Wszystkie pola: potlatch - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Znaleziska z miejscowości Górzec w pow. strzelińskim w kontekście przemian kulturowych okresu wędrówek ludów
Autorzy:: Gralak, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/1038164.pdf
Data publikacji:: 2018-06-20
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: great migration period
hoarding
potlatch
settlements
ceramics
Opis:: In the eighteenth and nineteenth century in the vicinity of the village of Górzec was found a set of artefacts probably representing scattered treasure from the beginning of the Migration Period. Such deposits are an expression of the rapid changes in the circulation of capital and the perception of value in this period. The influx of large quantities of gold and changes in silver’s value resulted in rapid changes in the status of various groups and individuals. An unstable social hierarchy is a prerequisite for the existence of the phenomenon of the potlatch, i.e. the ostentatious consumption or removal of goods from circulation. It seems that the deposits of the Migration Period should be considered this way. In 2010-2011 in the area of Górzec, excavations were undertaken. The aim was to discover of the remains of settlements from the time of the deposition of the treasure. As a result of this work, the existence of a settlement from phase D-D2 of the Migration Period was revealed. Hence, it is most likely that it is slightly younger than the treasure, but this is still open to question.
Źródło:: Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2017, 58; 67-89
0080-9993
Pojawia się w:: Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Our Death is Our Strongest Surviving Tradition. A Guest Essay by the Artist of Our Cover Image
Autorzy:: van Kampen, Ukjese
Powiązania:: https://bibliotekanauki.pl/articles/27177606.pdf
Data publikacji:: 2023
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Funeral Traditions
Potlatch
Yukon First Nations
Sacred Spaces
Opis:: In Canada, Yukon First Nations are politically powerful and, when viewed by an outsider, everything appears to be progressing well. But the adoption of the Western political model has a downside. We have generally sacrificed our culture for that political power. The loss of our culture has resulted in many social problems and this essay discusses what has resulted from those problems, specifically our high death rate. Ironically, our death ritual, the Potlatch, is one of the strongest surviving cultural traditions we still exercise, while our languages, laws, art, lifestyle, and spirituality are almost all forgotten.
Źródło:: Review of International American Studies; 2023, 16, 1; 31-47
1991-2773
Pojawia się w:: Review of International American Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Kwadratura Koła Jedynego Polaka: Paweł Petasz (1951–2019)
La Quadrature du Cercle de l’Unique Polonais: Pawel Petasz (1951-2019)
Autorzy:: Brogowski, Leszek
Powiązania:: https://bibliotekanauki.pl/articles/995532.pdf
Data publikacji:: 2020
Wydawca:: Akademia Sztuk Pięknych w Gdańsku
Tematy:: paweł petasz
mail art
conceptual art
el gallery
elbląg
artists' books
commonpress
potlatch
Opis:: Paweł Petasz - był jedynym Polskim artystą światowego ruchu mail art, który nie tylko w nim uczestniczył, ale i nadawał mu kształt, formował jego granice artystyczne, a także zakres znaczeniowy samego pojęcia mail art. Jakkolwiek znany w świecie, nie doczekał się dotąd uznania w Polsce. Materiał prezentowany w sekcji Gallery w numerze 22 czasopisma Sztuka i Dokumentacja jest pierwszych całościowym opracowaniem na temat jego pracy twórczej. Główny jego wkład w rozwój światowej sieci mail art stanowi utworzenie magazyny Commonpress, ale może przede wszystkim ustanowienie zasad, na jakich mógł on być publikowany. Commonpress mianowicie był darem Petasza-artysty konceptualnego oddanego innym twórcom, przekazanym im do dalszego użytkowania. Dalej tak może on funkcjonować, gdyż idea nie ma granic. Dlatego rozumienie i interpretacja jego dzieła może być prowadzona w oparciu o wzór idei potlatch.
Paweł Petasz - was the only Polish artist of the global mail art movement, who not only participated in it, but also shaped it, shaped its artistic boundaries, as well as the meaning range of the concept of mail art itself. Although known in the world, it has not been recognized in Poland so far. The material presented in the Gallery section in issue 22 of the Sztuka i Dokumentacja magazine is the first comprehensive study on his creative work. His main contribution to the development of the global mail art network is the creation of the Commonpress magazine, but perhaps most of all the establishment of rules on which it could be published. Commonpress was a gift from Petasz - a conceptual artist devoted to other creators, transferred to them for further use. It can still function this way, because the idea has no limits. Therefore, the understanding and interpretation of his work can be based on the pattern of the idea of a potlatch.
Źródło:: Sztuka i Dokumentacja; 2020, 22; 262-301
2080-413X
Pojawia się w:: Sztuka i Dokumentacja
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Deconstructing Colonial Misconceptions Potlatch Ceremonies of Kwakwaka’wakws First Nations in Life Writing and Fictional Discourses
Autorzy:: Mrozek-Granieczny, Hanna
Powiązania:: https://bibliotekanauki.pl/articles/700797.pdf
Data publikacji:: 2011
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Opis:: For centuries, Western culture (mis)represented and appropriated the First Nations. Aboriginal peoples were regarded either as primitive, animal-like savages, or they were romanticised and eroticised in order to justify the Canadian policy of civilisation and assimilation of the natives into the monolithic “Britain of the North.” Even though since the time of the signing of the Multiculturalism Act, the concept of Canadian identity has been undergoing major changes embracing racial and cultural minorities, native people still have to fight for recognition and their rightful place in the Canadian discourses. The problem of misrepresentation of indigenous cultures has not been eradicated. This article focuses on the analysis of the potlatch ceremonies of the Kwakwaka’wakws. Using the postcolonial perspective and methodology, it explores both the past and the contemporary culture of potlatches. It also examines the colonial misconceptions of potlatch ceremonies and the current revival of the Kwakiutl potlatching. This postcolonial analysis shows the subversion of the colonial “truths” and looks at the revival of Kwakiutl culture as the aboriginal way of re-reading and re-writing of Canadian history, deconstructing conservative national mythologies and fighting for recognition by the Canadian discourse. The following analysis also reveals changing attitudes toward Kwakwaka’wakws’ potlatches and the evolution of opinions regarding this ceremony. The discussion is based mainly on selected published official government documents, books, life writing and information obtained from a personal interview gathered by the author during her research trip to British Columbia in March 2010 (Student Mobility grant obtained by the Canadian Studies Centre, University of Silesia). Key words: the potlatch, Kwakwaka’wakws, Kwakiutls, First Nations.
Źródło:: Romanica Silesiana; 2011, 6
1898-2433
2353-9887
Pojawia się w:: Romanica Silesiana
Dostawca treści:: Biblioteka Nauki

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