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Wyszukujesz frazę "photographie" wg kryterium: Wszystkie pola


Wyświetlanie 1-6 z 6
Tytuł:
« Sauver l’imaginaire » : littérature et photographie face à face
"Saving the imaginary": literature and photography face to face
Autorzy:
Paigneau, David
Powiązania:
https://bibliotekanauki.pl/articles/676333.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
littérature
photographie
imaginaire
médiologie
philosophie
literature
photography
imagination
mediology
philosophy
Opis:
If the most minimalist definition one can give to the words « art work » is « the way an imagination expresses itself », this definition was, in the second half of the 19th century, the reason why art. critics and theorists argued about the status of photography : purely objective document or potential art work. But writers and literary theorists also took part in this debate, since photography was used to illustrate novels. This article confronts the « literary imagination » and the « photographic imagination », and tries to understand the points of convergence and the points of divergence between these two kinds of imagination, through the contradictory points of view of historians, philosophers and theorists of visual arts and literature.
Si l’on peut définir, de la manière la plus générale, une oeuvre d’art comme ‘expression d’un imaginaire, cette définition posa le problème du statut de la photographie lors de son apparition : document purement objectif ou potentielle forme artistique. Écrivains et critiques littéraires prirent part à ce débat, d’autant plus que des photos furent utilisées pour illustrer des livres, notamment des romans, à partir des années 1880. Cet article tente de confronter « l’imaginaire littéraire » à « l’imaginaire photographique » à travers des points de vues d’écrivains, critiques, philosophes et médiologues, afin de tenter de mieux comprendre leurs points de convergence et de divergence.
Źródło:
e-Scripta Romanica; 2018, 6; 30-43
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nature morte à la noyée. Poésie et photographie aux xxe et xxie siècles
Still Life with Drowned Girl
Autorzy:
François, Anne Isabelle
Powiązania:
https://bibliotekanauki.pl/articles/1627857.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
Is a (female) corpse just another object like any other to be set in a still life? What displacements and reconfigurations occur when still life imperatives cross the Ophelian artistic tradition? The article examines poetical and photographic reinvestments of the 20th and 21st centuries, in a comparative perspective, the tensions and paradoxes at stake that allow us nonetheless to read these images as contemporary still lifes “with Drowned Girl”. In an explicit dialogue with previous works of still life, the poems and photographs examined combine minute transcription, high focus and sense of the uncanny, a tension between spatiality and temporality, offering highly conscious artworks as means of raising both gender and genre issues.
Źródło:
Cahiers ERTA; 2014, 6; 129-143
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narcisse et la photographie. De l’objectivation à l’objectivité
Narcissus and Photography. From Objectification to Objectivity
Autorzy:
Dziub, Nikol
Powiązania:
https://bibliotekanauki.pl/articles/483683.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
photography
literature
Narcissus
image
imagination
Opis:
Baudelaire blamed the bourgeois society and its photographic narcissism which leads to a perversion of the mythical posture and to a loss of consciousness of the ontological dissimilarity between reality and its image. That is why literature has to develop the imagination of the photographic image, which is both useful and magical, both referential and wondrous. Writers of the romantic era may disdain or admire photography, but they all experience the photographic objectivity and thus develop an antidote to the vain objectification of the collective Narcissus.
Źródło:
Quêtes littéraires; 2015, 5; 45-54
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Żydowskie dziecko z Warszawy : historia pewnej fotografii
Enfant juif de Varsovie : histoire dune photographie
Autorzy:
Rousseau, Frédéric.
Współwytwórcy:
Swoboda, Tomasz (1977- ). Tłumaczenie
Data publikacji:
2012
Wydawca:
Gdańsk : [Warszawa] : Wydawnictwo Słowo/Obraz Terytoria ; Żydowski Instytut Historyczny im. Emanuela Ringelbluma
Tematy:
Dziecko Żydzi Polska 1939-1945 r.
Getto warszawskie
Fotografia niemiecka
Tematy i motywy
Fotografie
Holokaust
Opis:
Tyt. oryg.: "L'enfant juif de Varsovie. Histoire d'une photographie". 2009.
Bibliogr. s. [236]-248. Indeks.
Dostawca treści:
Bibliografia CBW
Książka
Tytuł:
Prospections non invasives sur le site de Mustis/Musti (El Krib) en Tunisie
Autorzy:
Misiewicz, Krzysztof
Hajji, Jamel
Waliszewski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1774686.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
archaeology
Tunisia
Mustis
non-invasive surveys
geophysical measurements
aerial photography
topographic measurements
archéologie
Tunisie
prospection non invasive
prospection géophysique
photographie aérienne
levés topographiques
Opis:
The objective of the first step of the non-invasive survey carried out on the Mustis site described herein was to verify the possibility of locating archaeological remains and to detect the location of the supposed remains by geophysical measurements (magnetic and electric methods). Magnetic measurements were made with Geometrics G-858 Cesium magnetometer with two probes located on the same horizontal level at 0.5 m distance or on the same vertical level at 0.5 m and 0.75 m above the ground level. The instrument recorded the values of the total vector of the magnetic field strength and made it possible to calculate the pseudo-gradient of its components (horizontal or vertical). Electric measurements were made by means of axial dipole-dipole electrode configurations (parallel) with AB current electrodes with spacing of one metre and electrodes of potential MN (identical spacing) at equal distance D at 4 and 6 metres, which made it possible to record values of apparent resistivity of the subsoil, with the penetration depth of the current of c. 2.0 and 3.5 m, respectively, below the current ground level. At the time of the data interpretation, the suspected locations of the remains causing the anomalies were indicated by means of dashes of different colours and thicknesses (depending on the assumed depth of the structures). These indications, transferred on maps, can serve as a starting point for extensive analyses of the entire site and its surrounding area. The first non-invasive surveys carried out in Mustis have demonstrated the usefulness of magnetic and electric methods in mapping the preserved remains both inside and around the city. The obtained results enabled elaborating a strategy for the work to come. It is quite probable that the magnetic method will prove capable of indicating places where vestiges of constructions are preserved, while the electric method will determine the depth and conditions of deposition of localised structures.
Źródło:
Światowit; 2018, 57; 207-222
0082-044X
Pojawia się w:
Światowit
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Introduction aux rapports entre photographie et peinture chez Francis Bacon selon Deleuze (dans Logique de la Sensation)
The relation between photography and painting for Francis Bacon according to Deleuze (in The Logic of Sensation)
Autorzy:
Heusghem, Corentin
Powiązania:
https://bibliotekanauki.pl/articles/18105181.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
art
painting/photography
Deleuze
sensation
representation
Opis:
The aim of this article is to present a concise summary and review about the theses of Deleuze on the relations between painting and photography but also about his account of Bacon through the prism of this question in his book Francis Bacon : Logique de la sensation. This article could only be seen as an introduction and perhaps an invitation to read deeper studies about the important and numerous links between Deleuze's philosophy and art. 
Źródło:
Internetowy Magazyn Filozoficzny Hybris; 2021, 53, 2; 56-78
1689-4286
Pojawia się w:
Internetowy Magazyn Filozoficzny Hybris
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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