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Tytuł:
Główne problemy konserwacji i adaptacji zespołu pałacowo-ogrodowego
ГЛАВНЫЕ ПРОБЛЕМЫ ПО КОНСЕРВАЦИИ И ПРИСПОСОБЛЕНИИ СТАРИННОГО КОМПЛЕКСА В ВИЛЯНОВЕ
THE CHIEF PROBLEMS OF CONSERVATION AND ADAPTATION AT THE WILANÓW PALACE AND PARK MONUMENT
Autorzy:
Fijałkowski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/535091.pdf
Data publikacji:
1962
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Wilanów
konserwacja zespołu pałacowo-ogrodowego w Wilanowie
problemy konserwatorskie w Wilanowie
adaptacja Pałacu w Wilanowie
konserwacja wnętrz pałacowych
studia historyczne nad Wilanowem
Opis:
The monument-complex at Wilanów consisting of the palace, park and some adjacent buildings is in very poor condition at present. Among the reasons for thiis state of affairs were the many, but not always proper restoration work and the difficulties to assure sufficient conservation care during the Second World War. A number of very difficult conservation problems arose concerning the restoration of the Wilanów Palace to its former splendour and to adapt it to the new purposes in the service of the national culture. The main and most difficult problems concerned the palace — the central object at Wilanów. The foremost problem dealt with arresting the rapid deterioration and, on the other hand, the restoration of a proper technical state of affairs to the building to ensure a maximum durability and resistance against the influence of time while safeguarding its value as a monument. The second important conservation task concerned the restoration of the palace’s historical and artistic value, its historical looks and interior installations taking into account a number of historical additions to the palace. A detailed conservation programme was worked out following archival and observational studies and after many discussions of outstanding Polish conservators, art historians and architects. Talking into consideration the fact that the Wilanów Palace is not a homogeneous structure — as regards period and style — and it has parts dating from the 17th, 18th and 19th centuries, it was decided to preserve and even accentuate the style of the main part of the palace. The architectural differences of the exterior of the palace are to be preserved with baroque prevailing. In accordance with historical data the interior of the middle pairt and the galleries — the oldest parts of the palace — are to be restored in 17/18th century style; the interior of the south wing is to be restored according to the second half of the 18th and the beginning of the 19th century; and the interior of the north wing, rebuilt in the 19th century, will remain unchanged. Those elements which were added in the 19th and the 20tih century and have little value and importance will be removed while interesting historical and artistic elements from earlier periods are to be restored. The third problem dealt with the adaptation of the palace into a museum in such a way as to reconcile its historical and artistic values with dedactic utility and exhibit requirements as well as with the convenience and security of visitors to the museum. The ground floor of the palace, which represents the greatest artistic value, will house the exhibition of home furnishings from the 17th to 19th century. The first floor — of rather secondary importance — will be set aside for the paintings, artistic handicraft and art from the Far East. The newly built underground rooms will serve as cloak-rooms, lecturehalls, waiting-rooms etc. All the new underground rooms and other palace interior which have no architectural and ornamental decorations, will be done up in contemporary style. The lighting and heating equipment has been so installed so as not to change the historical character and monument value of the palace interior. Similar methods were applied for the restoration and adaptation of the adjacent buildings in which are to house scientific and conservation work rooms, a library, store room, offices, apartments for the staff etc.
Старинный комплекс в Вилянове, состоящий из Дворца, огорода и Флигельных построек, просуществовал века, но в нашее время находился уже в очень плохом состоянии. На это состояние, между прочим, имели влияние многочисленные, но не всегда надлежаще веденные работы по его восстановлению а также возникнувшие трудности в приобретении гарантии к достаточному обеспечению его во время последней войны. Вопрос, возращения Вилянову его прежнего великолепия и включения его в новые задачи, служащие народной культуре, встретился с целым рядом трудных проблем, связанных с консервацией. Главные, а вместе с этим наиболее трудные проблемы появились в центральном объекте Виляновского комплекса, то ест во Дворце. Первой основной проблемой являлась необходимость задержания очень быстро поступающего разрушения при помощи работ, связанных с приведением Дворца в соответственное техническое состояние, гарантирующее ему максимальную прочность и устойчивость против действия времени, сохраняя вместе с тем полную стоимость достопримечательности. Другой важной проблемой по консервации являлась необходимость возвращения Дворцу его исторического и пластического значения а также отображения исторического вида и установки внутреннего убранства, учитывая притом факты существования исторических наслоений. В результате архивных исследований и открытий в натуре а также в результате многих дискуссий, веденных в кругу известных польских консерваторов, историков искусства и архитекторов, разработано очень подробно консервационные указания. Принимая во внимание факт, что Виляновский Дворец не представляет собой однородной постройки как в стиле так и во времени и что имеет он очень выразительно выделяющиеся партии с XVII, XVIII и XIX века, — решено не только сохранить, но даже извлечь стильные качества из его основных частей. Что касается внешнего вида Дворца, постановлено признать правильным стильное разграничение подлинных для архитектуры Дворца элементов при сохранении гармоничного изъявления пластической целости с доминирующими в его массе чертами стиля барокко. А что касается внутреннего убранства, решено, согласно с исторической правдой, центральный корпус и галереи, так как наиболее старинные части Дворца, удержать в стиле XVII/XVIII-вечным, внутренний вид южного флигеля восстановить и возвратить ему стиль с второй половины XVIII и сначала XIX века, а внутренний вид северного флигеля в полности переделанного в XIX веке, оставить без перемены. Приобретение соответственных исторических и пластических качеств Дворца решено получить путём ликвидирования мало стоимых и не имеющих существенного значения позднейших элементов с XIX и XX века а также благодаря восстановлению (главным образом путём открытий) временно утреченных давней- ших форм. Третьей основной проблемой являлось приспособление Дворца к современным музейным потребностям таким образом, чтобы помирить исто- рически-артистические качества с экспозицийными, дидактическими и инными потребностями а также с удобством и безопасностью посещающих Музей зрителей. Первый этаж дворца, имеющий наиболее высокие артистические качества и достопримечательности, предзначено к экспозиции. Опираясь на существующей инвентарной описи и сохранившейся движимости, сорганизовано внутреннее убранство жилых помещений в стиле XVIII—XIX века. В этаже Дворца, имеющим второстепенное значение устроено галерею художественного искусства, артистического ремесла и искусства Дальнего Востока, а вновь возникшее подземелье предзначено исключительно к общественному пользованию (гардеробы, приёмные, зал для докладов и т.п.). Приспособляя вновь возникшие помещения к музейным потребностьям в подземельях дворца и в помещениях дворцовых не имеющих архитекто- нически-декорацийных украшений, принято за правило применять в разрешении этого вопроса определённо современное пластическое изъявление. Размещение инсталяций связанных с освещением и отоплением Дворца проведено как можно наиболее содержанной системой, не нарушающей общего характера внутреннего убранства и в полности сохраняя все качества и достопримечательности внутреннего вида Дворца. Такое же правило было принято при восстановлении и приспособлении старинных флигельных построек, предзначенных на мастерские для науки и для работ консервацион- ных, а также на библиотеку, склады для коллекций дед искусства, бюро, помещения для службы и т.п.
Źródło:
Ochrona Zabytków; 1962, 3; 12-25
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kafle z zamku w Dubiecku : z problematyki badawczej i konserwatorskiej zabytkowego założenia pałacowo-parkowego w Dubiecku
TILES FROM DUBIECKO CASTLE (A CONTRIBUTION TO THE RESEARCH AND CONSERVATION PROBLEMS OF A MONUMENTAL PALATIAL AND PARK ASSEMBLY IN DUBIECKO NEAR PRZEMYŚL)
Autorzy:
Frazik, Józef Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/539271.pdf
Data publikacji:
1970
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zamek w Dubieniecku
zamek w Dubiecku
kafle z Dubiecka
Opis:
The Neo-classical palace in Dubiecko, in course of the later reconstructions greatly deprived of its original style features, for good many years did not awake interests of conservators and art historians neither. It was mainly known as the birth-place of Ignatius Krasicki, Polish poet of the second half of the 18th century. Owing to on-the- spot researches carried out in 1965— 1966 built into the walls and within the porch area a considerable both as to their number and size quantity of the above-ground level walls have been discovered and also a series of earth-swamped cellars and foundations going back to the Renaissance time. Using technological method the author was able to select in this object several architectural stages of which most interesting are the two oldest ones. As the first should be named here the early Renaissance stage of castellum erected in the mid-century by Stanislaus Matthew Stadnicki. It has been built on a square plan with a courtyard within it. During the second stage, on the turn of the 16th century, s e veral construction works were carried out by Stanislaus and George Krasicki. It was the time when the following were built: so called treasury, courtyard cloisters and those adjacent to the castle, while in the park an ample mansion of bricks, so called „Krasiczynek”, playing the part of a garden belvedere. In connection with the above-mentioned two stages remain the tiles which have been found in form of several hundreds of fragments varying considerably as to their sizes. Of particular interest are the tiles discovered under the treasury flooring. With few exceptions they form a coherent set of samples with regard to their forms, style and technology of make. The set consists mostly of enormously large, perfectly proportioned and scarcely decorated tiles which at the same time exhibit high precision of their make and are, as a rule, totally deprived of glazing; instead they show some barely perceptible traces of lime engobe and vermillion paint grounding. In general they come from the mid-sixteenth century and seem to be once components of an early Renaissance stove which presumably was not free of the late Gothic reminiscences in its styling. From the fragments on hand it is possible to assume that the stove was composed of at least two fire-boxes the lower of whom was adorned with coat-of-arms escutcheons while the sto v e ’s top trimmed with two coronets. Both the sizes of fully set together tiles and the number of pieces with considerable decrements provide the evidence that the stove must have been rather big one as to its size. In a coherent set of tiles coming from the above-mentioned stove quite a small group of fragments might be isolated dating as far back as to the second half of the 16th century; they are coated with green-coloured glazing, some of them with no glazing at all, and decorated with a central motive of rosette. In addition, a group of multi-colour tiles from the turn of the 16th century was found having continuous decorative motives. From among the tiles dug out of the debris swamping the damaged cellars of that what once was the south wing of the castle deserve special attention fragments of a late-Gothic, probably 16th century tile ornated with the open-work tracery front wall glazed in green. The 1965 and 1966 examinations are to be handled as preliminaries to a series of intended large-scale researches. It is expected that their full realization should, apart from discovering of unknown architectural fragments, result in finding of further, by no means less valuable tiles. Those found and properly preserved should be exposed in a biographical museum whose three rooms are entirely devoted to the memory of Ignatius Krasicki. This museum has been called into being as the branch of the existing Przemyśl Regional Museum which was organized with a considerable support given by the Hardboard Factory, Przemyśl who are using the palace together with the surrounding monumental park as a recreational centre for their workers.
Źródło:
Ochrona Zabytków; 1970, 4; 294-302
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ocalić od zapomnienia. Rezydencje w służbie miasta Wrocławia na przykładzie założenia pałacowo-parkowego w Goszczu
Save from oblivion. Premises at service of the city of Wrocław on the example of a palace-park complex at Goszcz
Autorzy:
Grzesiak, R.
Powiązania:
https://bibliotekanauki.pl/articles/1185191.pdf
Data publikacji:
2002
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
zespół pałacowo-parkowy
projektowanie
krajobraz
Wrocław
palace-park complex
landscape
planning
Opis:
In the article Save from oblivion. Residences in the service of Wrocław city based on example assumption of Palace - Park in Goszcz the author stresses that listed palace-garden sets perceived as historical and whose cultural effect constitute refection of many ages of changes which occurs both in garden art and in views and attitude of man towards nature in the past. Presenting historical, scientific, artistic and natural values and also those which are an integral part of the culture landscape - garden relics of the past bear contribution in output and development of the national culture. The author of the publication discusses raised issues in more detail in the example of the baroque assumption of palace - park in Goszcz. She draws particular attention to the fact that listed park-residence sets should be subject to special protection especially as they become more and more valuable with time and they have greater value for tradition and identity of a nation.
Źródło:
Architektura Krajobrazu; 2002, 3-4; 90-97
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Założenie pałacowo-folwarczne w Mańczycach w krajobrazie podwrocławskiej wsi
The group of palace and farm buildings in Mańczyce in the landscape of villages around Wrocław
Autorzy:
Gubańska, R.
Powiązania:
https://bibliotekanauki.pl/articles/1185285.pdf
Data publikacji:
2002
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
wieś
krajobraz kulturowy
zespół pałacowo-folwarczny
Wrocław
village
cultural landscape
Opis:
The magnates' manors, which were palaces or mansions with farming facilities, go back in tradition to the middle ages. Similarly to those of other regions, the fate of the Silesian estates was brutally changed by the World War II. After 1945 the majority of land estates became the State property. Since that time, most of them have been gradually and systematically deteriorating, and finally getting destroyed, both in their architectural and space substances. In this paper an effort has been made to draw attention to the cultural values of both the whole space distribution and setting, as well as to the individual architectural items belonging to the group of palace and farm buildings in Mańczyce and especially to its role in shaping the cultural landscape of Lower Silesian villages. Here, sriving along the road you can notice already from a distance the towers emerging from the park which surrounds the residence of Mańczyce. Approaching the village, you can see the other elements: oblong blocks of stables, high roofs of barns, tall walls of granary, as well as the chimney of distillery - a significant distinguishing element in the scenery. The Mańczyce palace draws two axes: the main one and the lateral one. There is a park in the north part of the main axis and a representative court in its southern side. From the east, the lateral axis is encircled by a yard shaped in an elongated rectangle around which the farm building are clustered; and from the west - by a small rectangular yard surrounded by residential buildings. Part of it is the remains of the former workers and servants' quarters of the begining of the 20th century. Both, the palace and most of the farm buildings, among others the distillery, have not been managed nor taken care of for the last 20 years. As long as they were in use in a proper or less proper way, their technical conditions were satisfactory. Since they became empty and not used, they have fallen relatively quickly into ruin. At the moment one can only cherish a hope that Mańczyce's estate as well as many others which remain in a similar situation will regain their former splendour. Maybe this will happen thanks to a rather quick and conscious action in protection of antique group of palace and farm buildings and mansions.
Źródło:
Architektura Krajobrazu; 2002, 3-4; 79-83
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
JAKIE KOŚCIOŁY TU I TERAZ. O ARCHITEKTURZE I SZTUCE SAKRALNEJ
WHAT SORT OF CHURCHES HERE AND NOW. ON SACRAL ARCHITECTURE AND ART
Autorzy:
Pielas, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/535718.pdf
Data publikacji:
2003
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
architektura i sztuka sakralna
Świątynia Opatrzności Bożej
przenikanie się kultury Wschodu i Zachodu
zespół pałacowo-parkowy w Kamieniu Śląskim
kryteria projektowania kościoła
sacrum i profanum
kalwaria
Opis:
One of the events accompanying SACROEXPO, the sacral art fair held in Kielce, was a conference on sacral architecture and art entitled “What Churches Here and Now”. The inauguration paper, read by Cardinal Józef Glemp, dealt with the church of Divine Providence. Envisaged as a votum for the enactment of the Third May Constitution and a symbol of the moral revival of the nation, this project waited for more than 200 years for its implementation. Today, the church is being raised in Wilanów according to a project by Wojciech and Lech Szymborski. The plan of the Greek cross and the solid with four pylons and a dome refer to the original conception proposed by Jakub Kubicki. The papers presented at the conference focused on the theory and praxis of sacral art in Poland. Architect Paweł Korzewski sought the spiritual sources for the construction of a contemporary church in the Bible and papal teaching. He conceives a church as the place of a community of God and men, and as an edifice “with open doors”. In Poland, which for centuries continues to remain along the borderline of culture, this conception has already been realised. Dr. Paweł Uścinowicz discussed churches which link elements of eastern and western art – from the past (the Gothic chapel in Lublin Castle) and present-day examples (the frescoes by Jerzy Nowosielski in Catholic churches in Tychy and Wesoła). Practical care for sacral objects was broached by Stefania Adamczyk in a paper on the use of auxiliary funds obtained from the European Union. Rev. Erwin Mateja described a successful conservation of the palace in Kamień Śląski with a chapelsanctuary of St. Hyacinthus. Other participants of the conference stressed the need for care for the form of the contemporary church. It should take into consideration the sacrum and, at the same time, national, ethnic and cultural criteria as well as the time and space in which it is created. An essential role is played also by suitably arranged and distinguished space around the sacral object. In turn, the surrounding of a historical church constituted the theme of a paper presented by Dr. Magdalena Swaryczewska, who discussed natural elements as an integral part of holy places and postulated their protection against the infrastructure (parking lots, shops, hotels, restaurants, toilets). The conference ended with a survey of fifty years of the accomplishments of architect Antoni Mazur.
Źródło:
Ochrona Zabytków; 2003, 3-4; 145-147
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
REWALORYZACJA XVII-WIECZNEGO PARKU W TRZEBINACH KOŁO LESZNA
THE REVALORISATION OF THE SEVENTEENTH-CENTURY PARK IN TRZEBINY NEAR LESZNO
Autorzy:
Wróbel, Marek
Powiązania:
https://bibliotekanauki.pl/articles/537648.pdf
Data publikacji:
2003
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Trzebiny
park w Trzebinach
Zespół pałacowo-parkowy
Rekonstrukcja parku
Opis:
Trzebiny, a village of mediaeval origin (mentioned in 1360) and Polish-German lineage, is located in south-western Greater Poland, in the commune of Święciechowa, 9 kilometres to the west of Leszno. From the 1920s to 1945 Trzebiny lay in the western borderlands of the Republic, and during the inter-war period it adjoined the German state frontier. The owners of the landed estates, the von Lessen family, left Trzebiny for the Reich, fearing the approaching front. The post-1945 influx of a new population became one the reasons for the rapid devastation of the abandoned palace and park. The reconstruction of the historical complex, initiated in 1982, was completed in 1987 – a period which we describe as stage I. It also encompasses the garden premises featured in the regular part of the park and the park sculptures, damaged during the post-war period and reconstructed in 1993. Stage II, which took place in 1996-1999 and 2001-2003, supplemented the plants and formed and enlarged the rows of trees. A reconstructed fountain, a copy of Bernini’s Triton Drinking from a Corncupia, was placed in the southern part of the regular section of the park. In the landscape part of the park the tree crowns were pruned, dry branches and boughs were removed, and the tension lines were repaired. At the same time, an archeological reconnaissance of the terrain discovered relics of prehistorical settlements (the Lusatian culture) as well as settlements from the Late Middle Ages and the modern era. A mediaeval tower-manor house was found on the spot of the present-day “Four seasons” bower. Relics of a seventeenth - eighteenth-century residential development were registered to the south of the palace, near the historical complex of ponds. Flagstones, visible in the Duncker lithograph, were disclosed during plantings carried out in the 1990s in the south-western part of the park. The palace-park complex is located in the valley of the Krzycki Rift. One of the fragments of the old river-valley was transformed into a pond. Melchior Gurowski, who commissioned the construction of the “old manor” completed in 1680-1690, is considered to have been the builder of the object (mentioned in 1709), while the project is ascribed to an architect from the circle of Jan Catenazzi. The park surrounding the manor house was described as an Italian garden. The successive owners, members of the Nieżychowski family, rebuilt the park in about the middle of the eighteenth century. This is the period of the origin of the stone sculptures whose fragments were discovered in the park. After 1860, axial elements of the classical Italian garden became obliterated in the course of work conducted by the Von Leesens. As a result, the garden assumed the shape of a landscape park embellished with sculptures and flower beds. The park, whose area totals 6,1 hectars, contains trees of assorted ages, the most ancient being about 200 years-old. The varied species in the ground cover include lilies of the valley, goldilock and periwinkle. Squirrels are among the permanent residents of the park, and tree crowns offer nesting to black woodpeckers, nightingales, wood pigeons and the tawny owl. The regular layout of the park was recreated in the area of the presumed Italian garden, and nineteenth- century stone statues were situated in place of the Baroque originals, with an obelisk featuring the von Leesen coat of arms in the centre. The borderlines of the regular part of the park were enclosed by a row of hornbeam and stone pedestals scattered symmetrically on both sides. The reconstruction of the park is being continued up to this day. At present, chief tasks include cleaning the pond, rendering the culverts patent, and the construction of a river bar in the Krzycki Rift. The park in Trzebiany attracts numerous visitors and is a special favourite of young couples who take souvenir photographs against its background. Once a year, at the beginning of December, a cross country race is arranged for children under the motto: “running amidst historical monuments”.
Źródło:
Ochrona Zabytków; 2003, 3-4; 127-136
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Udział Instytutu Historii Architektury i Konserwacji Zabytków w procesie odnowy Krakowa
Autorzy:
Kadłuczka, A.
Powiązania:
https://bibliotekanauki.pl/articles/217506.pdf
Data publikacji:
2003
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
Teatr Stary w Krakowie
konserwacja
Rynek Główny w Krakowie
Kraków
zespół pałacowo-ogrodowy
Instytutu Historii Architektury i Konserwacji Zabytków
Old Theatre in Krakow
conservation
Main Market
palace
garden
Institute of History of Architecture and Monument Preservation
Źródło:
Wiadomości Konserwatorskie; 2003, 13; 78-81
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szansa rozwoju wsi dolnośląskiej na przykładzie adaptacji zespołu pałacowo-folwarcznego w Mańczycach
The chance of evolution of a lower Silesian village based on the example of an adaptation of the old farm in Mańczyce
Autorzy:
Gubańska, R.
Powiązania:
https://bibliotekanauki.pl/articles/1186416.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Przyrodniczy we Wrocławiu
Tematy:
wieś
rozwój
zespół pałacowo-folwarczny
adaptacja
village
development
old farm
adaptation
Opis:
The modern suburban Wrocław landscape is shaped and received above all by the picture and character of a Polish village. Village buildings do not account for important diversification - not too high tenement and farm buildings do not discriminate in a meaningful way. The situation only undergoes an alteration in cases when the village is an integral part of a former estate. Then within limits of farm buildings, other overall forms of dimension appear. To date the culture creating and landscape shaping role of palace - farm sets has unfortunately disappeared and the new social-political situation contributed to their gradual degradation. Perhaps it is worth remembering that farm sets constitute an element of our rural culture heritage and that is why they should be preserved from ruin and moreover from destruction. It is enough to find an appropriate function, preferably pliant to the tradition of the place, to allow the selected assumption to function, develop and constitute testimony to its former brilliance, most of all, for future generations.
Źródło:
Architektura Krajobrazu; 2005, 3-4; 38-44
1641-5159
Pojawia się w:
Architektura Krajobrazu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archeologia w procesie rewaloryzacji ogrodów. Trudne początki
Autorzy:
Morysiński, T.
Powiązania:
https://bibliotekanauki.pl/articles/217387.pdf
Data publikacji:
2006
Wydawca:
Stowarzyszenie Konserwatorów Zabytków
Tematy:
archeologia
rewaloryzacja
ogród
prace konserwatorskie
zespół pałacowo-ogrodowy
archeology
revaluation
garden
conservation work
Źródło:
Wiadomości Konserwatorskie; 2006, 19; 30-37
0860-2395
2544-8870
Pojawia się w:
Wiadomości Konserwatorskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kształtowanie zbiorowisk trawiastych na terenie starych parków dworskich na przykładzie Zespołu Pałacowo-Parkowego w Falentach
The grass communities formation in the old manor parks area on the example of Falenty Palace-Park
Autorzy:
Pawluśkiewicz, B.
Powiązania:
https://bibliotekanauki.pl/articles/11179920.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Przyrodniczy w Lublinie. Wydawnictwo Uniwersytetu Przyrodniczego w Lublinie
Tematy:
parki dworskie
Falenty
zespoly palacowo-parkowe
koszenie
metody renowacji
trawy
warunki swietlne
nawozenie
zbiorowiska trawiaste
biomasa
Zespol Palacowo-Parkowy Falenty
Źródło:
Annales Universitatis Mariae Curie-Skłodowska. Sectio E. Agricultura; 2006, 61; 277-283
0365-1118
Pojawia się w:
Annales Universitatis Mariae Curie-Skłodowska. Sectio E. Agricultura
Dostawca treści:
Biblioteka Nauki
Artykuł
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