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    Wyświetlanie 1-3 z 3
    Tytuł:
    MASZYNA WOJENNA PRZECIW TYRANII. KSIĄŻKA WŚRÓD LUDZI HELENY RADLIŃSKIEJ – ISKRY NA CZAS OBECNY
    WAR MACHINE AGAINST TYRANNY. HELENA RADLINSKA’S A BOOK AMONG THE PEOPLE – SPARKS FOR THE PRESENT TIME
    Autorzy:
    Maliszewski, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/464319.pdf
    Data publikacji:
    2018
    Wydawca:
    Akademickie Towarzystwo Andragogiczne
    Tematy:
    czytanie
    książka
    tyrania
    retrotopia
    scena pierwotna
    postprawda
    Radlińska
    reading
    book
    tyranny
    primal scene
    post-truth
    Opis:
    To jest próba namysłu nad wymiarami praktyki lektury na marginesach książki o książkach Heleny Radlińskiej, jednej z najwybitniejszych animatorek refleksji andragogicznej. W jego centrum umieszczam wątpliwość́ co do tego, czy potrafimy jeszcze/już czytać. Kontekstem tych rozważań będzie jakość sfery publicznej niepodległego państwa i towarzyszący jej cień tyranii. Tyranom nie przeszkadzają ci, którzy nie czytają, ani ci, którzy czytają̨ płytko i w pośpiechu.
    This is an attempt to reflect on the dimensions of the practice of reading in the margins of the book about the books by Helena Radlińska, one of the greatest animators of andragogical reflection. At its centre, I place a doubt as to whether we are already (or still) able to read. The context of these considerations will be the quality of the public sphere of an independent state and the shadow of tyranny accompanying it. Those who do not read, or those who read in a shallow and hurried manner do not disturb tyrants.
    Źródło:
    Edukacja Dorosłych; 2018, 1; 13-23
    1230-929X
    Pojawia się w:
    Edukacja Dorosłych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Scena pierwotna” Michèle Le Dœuff: zakaz i pewność siebie w edukacji kobiety [przełożyła Katarzyna Gucio]
    Michèle Le Dœuff’s “primal scene”: prohibition and confidence in the education of a woman [transl. Katarzyna Gucio]
    Autorzy:
    Anderson, Pamela Sue
    Powiązania:
    https://bibliotekanauki.pl/articles/942525.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    feminizm
    Michèle Le Dœuff
    edukacja
    Opis:
    The essay begins with Michèle Le Dœuff’s singular account of the “primal scene” in her own education as a woman, illustrating a universally significant point about the way(s) in which education can differ for men and women: gender difference both shapes and is shaped by the imaginary of a culture as manifest in how texts matter for Le Dœuff. Her primal scene is the first moment she remembers when, while aspiring to think for herself, a prohibition is placed in her reading of litera- ture. I propose that “text matters” here not only for gender issues, but for the post- colonial theory which Le Dœuff’s reading of island imagery enhances in western literature and culture. The suggestion is that women in the history of ideas have been more susceptible than men to prohibitions (to reading texts): women’s nega- tive education is against going beyond certain boundaries which have been fixed by a generally colonialist culture on the grounds of gender-hierarchies. I stress the significance of confidence in the production of knowledge. A lack or an inhibition of confidence in one’s own ability to think critically risks the damaging exclusions of, for example, colonialism and sexism. My aim is to unearth the political biases evident in textual imagery, while also pointing to new epistemic locations, with island-and-sea imagery that transgresses patriarchal prohibition, liberating sub- jects for confident reading and writing of texts today.
    Źródło:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2013, 02
    2299-7458
    2449-8386
    Pojawia się w:
    Czytanie Literatury. Łódzkie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Michèle Le Doeuffs "Primal Scene": Prohibition and Confidence in the Education of a Woman
    Autorzy:
    Anderson, Pamela
    Powiązania:
    https://bibliotekanauki.pl/articles/641655.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Opis:
    My essay begins with Michèle Le Doeuff's singular account of the "primal scene" in her own education as a woman, illustrating a universally significant point about the way(s) in which education can differ for men and women: gender difference both shapes and is shaped by the imaginary of a culture as manifest in how texts matter for Le Doeuff. Her primal scene is the first moment she remembers when, while aspiring to think for herself, a prohibition is placed in her reading of literature. Her philosophyteacher-at a boys' school-told the young Michèle that Kant's Critique of Pure Reason was "too difficult" for her to read. In recalling this scene, the older (and wiser) Michèle-now, a woman philosopher-directs her readers to this text by Kant, in order to demonstrate how knowledge has been constrained by the narrative and imagery in the text of a philosopher; similarly, in the texts of others. She finds the central imagery of Kant's text for setting the limits to human knowledge in his account of "the island of understanding," or "land of truth," surrounded by "a stormy sea" of uncertainty; the latter image also retains a seductive appeal, threatening to destroy the confidence of any knower who ventures out beyond the well-marked out island. Moreover, women have (too) often been associated with the dangers at sea beyond the safety of the island, where falsehood and worse reign. I propose that "text matters" here not only for gender issues, but for the postcolonial theory which Le Doeuff's reading of island imagery enhances in western literature and culture. The suggestion is that women in the history of ideas have been more susceptible than men to prohibitions (to reading texts): women's negative education is against going beyond certain boundaries which have been fixed by a generally colonialist culture on the grounds of gender-hierarchies. I stress the significance of confidence in the production of knowledge. A lack or an inhibition of confidence in one's own ability to think critically risks the damaging exclusions of, for example, colonialism and sexism. My aim is to unearth the political biases evident in textual imagery, while also pointing to new epistemic locations, with island-and-sea imagery that transgresses patriarchal prohibition, liberating subjects for confident reading and writing of texts today.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2011, 1; 11-26
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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