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Tytuł:
The nature of law and its role in society: reflections on the basis of William Golding’s novel ‘Lord of the Flies’
Autorzy:
Wójcik, Eliza
Powiązania:
https://bibliotekanauki.pl/articles/1595891.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
literature
values
morality
natural law
legal positivism
mechanisms of power
Opis:
Literature provides a great deal of material for more general observations regarding the as- sessment of law and its role in public awareness. Literary works act as a mirror in which we can see the dangers of breaking the link between law and morality. An excellent example is William Golding’s novel, ‘Lord of the Flies’. His parabolic story about human nature provides a reflection on the role and nature of law in society. The task of defining the essence of law and its role in society has captured the minds of legal theorists, philosophers, and sociolo- gists for centuries. This paper includes a brief analysis of two basic concepts of the nature of law, i.e. natural law and legal positivism. It is an attempt to show that theoretical beliefs about the essence of law have a direct impact on the practice of making and applying laws. The pluralism of values is used by various social groups or the ruling political elite to achieve their own goals. They value individual civil liberties, giving primacy to values that safeguard their interests. This often happens at the expense of other groups whose freedoms are being limited. Importantly, such mechanisms of assigning value are used in both undemocratic and democratic systems.
Źródło:
Acta Iuris Stetinensis; 2020, 31, 3; 123-138
2083-4373
2545-3181
Pojawia się w:
Acta Iuris Stetinensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orfeusz w piekle obrazu (szkic niedokończony)
ORPHEUS IN THE UNDERWORLD IMAGE (Unfinished Sketch)
Autorzy:
Więckowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/487708.pdf
Data publikacji:
2015-11-05
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
MYTH, ORPHEUS, PAINTING, NATURE OF KNOWLEDGE, ART, LITERATURE
MIT, ORFEUSZ, OBRAZ, NATURA POZNANIA, SZTUKA, LITERATURA
Opis:
ORPHEUS IN THE UNDERWORLD IMAGE (Unfinished Sketch) Orpheus in the Underworld image addresses the issue of knowledge in the arts, especially the rarely recognized difference between the directness of sensations that seem natural and spontaneous, and its construction, which manifests itself in formalized, anterior analysis, which preceded experience. Więckowski considers that ages-old problem in the context of the myth of Orpheus’ descent into Hades and his (Orpheus’); the myth, which was often used in visual arts, music and literature. Więckowski analyzes painting as object and the way to learn through art. As the basis for his analysis, he uses a poem by Rainer Maria Rilke, in which Eurydice, called from hell by the means of poetry, reaches the limits of existence, but due to Orpheus’ mistake, does not cross the threshold of reality. What error did Orpheus make? What lies beneath the mythical gesture: his looking back and looking at Euridice? The answers to these questions are the subject of the essay.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 20; 6-22
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating Korean Nature. Translation Strategies in Lithuanian and English Literary Translation
Autorzy:
Tamošiūnienė, Lora
Powiązania:
https://bibliotekanauki.pl/articles/1368400.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literature in translation
nature in literature
Shin Kyung-Sook
Opis:
World literatures today often impose a separation of narratives from their geographic and linguistic origins. Translated versions of literary texts that were created and received within local cultural contexts, when translated, enter new, foreign contexts. When translations into many other languages appear, a writer may expect many diverse valuations of one`s work. Literary texts in translation, in fact, are an inseparable from literary experiences for many readers and the study of translated texts has a long-standing tradition. The future of such texts may also lie in the emerging future reading - “distant reading” to quote Walkowitz` use of Moretti`s term. Among the strongest arguments in support of such reading is the possibility, through translated texts, to establish a more aesthetic distance towards the object of a fictional text in translation. Translation gives us as readers a new and different approach towards objects we fail to notice because of their familiarity. Nature scenes and objects may be included among such features of the narrative that could be more aesthetically appreciated in the translated versions. The paper compares translations of nature scenes and objects of Shin Kyung-Sook`s novel into English Please Look After Mom (2011) and into Lithuanian Prašau, pasirūpink mama (2019). The paper reveals the scope of translation strategies of domestication and foreignization through comparison of translation of nature scenes and items into Lithuanian and English.
Źródło:
Research in Language; 2020, 18, 2; 205-217
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Morze jako żywioł i przestrzeń konfrontacji natury z kulturą. Ekopoetyka Damira Miloša w utworach Kornatske priče i Meke ulice
Sea as an Element and a Space of Confrontation between Nature and Culture. Damir Miloš’s Ecopoetics in Kornatske priče and Meke ulice
Autorzy:
Szperlik, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/15582273.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
post-humanism
ecopoetics
Croatian maritime/ecology literature
maritime topics
non-anthroponormative languages
Opis:
The article attempts to present selected prose works by Damir Miloš as an example of Croatian maritime literature and ecological writing. In the posthumanist view, the symbiosis of man and nature constitutes a postpastoral attempt to return to Arcadia. In Miloš’s prose, ecopoetics is manifested in J. F. Lyotard’s idea of “house-building” ( oikon and poesis ), which is currently also discussed by other researchers, in the harmony of the human and the world of nature, as well as in the perspective of pansociologism, according to which “everything is society,” and all existence means “entering into interactions,” and, lastly, in the optics of Bruno Latour’s hyperhumanism. The element of the sea ( its flora and fauna) in an ecocritical approach is characterised by liquidity, ambiguity as well as transgression and liminality ( between the world of nature and culture ). In addition to its causative elements, it can also communicate ( non-anthroponormative languages, post-koiné ).
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 343-361
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Human Attitudes to Nature in Four Stories from The Decameron 2020
Autorzy:
Sumpor, Svjetlana
Powiązania:
https://bibliotekanauki.pl/articles/15582276.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
The Decameron 2020
intertextuality
ecocriticism
pandemic
motif of nature in literature
Opis:
The Decameron 2020 started in Croatia as an online literary event in the time of the first quarantine caused by the Covid-19 pandemic and resulted in an e-book of fifty-two selected short stories. Its initiators and editors, Ana Cerovac, Vesna Kurilić and Antonija Mežnarić, recognized the peculiarity of the experience of living in the end times, as well as the potential for comparison of the e-book with Boccaccio’s classic, and set up an online space where authors from Croatia and the region could ( re )create or transform their experiences, or reflect upon them. This paper focuses on four stories from the collection in which nature is givenspecial significance: Algernonova osveta (Algernon’s Revenge) by Nataša Milić, Zaražena (Infected) bySunčica Mamula, Redukcije(Reductions) byAnaKutleša and 2030 byRadmila Rakas. It investigates the range of feelings and attitudes towardsnature in the time of pandemic and quarantine, as reflected in these four stories.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 327-342
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
De l’arbre à l’herbe à l’arbre : nature morte et nature vivante en littérature
From the tree to grass to the tree – Still life and living life in literature
Autorzy:
Settimini, Marco
Powiązania:
https://bibliotekanauki.pl/articles/1627851.pdf
Data publikacji:
2014-12-01
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Opis:
According to Spengler the experience of modernity is marked by the struggle of organic nature against inorganic minerality, and of blood’s supremacy against money’s abstraction. The city is the matterly and symbolic place of this era, where inorganic economy wins over cosmic order, and avant-garde over traditions. Trees disappear as physical presence and as metaphysical symbol of transcendence. According to Deleuze literature offer the signs of a plant imagery made of trees, leaves, flowers, musk, rhizomes, grass and algae. The book can be like a tree, the image of an organic order, or Whitman’s grass growing in any place, or the inorganic rhizomatic structure of Joyce and Proust’s chaos, fragmentation and decomposition. Opposite stands Henry Miller’s interpretation of D. H. Lawrence’s works and life as symbol of the cosmic tree standing like De l’arbre à l’herbe à l’arbre : nature morte et nature vivante en littérature 55 Christ’s cross in the middle of the petrified forest. The desert or wasted land of modernity.
Źródło:
Cahiers ERTA; 2014, 6; 37-55
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’oeuvre romanesque de Loys Masson, ou l’écocritique mauricienne et indianocéanique au moyen d’une poétisation de la nature et de l’espace
Mauritian and Indian Ocean Islands’ Ecocriticism through Nature and Space Poeticization in Novels by Loys Masson
Autorzy:
Samboo, Sachita R.
Powiązania:
https://bibliotekanauki.pl/articles/1053750.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Mauritian Literature
Loys Masson
ecocriticism
Opis:
The study of Mauritian Literature and the environment from an interdisciplinary perspective arouses various concerns and questionings such as the protection of planet Earth, the relation between characterisation and natural settings, the nature-culture dichotomy and nature writing. The fictionalisation and poeticization of Mauritian and Indian Ocean islands’ natural spaces in Loys Masson’s novels depict both man as Nature’s saviour and Nature as man’s saviour, in such a way that Nature’s raison d’être becomes Literature and aesthetics. Nature exists because it will eventually turn into a Book. Born at the end of the 20th century in American universities and closely linked to geocriticism and ecopoetics, ecocriticism thus provides new insights into Masson’s novels while reviving traditional French philosophical thoughts by Jean-Jacques Rousseau or Michel Serres.
Źródło:
Romanica Silesiana; 2020, 18, 2; 124-135
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dlaczego preromantyzm? Literatura przełomu XVIII i XIX stulecia w terminologii historyka literatury
Why pre-Romanticism? Literature of the Turn of the 18th and 19th Centuries in the Terminology of a Literary Historian
Autorzy:
Pluta, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1799033.pdf
Data publikacji:
2019-10-24
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
preromantyzm; romantyzm; oświecenie; klasycyzm; sentymentalizm; gotycyzm; osjanizm; rokoko; Puławy; Czartoryscy; natura
pre-Romanticism; Romanticism; Enlightenment; Classicism; Sentimentalism; Gothicism; Ossianism; Rococo; Puławy; Czartoryski family; nature
Opis:
Artykuł jest próbą spojrzenia na znaczenie terminu „preromantyzm” przez pryzmat funkcjonowania tego pojęcia w tekstach literaturoznawczych. Przedmiotem analizy są rozprawy zamieszczone w przygotowanych przez Alinę Aleksandrowicz i Ewę Grzędę dwóch książkach naukowych, które dzieli data wydania (1991 i 2007), charakter publikacji (tom zbiorowy i autorska antologia utworów literackich), łączy natomiast użycie w formule tytułowej terminu „preromantyzm”. Rekonstruowane w toku rozważań sensy terminu „preromantyzm” odsyłają do zjawisk estetyczno-literackich, które mają w nauce o literaturze swoje nazwy: „sentymentalizm”, „gotycyzm”, „osjanizm” czy „rokoko”. Materiałem uzupełniającym bądź porównawczym dla formułowanych wniosków są spostrzeżenia innych badaczy literatury (T. Kostkiewiczowa, A. Kowalczykowa, J. Krzyżanowski, Z. Libera, J. Lyszczyna, J. Maciejewski), którzy problem preromantyzmu rozpatrywali wcześniej.
The article is an attempt to look at the meaning of the term “pre-Romanticism” through the prism of its functioning in literary texts. The subject of analysis are texts published in two book by Alina Aleksandrowicz and Ewa Grzęda. The two books are different in terms of the date (1991 and 2007) and the nature of the publication (collective volume and author’s anthology of literary works), but also linked to each other through the use of the term pre-Romanticism in their titles. The reconstructed senses of the term pre-Romanticism refer to aesthetic and literary phenomena which have their specific names in literary studies: Sentimentalism, Gothicism, Ossianism or Rococo. The observations of other literary researchers (T. Kostkiewiczowa, A. Kowalczykowa, J. Krzyżanowski, Z. Libera, J. Lyszczyna, J. Maciejewski), who previously considered the problem of pre-Romanticism, constitute a complementary or comparative material for the formulated conclusions.
Źródło:
Roczniki Humanistyczne; 2019, 67, 1; 39-52
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aksjologiczny charakter szczęścia w literaturze, czyli o związkach felicytologii i estetyki
The axiological nature of happiness in literature, or the relationships of felicitology and
Autorzy:
Osiński, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/514813.pdf
Data publikacji:
2015
Wydawca:
Fundacja dzień dobry! kolektyw kultury
Tematy:
szczęście
aksjologia literatury
funkcja estetyczna
wartość estetyczna
Jan Mukařovský
happiness
Literature axiology
aesthetic function
aesthetic value
Opis:
The article relates to compounds of happiness with the literature, its purpose is to answer the question: what and why can literature talk about happiness? Different directions in literary studies occupy different positions to the values contained in the literary work. There is also no consensus as to whether it is the bearer of aesthetic func-tion. The author starts from the aesthetic function, which sees the only way to fulfill the value in the literary work to the reflection on the aesthetic value to propose a theoretical model of happiness in the literature. This model is based on the structural aesthetic by Jan Mukařovský, whose works are its theoretical foundations. In this connec-tion the two modes for its practice: evoking and showing, that explains an example of ‘Szczęśliwe drogi’ by K. K. Baczyński. Consideration sends attention to the impact on the valuation of happiness evoking literary work.
Źródło:
Amor Fati; 2015, 1; 113-126
2449-7819
Pojawia się w:
Amor Fati
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z horroru w horror. Alegoryczność literackich narracji zom-biecentrycznych w perspektywie politycznej, społecznej i ekonomicznej
From horror to horror. Allegorical nature of zombie-centred literary narratives in political, economic, and social perspective
Autorzy:
Olkusz, Ksenia
Powiązania:
https://bibliotekanauki.pl/articles/2012644.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
zombie
alegoria
literatura
ekonomia
horror
allegory
literature
economy
Opis:
The current vogue for zombie is spreading. The zombie pandemic has affected various dimensions of human life manifesting itself in the sphere of entertainment as well as in economic and social discourse. The epidemic character of this term can be noticed in the language usage, in which it has become a catch-all which signifies a person whose appearance, lack of physical coordination and emotional numbness constitute an opportunity to be compared to a walking dead. Anthropophagy, which has become a part of the zombie topos, seems to have many different meanings that refer not only to a cultural taboo, but also to some external aspects which can be defined as a prefiguration of corporations craving for profits, banks devouring borrowers or immigrants rushing at the gates of alleged European paradise. The theme of zombie may also appear in a psychological and sociological perspective. It can be related to such phobias of civilization as economic collapse, disintegration of human relationships and state structures, or global development of corporation-based system. All these elements make up an allegoric meaning of zombie characters and provoke reflection on how the artistic potential of this theme can be exploited.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 171-186
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
TREŚĆ VERSUS FORMA. Z ROZWAŻAŃ NAD NATURĄ TEKSTU LITERACKIEGO W ŚWIETLE UKRAIŃSKICH MANIFESTÓW LITERACKICH LAT 20. XX WIEKU
CONTENT VERSUS FORM. FROM THE CONSIDERATIONS ON THE NATURE OF THE LITERARY TEXT IN THE LIGHT OF THE UKRAINIAN LITERARY MANIFESTOES OF THE 1920S
ЗМІСТ VERSUS ФОРМА. ІЗ РОЗДУМІВ ПРО ПРИРОДУ ЛІТЕРАТУРНОГО ТЕКСТУ В СВІТЛІ УКРАЇНСЬКИХ ЛІТЕРАТУРНИХ МАНІФЕСТІВ 1920-X РР.
Autorzy:
Nowacki, Albert
Powiązania:
https://bibliotekanauki.pl/articles/1041140.pdf
Data publikacji:
2020-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
українська література
дискусія
форма та зміст
письменник
експеримент
концепція
Ukrainian literature
discussion
form and content
writer
experiment
concept
Opis:
The purpose of this paper is to reflect on an extremely interesting issue, which was the attempt to explain the primacy of content over form or form over content in Ukrainian literature. The author emphasizes that this issue was the subject of considerations at the end of the 19th century, when modernist literature, looking for new ways of artistic expression, gave primacy to the form of a literary work over its content. Modernists felt freed from the duty of “moralizing” the reader, arguing that the writer’s duty is to constantly experiment with the form. The author refers to such figures as Mykola Voronyj, Mykola Sriblanski, Yakiv Mozhejko, Dmytro Zahul, and circles associated with the magazine “Muzahet”, “Literature Critical Almanac”, “Ukraїns’ka khata” and the literary group “Moloda Muza”. Discussions at the turn of the century came alive again in the 1920s in the newly formed Ukrainian Soviet Republic. Supporters of socialist realism argued that the content of the literary work is more important, because, in their opinion, the writer’s duty is to “educate” society. Based on the research conducted, it can also be stated that at the same time there were also writers whoemphasized the significant importance of the form of the literary work. Among them were members of the literary group called “Grono”. Later in the paper, the ideas advanced by Valeriian Polishchuk, who proposed the concept of the literature of the spiral (literature like mathematics ), are analysed. An interesting poem theory is also mentioned here, where euphony came to the fore. It was the author’s concept of a new rhythm of the poem, referred to as the “khvilyada”.
Метою статті є рефлексія над цікавим питанням, яке виникло на зламі ХІХ та ХХ століть в ураїнській літературі, а саме — первинності змісту над формою чи форми над змістом. Автор статті підкреслює, що згадане питання було предметом роздумів та суперечок наприкінці ХІХ століття, коли модерністична література, шукаючи нових способів художнього вираження, надала перевагу формі літературного твору над його змістом. Модерністи почували себе звільненими від обов’язку “моралізувати та вчити” читача, стверджуючи, що обов’язок художника — постійно експериментувати з формою. Автор покликається на Миколу Вороного, Миколу Сріблянського, Якова Можейка, Дмитра Загула та середовища, пов’язані з журналами „Музаґет”, „Літературно-науковий вісник”, „Українська хата”, а також із групою „Молодамуза”. Дискусії зламу століть знову ожили у 1920-і рр. у новоствореній Українській Радянській Республіці. Прихильники соціалістичного реалізму стверджували, що зміст літературного твору важливіший, адже, на їхню думку, обов’язок письменника — “виховувати” суспільство. Спираючись на проведене дослідження, можна також констатувати, що були й письменники, які підкреслювали суттєве значення форми літературного твору. Серед них, між іншим, члени групи „Ґроно”. У статті проаналізовано ідеї, висловлені Валеріаном Поліщуком, який запро-понував концепцію літературного спіралізму (література як математика). Також згадується цікава теорія вірша, де на перший план письменник висував евфонію. Це була його авторська концепція нового ритму вірша, відомого як “хвиляда”.
Źródło:
Studia Ukrainica Posnaniensia; 2020, 8, 2; 119-130
2300-4754
Pojawia się w:
Studia Ukrainica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literature of Exhaustion: Representations of Mental Fatigue in Joris-Karl Huysmans’s „Against Nature" and Wilkie Collins’s „The Woman in White"
Literatura wyczerpania. Obrazy neurastenii w „Na wspak" Jorisa Karla Huysmansa oraz „Kobiecie w bieli" Wilkiego Collinsa
Autorzy:
Nitka, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/26058127.pdf
Data publikacji:
2023
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
przemęczenie psychiczne
wyczerpanie
neurastenia
Beard
Huysmans
Collins
mental fatigue
exhaustion
neurasthenia
Opis:
A phenomenon known well before the onset of modern society, registered as a medical term not until the second half of the 19th century, when physiologists and psychologists inquired into physical and mental exhaustion resulting from excessive work as well as that which had no work-related etiology. Such condition of the severe mental fatigue which entailed deficiency of nerve-force was defined by American neurologist George M. Beard as neurasthenia. Taking into account scientific studies of enervation, the article examines some late 19th-century literary treatments of exhaustion in Joris-Karl Huysmans’s Against Nature and Wilkie Collins’s The Woman in White to present them as peculiar, decontextualized cases of exhaustion for exhaustion’s sake.
Źródło:
ER(R)GO: Teoria – Literatura – Kultura; 2023, 46; 169-183
1508-6305
2544-3186
Pojawia się w:
ER(R)GO: Teoria – Literatura – Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oko i słowo (Wizje powieściowe w pamięci społecznej)
EYE AND WORD (Fictional Visions in Social Memory)
Autorzy:
Magala, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/487979.pdf
Data publikacji:
2015-11-05
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
NARRATION, REINTERPRETATION, IMAGE, NATURE OF IMAGES, LITERATURE
NARRACJA, REINTRPRETACJA, OBRAZ, NATURA OBRAZU, STRATEGIA OBRAZU, LITERATURA
Opis:
EYE AND WORD (Fictional Visions in Social Memory) There is no library in Plato’s cave. His dialogues were narrated before books got printed and contemporary information caves filled with mass media and social media do not need books sending googling masses to clouds, not libraries. What matters more – a letter, which is the building brick of words, sentences and novels or a pixel which is a building brick of the deluge of images, a drop in the ocean of an iconic overkill? In aesthetics of photography the question is whether a meaning of a photograph depends more on an iconic and often subconscious impact or on a rational interpretation in the light of what we know having read the caption and the explanation of the context. Visions of contemporary world are best deciphered from an unfinished novel by David Foster Wallace, whose epic story of the Internal Revenue Service chapter in Peoria, Illinois, entitled The Pale King shows us the world of hyperactive consumers, addicted to news, speed, travel, alcohol, drugs, sex and entertainment. For them, boredom of a perfectly boring work – like the one performed for the tax office of the US – is a perfect serum restoring them to a meaningful life and full humanity. Boredom as salvation, here is the vision of a novelist, who also claimed, in his last public lecture, that real education can save our souls both from boredom and from hyper consumption. Pixels are a legion, but words matter and meanings can be found.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2015, 20; 194-211
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Charakter rodzinnych zależności i uobecnianie się wątków familiarnych w biografii i twórczości Jana Rybowicza
The naturę o f family relationships and the actuating o f familial themes in the biography and writings o f Jan Rybowicz
Autorzy:
LITWICKA, PAULINA
Powiązania:
https://bibliotekanauki.pl/articles/435634.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Wrocławski. Wydział Nauk Historycznych i Pedagogicznych. Instytut Pedagogiki. Zakład Historii Edukacji
Tematy:
Jan Rybowicz, modem literature, the loner of Lisia Góra, Stare Dobre
Małżeństwo, family relations, Polish literature of the 1980's.
Opis:
Jan Rybowicz was a poet and prose writer who lived in the years 1949-1990 in Lisia Góra near Tarnów. His writings as well as the memories preserved in letters and publications are an evidence of the poet's exceptional relations with his family. The love of the mother and the father appears to be the only stable and unconditional feeling in the tragic and lonely life of the artist. The presence of family topics in protest literature inhighly uncommon, especially in Polish literature of the 1970's and 1980's.
Źródło:
Wychowanie w Rodzinie; 2011, I, (1/2011)
2082-9019
Pojawia się w:
Wychowanie w Rodzinie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genesis from the Spirit, or subjectivity and nature in Juliusz Słowacki
Genezis z Ducha, czyli o podmiotowości i naturze u Juliusza Słowackiego
Autorzy:
Kutrzeba, Kacper
Powiązania:
https://bibliotekanauki.pl/articles/2087688.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
literature and philosophy
discourse of modernity
German Idealism
critique of ideology
Juliusz Słowacki (1809–1849)
romantyzm
nowoczesność
mistycyzm
krytyka ideologii
rewizja romantyczna
Opis:
This article presents a new approach to the interpretation of Juliusz Słowacki's Genesis from the Spirit (1844) from the perspective of the groundbreaking philosophical discourse of modernity. What it actually suggests is that the mystical Form of Słowacki's cosmic vision, believed to be an emanation of the Absolute or a vestige of Creation, has a historical and materialist core. This claim is based on a series of comparisons with passages from Hegel and the premises of the philosophy of Friedrich Schlegel. By following closely the spontaneous movement of inner tensions in Słowacki's poetic discourse this study demonstrates that it is driven his own philosophical project and less so by the discourse of mysticism.
Źródło:
Ruch Literacki; 2021, 5; 631-656
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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