les afflictions et les revers qui ont cruellement traversé sa vie. Paradoxalement, le désenchantement politique et la déception sentimentale ont fait d'elle une femme très optimiste et enthousiaste, amoureuse de la vie et de ses joies les plus âpres comme les plus discrètes. Sand n'a jamais cherché à nier les malheurs qui ont consumé sa vie, son coeur et son esprit. Elle les accepte tout en cherchant à en tirer profit et à les sublimer, vivant toujours dans l'espoir de trouver ce qui réjouit son coeur, ravive sa force d'amour et renouvelle sa foi en l'avenir. Cette quête du bonheur, Sand l'a portée jusqu'au dernier souffle : le secret de la béatitude sandienne réside à la fois dans l'écriture et dans la nature.
George Sand's originality stems from her desire not to be devastated by the afflictions and setbacks that cruelly crossed her life. Paradoxically, political disenchantment and sentimental disappointment made her a very optimistic and enthusiastic woman, in love with life and its harshest and most discreet joys. Sand never sought to deny the misfortunes that consumed her life, her heart and her mind. She accepted them while seeking to take advantage of them and sublimate them, always living in the hope of finding what rejoices her heart, revives her strength of love and renews her faith in the future. This quest for happiness, Sand carried it to the last breath: the secret of Sandian bliss lies both in writing and in nature.
Źródło:
e-Scripta Romanica; 2021, 9; 55-62
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La quête de l’altérité : des stratégies d’écriture
Autorzy:
Malli, Nisrine
Powiązania:
https://bibliotekanauki.pl/articles/605952.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Dialogismus
Suche nach der Andersartigkeit
Intertextualität
Mehrsprachigkeit
Innenleben
Dialogism
quest of alterity
intertextuality
multilingualism
in-between
dialogisme
recherche de l’Autre
intertextualité
multilinguisme
dedans
диалогизм
поиск Иного
интертекстуальность
многоязычие
внутренность
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
In this paper, we study, in a comparative approach, the notion of dialogism and the manner of its insertion in the text of Sahar Khalifé, Ghada El-Samman, Annie Ernaux and Hélène Cixous. The analysis of stylistic Arab and French works reveals how dialogism enters the textual space, through language use, language that is constantly plagued otherness. Thereby manifests a spring of writing that brings the dialogue with others to build a "story", a scriptural language activity and operating in the manner of "grafting" of co-locating the text in a between.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2015, 39, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
En quête de soi, enquête sur soi. Représentations du vagabond dans Fuir (1988) de Linda Lê
In search of itself, inquiry into itself. Representations of vagrant in Fuir (1988) de Linda Lê
Autorzy:
Assier, Julie
Powiązania:
https://bibliotekanauki.pl/articles/483526.pdf
Data publikacji:
2014
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
vagrancy
wandering
disillusion
suicide
writing
exile
Opis:
In Fuir, Linda Lê features two characters – a vagrant nicknamed “Le Japonais” and the narrator, exiled to an unnamed Asian country – that seem to be re-cognized for what they are : lonely beings in search of an alter ego. Their improbable than astonishing meeting marks the beginning of a wandering both geographical and mental; the reader follows through the streets, alleys, driveways, sidepaths, pedestrian streets of indeterminate city symbolizing the maze of life whose meaning is to be decoded. The figure of the vagabond reflects the obsessions and concerns of the writer on his anguish of living. It also crystallizes its founding and formative reading, including the Romanian philosopher Emil Cioran and the Swedish writer Stig Dagerman who greatly influenced in the writing and the construction of her novel. Fuir is both a question about the absurdity of life and a metaphor for the condition of the exiled writer.
Źródło:
Quêtes littéraires; 2014, 4; 147-155
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le personnage en quête d’identité dans les romans de Patrick Modiano: à la recherche du passé, du temps, du Paris d’antan
Postać na tropie tożsamości w powieściach Patricka Modiano: w poszukiwaniu czasu, przeszłości, dawnego Paryża
Autorzy:
Uliasz, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/1954779.pdf
Data publikacji:
2001
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Modiano
poszukiwanie
tożsamość
searching
identity
Opis:
Tematem dominującym w twórczości Patricka Modiano jest niewątpliwie poszukiwanie straconego czasu. Jego powieści są swego rodzaju zaproszeniem do niebezpiecznej gry z przeszłością – gry, w której stawką jest odnalezienie tożsamości. Jego bohaterowie skazani są na jej poszukiwanie, pragną uwolnić się od obsesji bycia znikąd. Aby dowiedzie się, kim są naprawdę, próbują odnaleźć swą przeszłość (Guy Roland z Rue des Boutiques Obscures), młodość (Jean Dekker z Quartier perdu), dawny Paryż (detektyw z Fleurs de ruine). Dzięki nieustannym wędrówkom między teraźniejszością a przeszłością, światem realnym a światem wyobraźni, ich egzystencja zawieszona jest w międzyczasie. Magiczna moc pamięci, to zdradziecka, to wierna, odkrywa lub niszczy fragmenty łamigłówki, jaką jest ich życie. Detektywi rozpoczynają prywatne śledztwo, które prowadzi na trop tajemniczych wydarzeń: porwań, ucieczek, morderstw, w które byli niegdyś uwikłani. Każdy nowy ślad wiedzie w ciemne uliczki labiryntu przeszłości, pełne bolesnych wspomnień, od których nie sposób się uwolnić, lub magicznych chwil, do których warto powrócić. Dla bohaterów Modiano zagubiona tożsamość okazuje się jedynie pretekstem, by wyruszyć na poszukiwanie utraconego raju.
Źródło:
Roczniki Humanistyczne; 2001, 49, 5; 47-75
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La France en quête de confiance: la construction des émotions dans les voeux des hommes politiques pour la nouvelle année
France in the search of confidence: constructing emotions in politicians’ New Year’s wishes
Autorzy:
Kostro, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1050603.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
emotions
pathos
New Year’s Messages
discourse analysis
persuasion.
Opis:
With the development of political communication over the Internet, a growing number of the French politicians are posting online their New Year’s Messages, which have been so far a genre of political discourse reserved for the President. These speeches have a similar pattern, which apart from wishes include an evaluation of the passing year and plans for the future. This is so, because the New Year’s Messages have primarily a persuasive function, and serve the purpose of strengthening the addressees’ group identity by reminding them of common values. However, while the President’s speech is strongly ritualized and emotionally balanced – as it is addressed to the whole nation – the online speeches are not subject to certain conventions, which allows the politicians to adjust the tone of their speech to the expectations of their supporters. Therefore a whole range of feelings is applied – from the fear of France falling, to national pride – depending on the political aims which are to be achieved. This article makes an attempt at answering the question in which way these emotions are constructed within the speeches, and which persuasive function they embody. The author adopts the perspective of argument analysis in discourse (Amossy, 2000; Plantin, 2011), which perceives emotions as a rhetoric means (pathos) whose aim is to influence the addressee.
Źródło:
Studia Romanica Posnaniensia; 2015, 42, 4; 47-62
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
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